Tag Archives: rose strang art

Video premiere: The Living Mountain

(Above, from left to right: Anna Fleming, Kerri Andrews, Erlend Clouston, Merryn Glover, Rose Strang, at The Scottish Poetry Library).

I’m very excited to share a new video (link below), created in response to my recent exhibition The Living Mountain. Dreaming a Response, which is currently showing at The Scottish Poetry Library in Edinburgh until the 31st March. If you don’t get a chance to see the paintings at the Scottish Poetry Library, the  exhibition continues at The Heriot Gallery, Dundas Street, Edinburgh from 17th to 23rd April 2023.

The video showed at the Scottish Poetry Library as part of a launch event of the exhibition and as part of an evening celebrating what would have been Nan Shepherd‘s 130th birthday (author of The Living Mountain)

It features really beautiful music by my friend (and collaborator on many projects since 2013) Atzi Muramatsu. I knew Atzi would respond to the themes with talent and sensitivity but I was deeply moved by his interpretation. Listening to it for the first time was a ‘hairs-standing-on-end’ thrill for me! I won’t go on too much, but do have a watch and listen. A heartfelt thank you to Atzi.

There was a wonderful buzz at the event, which completely sold out (Nan Shepherd being a popular subject these days). Much of the talk included speculation on why such a gifted author only published her non-fiction work The Living Mountain in her later years. I’m very grateful to Aly Barr and all at the Scottish Poetry Library for including me in the event. They were fantastic people to work with – humorous and calm throughout!

Three authors, Merryn Glover, Kerri Andrews and Anna Fleming, shared moving excerpts from their new books. Then, literary executor of Nan Shepherd’s estate (and lifelong friend of Nan) Erlend Clouston, gave a characteristically fascinating and humorous talk about Nan, followed by a general discussion and Q+A from the audience. There wasn’t enough time for all the many ideas and experiences to be shared.

Thankfully amongst all the excitement I remembered to buy all three books, all of which, from their unique perspectives, delve into the fascinating life and inspiration of Nan Shepherd:

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The Hidden Fires, by Merryn Glover

Wanderers – A History of Women Walking, by Kerri Andrews

Time on Rock, by Anna Fleming

And here’s a link to Erlend Clouston talking about Nan as part of Simone Kenyon’s project called Into the Mountain – Erlend on Nan

The exhibition at the Scottish Poetry Library also includes a display of some of Nan’s letters and first drafts of poems. (My personal favourite was ‘Achiltibuie’ because it’s a jewel-like poem, capturing the incredible landscape of Achiltibuie – a place quite dear to my heart).

Thank you to everyone who attended the events at the Scottish Poetry Library. Thank you of course to my partner Adam Brewster who was there being supportive and creative throughout this project (which was two years in the making!) and for the stunning photos of the Cairngorms which feature in the video above. And again thanks to the Scottish Poetry Library for making the event so special and exciting. I think it’s wonderful how inspiration leads to many new inspirations, ever blossoming. It was just great to meet everyone there and share our love of The Living Mountain. Here’s to many more such events in future!

The Living Mountain. Dreaming a Response continues at the Scottish Poetry Library until 31st March, then goes on exhibition for one week at the Heriot Gallery, Dundas Street, Edinburgh from 17th to 23rd April.

 

Exhibition article

Just four days now to the exhibition launch of The Living Mountain. Dreaming a Response, at The Scottish Poetry Library in Edinburgh.

The panel discussion on the 17th February has now sold out, but the exhibition continues until the 31st March, before going on exhibition at The Heriot Gallery Dundas Street, Edinburgh. All details Here

The National have just published an article about the exhibition and talk, which you can view here – Nan Shepherd: Exhibition to mark 130th birthday of famed Scottish environmentalist

Limetree Bristol. Christmas Exhibition

Above and below –  three paintings which are included in the new Christmas Exhibition which launches 5th December at the Limetree Gallery, Bristol.

‘Early Evening, Ardban’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

‘Dusk, Sanna Bay’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

 

 

 

 

 

 

 

It’s a delight to show with the Limetree Gallery Bristol again. Have a look at their lovely brochure for the exhibition (link below), which includes beautiful artworks by talented artists including Aldo Balding, Mike Carter, Andrew George, Ian Humphreys, Barry Kelly, Jane Kite, Alan James McLeod, Alison McWhirter, Teresa Pemberton, Helen Sinclair MRBS SWA, David Smith RSW, Trevor Sowden, Malcolm Taylor PS VPMAFA RBA, Peter Wileman FROI RSMA FRSA and Sian McGill.

Thanks to the Limetree Gallery for placing ‘Dawn, Ardtoe, on the front cover!

Lime Tree Christmas Exhibition Brochure Bristol

A new commission

(Private commission). ‘Ardban Light’. Mixed media on 23×16 inch wood panel. Rose Strang 2019

Above – a private commission for a friend from the US, who kindly commissioned me after seeing some of my paintings. It’s now winging its way to its new home! The buyer of the painting will also use this image for a CD cover featuring his and others music, which I’ll post more about here once he’s received the painting and goes ahead with that!

The theme was dawn rising after a long night – a sense of hope. I based it on my paintings of Ardban earlier this year, hence the painting title- ‘Ardban Light’.

If you’re interested in commissioning paintings, here’s a previous post I wrote about commissions – Link to commissioned paintings. If the subject inspires me I’m happy to take on a new commission, time allowing.

I’ll soon be posting updates on painting progress for a little series I’m creating called Winter Miniatures. The exhibition will feature semi-abstract winter colours in mixed media on 3×3″ wood blocks. More info on the upcoming exhibition at my studio, which launches 8th December 2019 Here

 

Paintings for Limetree Gallery, Bristol

‘Dawn, Ardtoe’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

‘Early Evening, Ardban’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

Above, three paintings for the Limetree Gallery in Bristol for their upcoming Christmas Exhibition. I’m very happy to be showing again at the Limetree Bristol, which showcases some of Scotland’s leading landscape artists. If you’re interested in any of these paintings, please contact Limetree Gallery on their website:

http://www.limetreegallery.com/

In this series I’m trying to capture the mood of changing light at dawn and early sunset. The term ‘gloaming’ – used to describe a particular pre-twilight Highland light, sounds romantic and it is quite magical. It’s a light that makes things slightly difficult to see;  a sort of subdued glow. I think I’ve maybe captured it in ‘Early Evening, Ardban’. Dawn on the west coast, looking out to sea, usually appears misty with suffused light since it’s coming from the east – colours are softened and low contrast – very tranquil.

These three paintings are worked up from sketches I made this year while at Ardban in Applecross, Sanna bay and Ardtoe beaches in Ardnamurchan – beautiful, remote places on the west coast of Scotland. I couldn’t resist a hint of chimney smoke from Ardban cottage, we had great times around the fire! Here are a few photos from my stay there in August …

Cottage. Rose Strang

Euan, Adam and Donald (playing guitar) outside the cottage. Rose Strang

 

 

‘Ardban’ – exhibition launch

My new series for a solo exhibition – ‘Ardban’ – launches on Friday 18th October at the Limetree Gallery in Fortwilliam (not to be confused with Limetree Gallery Bristol for whom I’m creating new works for their Christmas exhibition this year!).

A few photos to show framed painting and to show scale …

 

I look forward to traveling up to Fortwilliam for the exhibition launch – all welcome to attend, it’s open to the public and starts at 7pm, 18th October (exhibtion continues to 30th November).

The address is Lime Tree An Ealdhain Gallery, The Old Manse, Achintore Road, Fort William, PH33 6RQ.

Map of the area ..

 

 

 

If you’d like to reserve a painting, please contact the gallery at info@limetreefortwilliam.co.uk

All paintings from the series …

 

Ardban Series completed!

‘Stormy Sky. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

‘Sea Pools. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

‘Morning. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

The three paintings above complete the series for an upcoming exhibition at Limetree An Ealhain Gallery, in Fortwilliam, opening on the 18th October.

The full series can be viewed Here. If you’d like to reserve a painting, please contact the Limetree Gallery Fortwilliam at info@limetreefortwilliam.co.uk

I’ve been fighting off a cold as well as painting all week so I’m too puggled (old Scots word for tired) to write more today, but here are two more videos (by Adam Brewster, thanks Adam!) of painting on the beautiful beach of Ardban (one showing that it can be sunny, the other showing that sometimes you can dispense with brushes). Thanks again to Donald Ferguson for arranging this amazing holiday – I look forward to going back there again!

Launch of ‘Planets. The Seven Heavens in the Imagination of C.S. Lewis’

Michael Ward, Rose Strang. Demarco Gallery at Summerhall (photo Fernanda Zei)

Richard Demarco. Michael Ward. Main Hall, Summerhall (photo Adam Brewster)

The launch of ‘The Planets. The Seven Heavens in the Imagination of C.S. Lewis’ was a great success and very enjoyable indeed!

The exhibition continues until Sunday the 22nd September and is open daily from 1 to 6pm at the Demarco Galleries, Summerhall.

Associated Events:

On Saturday 21st, from 3 to 5pm, there will be an associated event in the gallery space, featuring an animation by Adam Brewster, which very poetically captures the idea of changing planetary influence according to the Medieval cosmos and the imagination of C.S. Lewis. This will be followed by a moving excerpt from ‘The Last Battle’ by C.S. Lewis: ‘Night falls on Narnia’, read by Dr Charles Stephens. The event will round off with a cello performance in response to this excerpt from ‘The Last Battle’, by cellist/composer Atzi Muramatsu, with whom I’ve had the pleasure to collaborate since 2013.

It was a pleasure to finally meet Dr Michael Ward, author of Planet Narnia. The Seven Heavens in the Imagination of C.S. Lewis.

It’s always interesting to meet someone whose work you admire;  a bonus if you enjoy their company too! Michael really added towards making the event relaxed and good-humoured –  friends and family and all there including myself enjoyed meeting him.

Although Michael Ward’s ideas on the Narniad can be summarised in a few phrases on one level, it’s a complex subject that benefits most from in-depth reading around the ideas. Readers of this blog will have learned some of the concepts expressed in ‘Planet Narnia’ here, but Michael Ward’s talk on Thursday demonstrated how much more effective it is to actually hear Michael talk about it – far more entertaining!

 

 

 

 

The talk was fascinating and sparked a range of interesting questions afterwards. I heard first-hand from several friends how intrigued they were by the subject, and that they’ll be reading more about it, so I hope that leads to more sales of ‘Planet Narnia’.

There was discussion of a potential follow-on exhibition in Oxford, so fingers crossed that will find a way to go ahead next year.

Michael Ward. Fernanda Zei. (Photo Rose Strang)

I was very moved by the attention to detail by exhibition curator Fernanda Zei, who understood the themes and visual aesthetics so intelligently and presented them with great sensitivity.

For me there was no doubt where I wanted to show this exhibition; Richard Demarco’s work across the decades is characterised by a search for truth, meaning and healing in the arts. I knew that Richard, Terry Anne Newman (Deputy Director of the Demarco Archive Trust) and Fernanda Zei (Demarco Trust Curator) would respond to the themes and present the exhibition with intelligence and they surpassed my expectations in that regard.

My warm thanks to Michael Ward, all at the Demarco Galleries, and to loved ones, family and friends who attended. Particular thanks and appreciation to Christine Aldred, who bought ‘Sun’!

I’ll be posting a video of the event here soon …

Demarco Gallery. (photo Adam Brewster)

 

 

Exhibitions and available paintings Jan’ 2019

Current round-up of current exhibitions and (as yet) unsold paintings  …

 

Limetree Gallery, Bristol. (Contact gallery for enquiries Here)

Paintings available from the Limetree Gallery …

Winter Show. Resipole Gallery, 10th Nov’ to 22nd March. Ardnamurchan, Scotland. (Contact gallery for enquiries Here)

Paintings at the Resipole …

 

Small Paintings. Morningside Gallery, Edinburgh.  (contact gallery for enquiries Here)

Paintings at the Morningside Gallery …

‘Wells of Arthur’s Seat’ exhibition – new venue

Citadel Bookshop, on Montrose Terrace, Abbeyhill, Edinburgh

Paintings from the ‘Wells of Arthur’s Seat’ series will be on exhibition at the Citadel Bookshop, Edinburgh, from now to mid-August (see map below).

I’m really pleased about this as it’s great to have the paintings viewable ‘in the flesh’ as it were – especially as I’ll be away up north for the whole of July, so they wouldn’t otherwise have been on exhibition.

You can see the paintings online Here

And here’s a map showing the location of the Citadel Bookshop ..

 

 

 

 

 

 

The Citadel is run by poet Alan Spence and his wife Janani and is open 1pm to 5pm Monday to Saturday (closed Sundays). Drop by for a chat (they’re both very friendly!) and enjoy a peruse of their excellent book collection, which includes many rare or unusual poetry editions among an eclectic selection of general literature.

Alan Spence

 

 

 

 

You’ll likely find several books relating to spirituality, meditation and Zen practice since Alan and Janani ran the Sri Chinmoy Meditation Centre in Edinburgh a while back. (read an interview with Alan  in the Scottish Review of Books Here )

Alan was named Edinburgh’s Makar in 2018 (Makar is the Scots word for learned poet). His work explores Japanese culture and spirituality, including Zen traditions and Haiku poetry. In recognition of this, Alan was recently awarded the Decoration of the Order of the Rising Sun by the Government of Japan). 

I collaborated with Alan and cellist Atzi Muramatsu on the ‘Wells of Arthur’s Seat’ project these last two months. It was a pleasure to work with Alan for the first time – he and Atzi (with whom I’ve collaborated since 2013) brought much creative sensitivity and invention to the project.

I recommend a watch of the 2-minute video below, which features poetry, cello and painting about a frog in Hunter’s Bog on Arthur’s Seat ..