‘Ardban Evening’ Oil on 17×112 wood. Rose Strang 2020
‘Ardban, Morning Mist’ Oil on 17×112 wood. Rose Strang 2020
Today’s paintings of Applecross for the Limetree exhibition which launches 31st October.
A bit more experimentation today as I feel my way into this new series. These are both in oils – I wanted to say a bit more with less. It’s not quite getting there yet but these have more of the mood I’m trying to capture. I’ll be painting seven seas in different moods, also forests. Just to try something completely new I’ll be painting some road sketches sine the journey to Applecross is so dramatic.
(In progress). Ardban Waves, Evening. Mixed media on 17×11″ wood. Rose Strang 2020
(In progress) Ardban, In-coming Tide. Mixed media on 14×112 wood. Rose Strang 2020
Above – paintings in progress for the upcoming exhibition at the Limetree gallery, Bristol. 31st October.
This is a new series for the Limtetree, which I started while on holiday last week in the Applecross Peninsula on the west coast of Scotland.
Thanks to the ever-changing west coast weather, the sea changes its mood constantly, but I’ve never seen a white rainbow before! (see photo below). The cottage we stayed in is a forty minute walk from the road, so you have to take all your food, equipment and bedding on your back. It’s part of the charm of staying here, but we prepared ourselves for our arrival by taking more walks up Edinburgh’s Arthur’s Seat for a few weeks beforehand – it definitely enhances the experience to be fit enough to explore a bit.
Cottage. Photo, Rose Strang 2020
Morning Mist. Photo Rose Strang 2020
Applecross is reached by driving up the Bealach na Ba (the pass of the cows) which is always a pretty dramatic experience visually, more than that though, the journey up this single track road with few passing places seems to inspire the entire spectrum of human behaviour – it’s quite entertaining!
Bealach na Ba. Photo Adam Brewster 2020
Bealach na Ba. Photo Adam Brewster 2020
You can see traces, in the remains of cottages everywhere, attesting to the fact that these coasts were home to larger communities in the past, many of whom would have struggled in the years after the Highland Clearances. That history has been written about extensively so I won’t go into it here, except to say that it played into my response to the landscape to an extent, and will come in to the mood of my paintings. I sense that though these communities struggled, they loved the landscape and its many moods and it was part of their faith.
Applecross is an area of ancient Christian pilgrimage from the 7th century and traces of that past include a classic 7th century stone Celtic cross – now housed in Edinburgh’s Museum of Scotland
My friend Donald (who organised the holiday as he’s been visiting the area for many years) played some Lewisian/Hebridean Psalm singing while we were in the cottage; it speaks of a tight-knit religious community, but also (to my imagination anyway) it evokes the ebb and flow of the changing sea. Here’s a video clip …
I’ll be adding to the paintings series here over the next few weeks, so if you like the look of any of the paintings and would like to reserve one before the exhibition, please contact the Limetree Gallery on this link – https://www.limetreegallery.com/contact/
Lastly, some more photos from our stay. Thanks again to Donald, Adam and Catherine for a lovely and hugely inspiring week!
From left: Donald, Catherine, Rose, Adam. Photo Adam Brewster 2020
‘Dawn, Ardtoe’. Mixed media on 14×11″ wood panel. Rose Strang, 2019
‘Early Evening, Ardban’. Mixed media on 14×11″ wood panel. Rose Strang, 2019
Above, three paintings for the Limetree Gallery in Bristol for their upcoming Christmas Exhibition. I’m very happy to be showing again at the Limetree Bristol, which showcases some of Scotland’s leading landscape artists. If you’re interested in any of these paintings, please contact Limetree Gallery on their website:
In this series I’m trying to capture the mood of changing light at dawn and early sunset. The term ‘gloaming’ – used to describe a particular pre-twilight Highland light, sounds romantic and it is quite magical. It’s a light that makes things slightly difficult to see; a sort of subdued glow. I think I’ve maybe captured it in ‘Early Evening, Ardban’. Dawn on the west coast, looking out to sea, usually appears misty with suffused light since it’s coming from the east – colours are softened and low contrast – very tranquil.
These three paintings are worked up from sketches I made this year while at Ardban in Applecross, Sanna bay and Ardtoe beaches in Ardnamurchan – beautiful, remote places on the west coast of Scotland. I couldn’t resist a hint of chimney smoke from Ardban cottage, we had great times around the fire! Here are a few photos from my stay there in August …
Cottage. Rose Strang
Euan, Adam and Donald (playing guitar) outside the cottage. Rose Strang
‘Stormy Sky. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019
‘Sea Pools. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019
‘Morning. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019
The three paintings above complete the series for an upcoming exhibition at Limetree An Ealhain Gallery, in Fortwilliam, opening on the 18th October.
The full series can be viewed Here. If you’d like to reserve a painting, please contact the Limetree Gallery Fortwilliam at info@limetreefortwilliam.co.uk
I’ve been fighting off a cold as well as painting all week so I’m too puggled (old Scots word for tired) to write more today, but here are two more videos (by Adam Brewster, thanks Adam!) of painting on the beautiful beach of Ardban (one showing that it can be sunny, the other showing that sometimes you can dispense with brushes). Thanks again to Donald Ferguson for arranging this amazing holiday – I look forward to going back there again!