'Through Kintail'. Oil on 14x11" wood. Rose Strang 2020

A Subtle Touch

'Ardban. Shimmering Sea'. Oil on 14x11" wood. Rose Strang 2020

‘Ardban. Shimmering Sea’. Oil on 14×11″ wood. Rose Strang 2020

My latest paintings series of Ardban and Kintail are now on exhibition at the Limetree Gallery, Bristol. The exhibition launches from the 31st of October but you can reserve paintings now or make enquiries at the gallery on the link below which shows the full catalogue of works by myself, Anna King and Mhairi McGregor…

A Subtle Touch – Exhibition at the Limetree Gallery, Bristol

The series follows a journey through the Highland Glen of Kintail, then the peace and tranquility of Ardban in Applecross. All the works are oil on wood and sizes vary from 14 by 11 inches to 33 by 23 inches. The link above has all details of prices, sizes and contacts at the gallery.

I’m honoured to be showing alongside two artists whose work I admire, and as always it’s an absolute pleasure to show at the Limetree Gallery, Bristol. My only regret is that I can’t travel down to the launch, with Covid restrictions making that a bit unpredictable. I can’t complain though, it’s been a pleasure to paint and I’m lucky to be able to keep working on creative projects!

Wishing everyone the very best of health and happiness!

Kintail to Ardban

Below – the complete series Kintail to Ardban created for a three-artist exhibition opening at the Limetree Gallery, Bristol on the 31st of October.

Applecross day 9

'Ardban. Forest Rain'. Oil on 19 x 19" wood. Rse Strang 2020

‘Ardban. Forest Rain’. Oil on 19 x 19″ wood. Rse Strang 2020

Today’s painting for the new series which will be on exhibition at the Limetree Gallery Bristol from 31st October.

This is today’s attempt to capture the magical, mossy forests that grow down to the sea along the west coast of Scotland. These remains of ancient oak and birch wood covered all the atlantic coastlines in the past. At Ardban and in other coastal areas such as Ardnamurchan, Moidart and Applecross these beautiful mossy forests of indiginous oak, birch and rowan still flourish. You can easily imagine them to be inhabited with dryads, sprites and the like!

I finish the series tomorrow if all goes to plan, not that there’s much of a plan but it would be great to finish these by Sunday then I can extract all the oil paint from my finger nails, clothes and floor!

More paintings tomorrow …

Applecross series day 8

'Ardban Morning Sunlight'. Oil on 19 x 19" wood. Rose Strang 2020

‘Ardban Morning Sunlight’. Oil on 19 x 19″ wood. Rose Strang 2020

Today’s paintings for the new series for the Limetree Gallery Bristol.

There’s a definite feel to the series noiw – driving through the rainy dramatic mountains of Kintail then reaching the west coast light of the Applecross peninsula. I’m very happy with the Kintail series, though I know some people might find those a little dark, I just find that drenched sort of autumnal mountainscape relaxing.

I have three paintings to complete, then the series wil be finished. More tomorrow …

Below – all paintings so far …

 

Applecross series day 7

;Through Kintail 2'. Oil on 33x23" wood. Rose Strang 2020

;Through Kintail 2′. Oil on 33×23″ wood. Rose Strang 2020

'Through Kintail 3' Oil on 14x11" wood. Rose Strang 2020

‘Through Kintail 3’ Oil on 14×11″ wood. Rose Strang 2020

Above (and below), today’s paintings in progress for the new Applecross series, which will be on show as part of a three-artist exhibition at the Limetree Gallery Bristol from the 31st October.

These paintings are all in progress, since they’re in oils and will take a bit longer to dry, but I’m happy with the way the series is developing. I’m exploring new subjects – travelling through the mountains of Kintail before arriving on the Applecross coast.

I’ve always enjoyed sketching from the car, it’s a nice test of observation and it often makes the eye work faster to see what’s essential. The three paintings titled ‘through Kintail’ capture the changing weather of the Highlands.

Though often misty and wet, the mood when there is strangely comforting – a soft gloom with the fresh wildness of heather and ferns. Against the deep ochres and greens the bracken turns a beautiful russet colour.

I love the feeling of reaching the coast after the rainy mountain valleys – the soft light of the west coast. I’ve tried to capture the dreamy mood of mist lifting from the sea on a calm sunny morning, and that distinctive sparkle where the clouds part above the sea and mountains. In ‘Ardban. Sea Shimmer’ I had to tone down the mountains of Skye which are so picture-esque they resemble a child’s ideal drawing of a mountain range! It’s better to smudge them up with some rainy clouds.

More paintings tomorrow …

Applecross Series day 6

'Through Kintail'. Oil on 14x11" wood. Rose Strang 2020

‘Through Kintail’. Oil on 14×11″ wood. Rose Strang 2020

'Ardban. Sea Shimmer'. Oil on 14x11" wood. Rose Strang 2020

‘Ardban. Sea Shimmer’. Oil on 14×11″ wood. Rose Strang 2020

'Ardban,. Green Waves. Oil on14x11" wood. Rose Strang 2020

‘Ardban,. Green Waves. Oil on14x11″ wood. Rose Strang 2020

Today’s paintings in progress. More changes to Ardban Green Waves and Through Kintail. The new painitng – Ardban Sea Shimmer needs to dry a bit before I mist it up a bit more and work on the mountains.

Tomorrow I’ll start the large Through Kintail!

'Through Kintail'. Oil on 14x11" wood. Rose Strang 2020

Applecross Series day 5

'Ardban,. Green Waves. Oil on14x11" wood. Rose Strang 2020

‘Ardban,. Green Waves. Oil on14x11″ wood. Rose Strang 2020

Today’s paintings – ‘Through Kintail’ and ‘Ardban. Green Waves’.

Ardban Green Waves is updated from last week as it needed warmer greens. ‘Kintail’ is a new subject and this photo of the painting isn’t capturing all the lovely textures as it’s not yet dry. I’m happy with it though and plan to paint this subject on a large scale.

The entire series is not just about Ardban in Applecross but the journey there through the atmospheric and dramatic mountains of Kintail then the Bealach na Ba. It’s quicker to take the bigger motorway but why do that when your journey is full of such beauty?!

The Gaelic title for Kintail is Cinn Tàile which means ‘head of the inlet’. In Highland clan times it was Mackenzie land and there’s a saying that goes something like ‘as long as there’s moorland in Kintail there will be herds’. Later on the way to Applecross you drive through the even more dramatic Bealach na Ba – pass of the cows –  these ordinary descriptions don’t do justice to the landscape!

In ‘Kintail’ I wanted to capture the mystery of the Highlands, drenched, as they so often are, in mist and rain. Not a unique subject, but it’s the little details such as an ordinary green metal roof amidst these rich russets of bracken and the silver-grey watery clouds merging with dark mountains that make this impossible for an artist to resist!

Oils are perfect for the subject, like watercolours they merge and run into each other, creating serendipitous effects, but richer and deeper in tone. Most of the painting is abstract colours, with just the green roof to give definition, scale and composition.

While painting I’ve been listening to the excellent Rachel Walker. She sings in Gaelic but mercifully un-festooned by fey or whimsy! She used to upload a song each week and I particularly like this one (it suited the sweet/sombre mood of the painting)  Bràigh Uige / The Braes of Uig – a song about grief, loss and the bittersweet unchanging beauty of the land. (You’ll be weeping by the end of it, sorry!) Lyrics translation below vid (courtesy of Rachel Walker’s website)

Tha na féidh am Bràigh Uige The deer are in Brae Uige
Bràigh Uige, Bràigh Uige In Brae Uige, in Brae Uige
Tha na féidh am Bràigh Uige The deer are in Brae Uige
‘S e mo dhiùbhail mar thachair My loss is what happened
Tha mo shealgair gun éirigh My hunter will not rise
Gun éirigh, gun éirigh Will not rise, will not rise
Tha mo shealgair gun éirigh My hunter will not rise
‘S tha na féidh air na leacainn And the deer are on the slopes
Tha mo shealgair ‘na shìneadh My hunter is lying stretched
‘Na shìneadh, ‘na shìneadh Lying prostate, lying stretched
Tha mo shealgair ‘na shìneadh My hunter is lying stretched
Anns an fhrìth gun tighinn dhachaidh In the deer-forest, and has not come home
Tha mo crodh air na lóintean My cows are on the brook-meadows
Na lóintean, na lóintean The brook-meadows, the brook-meadows
Tha mo crodh air na lóintean My cows are on the brook-meadows
‘S na laoigh òga mu’n casan And their young calves at their feet
Iad gun togail ri aonaich They have not been driven up the hillside
Ri aonaich, ri aonaich Up the hillside, up the hillside
Iad gun togail ri aonaich They have not been driven up the hillside
Fireach fraoich agus glacan Heathery mountain or the hollows
Gura fuar lag na h-àiridh Cold is the Hollow of the Sheiling
Na h-àiridh, na h-àiridh The Sheiling, the Sheiling
Gura fuar lag na h-àiridh Cold is the Hollow of the Sheiling
‘S tha mo ghràdh fo na leacaibh And my love lies under the flag-stones
Hillinn o ‘s na hill iù ò Hillinn o ‘s na hill iù ò
Hillinn o ‘s na hill iù ò Hillinn o ‘s na hill iù ò
Hillinn o ‘s na hill iù ò Hillinn o ‘s na hill iù ò
Hillinn o ‘s na hill iù ò Hillinn o ‘s na hill iù ò
'Road. Kintail' Oil on 7x5" wood. Rose Strang 2020

Applecross Series day 4

'Ardban. Green Sea'. Oil on 17x11" wood. Rose Strang 2020

‘Ardban. Green Sea’. Oil on 17×11″ wood. Rose Strang 2020

Above, today’s paintings for the Applecross Series which launches at the Limetree Gallery, Bristol on 31st October. The featured painting at the top is ‘Road. Kintail’. Oil on 7×5″ wood.

I’m quite excited about ‘Road. Kintail’ as I love taking photos and sketching while in the car (as a passenger of course!) The road itself provides great perspective and it’s fun trying to sketch or photograph in a moving car. This has that optimistic holiday feel – going somewhere. I wonder if it will appeal to others the same way it does me.

I’m persevering with the oil paints. I love the effects but it’s so messy – I spend half my energy cleaning up at the end of the day!

That’s it for the week. My partner and I are designing a dress this weekend – our new creative adventure – oil-paint-covered hands and expensive fabric do not mix!

More paintings on Tuesday …

Applecross Series day 3

'Ardban Evening' Oil on 17x112 wood. Rose Strang 2020

‘Ardban Evening’ Oil on 17×112 wood. Rose Strang 2020

'Ardban, Morning Mist' Oil on 17x112 wood. Rose Strang 2020

‘Ardban, Morning Mist’ Oil on 17×112 wood. Rose Strang 2020

Today’s paintings of Applecross for the Limetree exhibition which launches 31st October.

A bit more experimentation today as I feel my way into this new series. These are both in oils – I wanted to say a bit more with less. It’s not quite getting there yet but these have more of the mood I’m trying to capture. I’ll be painting seven seas in different moods, also forests. Just to try something completely new I’ll be painting some road sketches sine the journey to Applecross is so dramatic.

More tomorrow …

Applecross Series day 2

Two more paintings in progress, above.

These are actually the two paintings from yesterday, messed up! I’m struggling to find the way forward with the series which is normal at this stage though pretty tiring. I completely wiped out the stormier painting and sketched in oils, then added a top layer of oils to the other one. Neither painting seems to be improved upon but that’s the way it goes!

My aim is to semi-abstract the paintings a little to get the mood in a more loose or painterly way. I don’t want a painting that simply says ‘this is what the sea looked like on Monday’. Abstracting paintings is the most difficult thing to do since you’re attempting to retain the essential things, colours, shapes and so on. It takes a more discerning eye and focused mind to spot what works – a state of mind I lacked somewhat today. Ah well, it’s good to get started at least. More painting tomorrow. ..