Tag Archives: green paintings

Forest of Fairhill 4

Above: Wood Cabin. Fairhill. Mixed media on 14×8″ wood. Rose Strang 2026

Today’s painting featuring spring in the foreswt of Pishwanton/Fairhill, following on from the previous three posts. This is a series I’m drawn to paint not just because spring emerging is such a joyful time of year, but also because of the location – Fairhill, in East Lothian.

It’s a piece of land that was formerly used as a tip, which was rescued by the Life Science Centre who decided to experiment with sustainable cultivating approaches isnpired by Steiner principles of observation and connectedness.

When I feel a bit less puggled (it’s been a busy day) I’ll write more, suffice to say for the moment that the principles of observation they describe chime with me, and the way I want to understand the subjects I paint. Not just visually, but in myriad ways. More of that next week.

 

Forest of Fairhill

Above. Birch Trees and Willow Shelter. Mixed media on 14×14″ wood. Rose Strang 2026.

This painting is inspired by the birch forests of Pishwanton at Fairhill, which is situated next to a gushing stream and a hill where witches used to gather. In old Scots ‘pish’ means a fast flowing stream and ‘wanton’ means abundant. So there you are, that explains the strange place name!

Pishwanton is owned by the Life Science Trust and everything there is created, grown or built according to Steiner principles about harmony and conservation. Just being there feels more gentle, not in a precious sort of way – just the way that nothing jars, visually or to the nose.

I’ve visited a lot over the years, and now I’m creating a little series of paintings inspired by the arrival of spring in Pishwanton. I feel we could all do with the harmony of Pishwanton just now. Here are a couple of details from the painting ..

Tonight I’m off to see an exhibition in Edinburgh of drawings by Matthew Collings, he did a wonderful series of documentaries in the 1990s about art. He creates paintings with his wife Emma Briggs, and he also draws, very prolifically. I bought one of his sketches a couple of years ago. It’s a self portrait of Matthew Collings drawing a sketch of the artist Frank Auerbach after Auerbach died.  Although Collings says the drawings are instinctive, to me it speaks of mortality. I don’t know if it was intentional, but in the sketch Collings looks semi transparent, as if if disappearing from existence. I find it both moving and uplifting, and I love the colours. I took quite a while choosing the frame with Jamie from Edinburgh’s Detail Framing and I think it looks wonderful floating above the shipwreck n my bookcase, along from a sea triptych I painted a year or so ago.

The subject matter Collings chooses is simply what he experiences each day; memories or current situations and experiences. For the past year of so the best part of his drawings have been about the war on Gaza, tso he work is often harrowing, capturing the brutality visited upon innocent civilians by our world leaders. I’ll post more about the exhibition tomorrow.

 

 

 

 

 

Exhibition Saturday 19th July

Coming up in just 9 days, The Edinburgh Festival Exhibition at The Graystone Gallery, Edinburgh!

Saturday 19th June, 2 to 4pm, Graystone Gallery

Here’s a litle vid showing the inspiration of Iona and clips of the painting process …

Forest of Luffness, painting progress 3

Above Forest of Luffness 4. Oil on 14×14 inch wood. Rose Strang 2024

Today’s painting (from a series in progress inspired by the presence and history of a Carmelite Friary in the forest of Luffness) features my neice holding her new born baby, standing within the Friary.

I wanted to capture the sense of strength and protection that a young mother exudes, then the style of painting changed slightly and became a bit more contemporary. Probably something to do with Emma’s outfit which was quite contemporary.

I like this as a smaller study in the series. (All four paintings from this particular summer series below). I’ve been exploring the theme of the Carmelite Friary in Luffness since January, but each set of paintings is distinct to each season.

Exhibitions and available paintings Jan’ 2019

Current round-up of current exhibitions and (as yet) unsold paintings  …

 

Limetree Gallery, Bristol. (Contact gallery for enquiries Here)

Paintings available from the Limetree Gallery …

Winter Show. Resipole Gallery, 10th Nov’ to 22nd March. Ardnamurchan, Scotland. (Contact gallery for enquiries Here)

Paintings at the Resipole …

 

Small Paintings. Morningside Gallery, Edinburgh.  (contact gallery for enquiries Here)

Paintings at the Morningside Gallery …

Swimming in the Tweed

'Emma and Friends, River Tweed, 2009'. Mixed media on 11x11" wooden panel

‘Emma and Friends, River Tweed, 2009’. Mixed media on 11×11″ wooden panel

The painting above was a private commission, or more accurately a painting for my mum’s Christmas! Finished last year.

It shows my niece Emma and friends swimming in the Tweed River several years ago – it was an idylic summer day in 2009 and they’d just finished all their exams. I suppose it was the start of their adult lives – a sense of freedom and ‘what’s next?’. Emma and her partner Joe are travelling for two years in the far east just now, lucky them! We miss them, but it’s great to see them enjoying adventures together.

2015 was a year of green paintings, the painting above representing a sort of zenith of green! I have enjoyed a few days of selecting blue shades for my next series which will be semi-abstract sea and night sky. I usually prefer a darker or more monochrome palette and enjoyed painting these two earlier works from 2014, some of the elements of these might come into the new series..

'Stormy Sky, Lindisfarne'. Mixed media on 20x16" canvas

‘Stormy Sky, Lindisfarne’. Mixed media on 20×16″ canvas

 'Moonlight on Eigg'. Acrylic on 20x16" canvas

‘Moonlight on Eigg’. Acrylic on 20×16″ canvas