Tag Archives: scottish landscape painters

Ardban Series completed!

‘Stormy Sky. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

‘Sea Pools. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

‘Morning. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

The three paintings above complete the series for an upcoming exhibition at Limetree An Ealhain Gallery, in Fortwilliam, opening on the 18th October.

The full series can be viewed Here. If you’d like to reserve a painting, please contact the Limetree Gallery Fortwilliam at info@limetreefortwilliam.co.uk

I’ve been fighting off a cold as well as painting all week so I’m too puggled (old Scots word for tired) to write more today, but here are two more videos (by Adam Brewster, thanks Adam!) of painting on the beautiful beach of Ardban (one showing that it can be sunny, the other showing that sometimes you can dispense with brushes). Thanks again to Donald Ferguson for arranging this amazing holiday – I look forward to going back there again!

Idyllic

Adam and I painting on the beach. Photo by Euan Ferguson.

 

 

 

 

 

 

 

 

I felt really lucky last week to be painting in a remote and beautiful part of the west coast with three lovely people – Donald (who organised staying at the cottage, thank you!) Adam and Euan.

Our cottage was 40 minutes walk from any roads, on the Applecross Peninsula, which has I think the most stunning views of the Cuillin in Scotland.

Also no TV, and internet connection only findable if you walked up a little hill outside the cottage. The cottage itself hasn’t been much changed since the 30s, and as you can see in photos below, the walls are festooned with art from visitors over the years (one of them was a painting I made there about ten years ago, which someone had kindly put in a clip frame!)

We all painted or took photos, so I’m treating readers of this post to a few of these, below.

I was busy painting for an upcoming exhibition in October for The Lime Tree An Ealdhain Gallery in Fortwilliam. (I’ll post more details on that soon, but in the meantime you can view the paintings in progress on this link – https://rosestrangartworks.com/gallery/ )

It was really special to spend time with folks in such a beautiful place – the lack of distractions from TV and internet made for some highly entertaining evenings, cooking, painting, listening to music, watching sheep in the garden, but mostly interesting (at times insanely ridiculous!) conversation.

Thank you Adam, Donald and Euan, for one of the loveliest holidays I’ve ever experienced!

(From left) Donald, Adam, me, Euan. Photo Adam Brewster.

Wild conditions! Photo Donald Ferguson.

Preparing paper in the sea. Photo Adam Brewster

Adam painting watercolours. Photo Rose Strang

Adam’s lovely watercolours. Rose Strang

Etching on found slate by Donald. Photo Rose Strang

Cottage. Rose Strang

Euan, Adam and Donald (playing guitar) outside the cottage. Rose Strang

Summer dress weather. Photo Adam Brewster

Cuillin across the sea. Rose Strang

Molto romantico sunset! Photo Adam Brewster

Idyllic! Photo by Donald Ferguson

 

 

Small Paintings

‘Isle of Iona’. (paintings are numbered 1 to 3 from left). Mixed media on 3.5×3 inches. Rose Strang 2019. (includes mini easel).

I’ll be painting more of these little artworks (in the photo above) over the coming months, which will be available for sale in art galleries in the landscapes painted.

If you’re interested in buying one of these, contact me at rose.strang@gmail.com and I’ll let you know where they’ll be available, or you can commission something similar if you prefer.

As they’re very small I think they’re a lovely way of acquiring one of my original paintings at a more affordable cost!

Iona Series

 

Jupiter

‘Jupiter. Planets Series’. Mixed media on 10×10″ wood. Rose Strang 2019

Today’s small painting of Jupiter at 10 by 10 inches, which is very similar to the large one of 40×40 inches. Here’s the larger one, painted earlier this year . .

‘Planets Series. Jupiter’. Mixed media on 40×40″ wood panel. Rose Strang 2018

 

 

 

 

 

 

I’m creating Planets series paintings for two exhibitions this year – a smaller series of studies for a June exhibition at my studio in Abbey hill, in preparation for an exhibition and talk to take place in Autumn this year.

This is a continuation of the Planets Series I’m creating this year, which takes inspiration from the planets as understood in Medieval cosmology, and the seven books of Narnia which were each inspired by the seven planets, as discovered by Michael Ward, author of ‘Planet Narnia’.

Info about June exhibition Here

(I’ll post more about the September exhibition and talk soon, once some more details are confirmed).

I now have just one of the small Planets Series paintings to finish, then they’re complete! I’m going to re-paint Mars, possibly Venus too, as I think they don’t quite capture the idea of Mars and Venus as yet.

This is the Jupiter excerpt from C.S. Lewis’s poem The Planets …

Soft breathes the air
Mild, and meadowy, as we mount further
Where rippled radiance rolls about us
Moved with music – measureless the waves’
Joy and jubilee. It is JOVE’s orbit,
Filled and festal, faster turning
With arc ampler. From the Isles of Tin
Tyrian traders, in trouble steering
Came with his cargoes; the Cornish treasure
That his ray ripens. Of wrath ended
And woes mended, of winter passed
And guilt forgiven, and good fortune
Jove is master; and of jocund revel,
Laughter of ladies. The lion-hearted,
The myriad-minded, men like the gods,
Helps and heroes, helms of nations
Just and gentle, are Jove’s children,
Work his wonders. On his white forehead
Calm and kingly, no care darkens
Nor wrath wrinkles: but righteous power
And leisure and largess their loose splendours
Have wrapped around him – a rich mantle
Of ease and empire.

Beautiful. That line; Where rippled radiance rolls about us
Moved with music – measureless the waves’  is so redolent of the splendour of Jupiter as understood in Medieval imagination.

This part of the poem was also the first clue that t gave Michael Ward (author of Planet Narnia) the idea that the seven books of Narnia might correspond to the planets.

Jupiter relates to The Lion the Witch and the Wardrobe, the first and most popular or most read of the Narnia Chronicles, which first introduces to the four children, the witch and Aslan. ‘Guilt forgiven’ refers to Edmund’s transformation in the story, from blind, selfish resentment and greed, to love for his family and fellow human beings. He experiences deep regret at the pain caused by his selfishness, but he’s forgiven, then Narnia’s one hundred-year winter ends – ‘winter passed’- after Aslan’s sacrifice and rebirth (the most obviously Christian reference of the entire series).

As Michael Ward explains in Planet Narnia, Jupiter was associated with Christ’s sacrifice and rebirth, also the idea of kingship and joviality (Jove). Incidentally I was delighted that Michael Ward chose my larger Jupiter painting as a facebook cover photo on Easter Sunday earlier this year!

Very soon I’ll be announcing details of an upcoming Planets Series event to taker place this Autumn, I can’t yet reveal details until everything’s confirmed but it’s definitely on! My little exhibition in June is a precursor to the event, and a great way of experimenting with ideas for the larger Autumn Planets Series.

Info on the June exhibition here – Planets Series Exhibition

A flurry of creativity …

'Sanna Bay, sand dune'. Mixed media on 14x11" wood panel. Rose Strang, 2019

‘Sanna Bay, sand dune’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

Above, one of my paintings in progress (more below).

It’s been non-stop creativity since I got back from Ardnamurchan!

Here’s a holiday video I made, called Road Sketches, it was fun to get back into video-making with something informal, and I think it has a nice mood ..

The rest of the paintings in progress so far …

'Sanna Bay,afternoon'. Mixed media on 14x11" wood panel. Rose Strang, 2019

‘Sanna Bay,afternoon’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

'Sanna Bay, dusk'. Mixed media on 14x11" wood panel. Rose Strang, 2019

‘Sanna Bay, dusk’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

'Ardnamurchan, Sheep'. Mixed media on 14x11" wood panel. Rose Strang, 2019

‘Ardnamurchan, Sheep’. Mixed media on 14×11″ wood panel. Rose Strang, 2019

 

Sunart and Ardnamurchan

Sanna Bay, Ardnamurchan. Rose Strang 2019

Words and photos can’t do justice to the beauty of Ardnamurchan and Sunart. What an utterly inspiring experience it was.

Hopefully my upcoming paintings will capture something of how it feels to stand on the beach of Sanna. The light there makes you feel you’ve entered a different dimension, or as though you’re seeing beyond normal perceptions – everything opens up, including your self.

Which sounds as though I was on some sort of druggy trip, and it is a sort of high, but it’s more hyper-reality, almost raw in a way. It was an emotional experience, which is often how it feels when you’re in these places. It’s strange to return to Edinburgh – nice to be back home and what’s familiar, but it feels several steps removed from Sanna and Ariundel forest, so I must keep it alive in my mind and imagination for the paintings I’ll be working on, because nice as these photos are they don’t get what it’s like to be there.

Sanna Bay, Ardnamurchan. Rose Strang 2019

Sanna Bay, Ardnamurchan. Rose Strang 2019

Sanna Bay, Ardnamurchan. Rose Strang 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I took hundreds of photos, made various sketches and I’ll create a couple of edited videos as well as paintings I think. Also my friend Donald (who was an excellent companion throughout the trip), will hopefully be recording a guitar response to the videos once they’re made. Donald felt similarly moved by the experience; as he described it  –

‘the ocean, that was the most cosmic for me, looking beyond the sky, then inside the forest, walking the leaf-strewn path, then the wild and windy moors and glens from a speeding metal box’.

Absolutely. Something I’ve always really loved about these journeys is the contrast between the road-trip/car-time – chatting and playing music, the sound of the engine and the feel of impetus – then when you leave that small human-made world of your ‘speeding metal box’ and stand still on a beach of epic proportions looking out to the Atlantic – the almost shock of silence and space.

Also, Sanna is I think the most beautiful beach of the west coast and islands of Scotland I’ve seen. It felt sad to leave and I found myself walking backwards for several minutes as we headed back to the car. It was getting towards evening and it’s a long drive across the wildest parts of the Ardnamurchan peninsula on single-track roads …

We also stopped that day at Castle Tioram, which has to be one of the world’s most beautiful settings for a castle. This is my third visit there, and each time I learn more about the area, the centuries of history and its golden age before Culloden and the Highland clearances. (I wrote about this in a previous post, link Here).

Castle Tioram, Sunart. Rose Strang 2019

Castle Tioram, Sunart. Rose Strang 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

In that blog post I also talked about Ariundle oakwood in Sunart (which is before you head out west on the proper peninsula of Ardnamurchan). Suaineart ghorm an daraich – Green Sunart of the Oaks.

We visited Ariundle the next day and it was such a contrasting experience to the epic feel of Sanna. Such a gentle feeling amidst all those multi-hued mossy hillocks, flowing streams and lichen-covered oaks. (I made sure to pick up a pile of oak twigs for my niece, who wants to frame a couple of oak-leaves she was given at the hobbit-land place she visited in New Zealand!).

Ariundle – it is quite a Tolkien-esque sounding name don’t you think? It means shieling (or ‘settlement’) in the fair meadow. It’s heartening to see how much conservation work is going on there to preserve it – Ariundle is a remnant of the ancient oakwoods that once stretched from Portugal to Norway along the Atlantic coast – hence why it’s described as Atlantic oakwood.

Ariundle Oakwood, Sunart. Rose Strang 2019

Ariundle Oakwood, Sunart. Rose Strang 2019

Ariundle Oakwood, Sunart. Rose Strang 2019

Ariundle Oakwood, Sunart. Rose Strang 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I discovered a new hobby on the return to Edinburgh – sketching the surrounding landscape from the car, it makes you quickly focus on the obvious points, shapes and lines – here they are (scenes from Corran ferry, Glencoe, Rannoch Moor and Balquhidder) …

Road sketches. Rose Strang 2019

Road sketches. Rose Strang 2019

Road sketches. Rose Strang 2019

Road sketches. Rose Strang 2019

Road sketches. Rose Strang 2019

Road sketches. Rose Strang 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I always like to visit Balquhidder before returning to Edinburgh, as it’s the last part of the Highlands before the relative flatness of Lothian – it eases the shock of re-entering the city I suppose!

You head off the motorway after Edinchip on a little bypass, then you see the Mhor84 cafe, which serves excellent coffee and nice cakes, but if there’s time it’s nice to drive under the bridge and towards the village of Balquhidder then along the beautiful shores of Loch Voil. It’s always fairly quiet as the road ends after a few miles at the end of the loch – after that it would be a lo-o-ng and arduous walk over the mountains west to the coast again, if you wanted to keep going.

After a mile or so along the loch, you get to Monachyle Mhor Hotel, where you can stop for a drink by the open fire if it’s cold, or if it’s warm sit outside admiring oak trees, shimmering loch and mountain valleys. The hotel interior is lovely (if a bit ‘Farrow and Ball’ – you know – tasteful chalky paint finishes in deep colours or neutrals!) also they have an impressive art collection – it’s kind of perfect, as hotels go, I’ve yet to find out how much it costs to actually stay there.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Today I’ve been gessoe-ing up my wood panels. I’ll make a little road-trip video, then it’ll be on with the paintings, and a fuller video with paintings and music, wish me luck! In a few days I’ll post the first video, and also some info about an upcoming three-person exhibition at the Resipole Gallery in Sunart, which I’m looking forward to. I’m not forgetting that these paintings are part of my planets series. March is related to Mars – war, heroism and sacrifice, also early spring – Mars Silvanus –  new leaves – and the corresponding Narnian book, Prince Caspian. More on that too in later posts …

Wells of Arthur’s Seat – day 7

Today’s paintings for the Wells of Arthur’s Seat upcoming exhibition and event. All info Here

The two directly above are still in progress, nearly there!

‘Wells of Arthur’s Seat, Waterfall I’ Mixed media on 35 x 18.5 inch wood panel. Rose Strang 2018

‘Wells of Arthur’s Seat, Stream and Hill I’ Mixed media on 35 x 18.5 inch wood panel. Rose Strang 2018

‘Wells of Arthur’s Seat, Waterfall II’ Mixed media on 16 x 13 inch wood panel. Rose Strang 2018

‘Wells of Arthur’s Seat, Swimming Toad in Hunter’s Bog’ Mixed media on 16 x 13 inch wood panel. Rose Strang 2018