Monthly Archives: June 2020

'Aberlady Dunes'. Mixed media on 30x30 inch wood panel. Rose Strang April 2020. (Private Commission, NFS).

Art Commissions

Above, Aberlady Dunes. Mixed media on 30×30 inch wood panel. Rose Strang April 2020. (Private Commission).

Lockdown has been a good time to focus on private commissions. I’ve found it grounding and uplifting to focus on painting, and I think most people find art uplifting – a solace in strange and anxious times.

I accept most landscape commissions, even if it’s from a photo of someone’s favourite landscape, as long as I’ve been there and experienced that particular light, I’m able to paint it. I don’t aim for photo-realism. I deliberately keep brushwork as loose and expressive as possible and paint quickly for the sense of energy I’d feel if I was in situ. Painting En plein air is ideal of course, but with experience you can bring that same energy to painting in the studio.

The first commission this year – Aberlady Dunes – (above) was commissioned by a friend of the family who liked one of my previous smaller paintings of Aberlady. He’d lived on Lindisfarne some years ago and loved the sense of space  -stretching to the horizon across the marram grass to the sea and sand beyond.

North Berwick, Summer was commissioned by a doctor who lives in England who’d seen Aberlady Dunes and wondered if I could capture a stretch of his favourite coast near North Berwick, but on a smaller scale. I chose a spot that’s very familiar to me, just past the headland south of the town. It has many happy associations since I’ve been going there with family and friends since childhood, so it was a pleasure to paint.

'North Berwick, Summer'. Mixed media on 18x18" wood panel. Rose Strang 2020. (NFS, Private Commission).

‘North Berwick, Summer’. Mixed media on 18×18″ wood panel. Rose Strang 2020. (Private Commission).

 

 

 

 

 

 

 

 

 

The most recent – Sunrise, Ruby Bay, Fife  captures sunrise on Ruby Bay on the east coast of Scotland. It’s very large and I decided to experiment with acrylics and oils together with this one. I think I’m onto something as it came together in a very atmospheric way in the end. You can read more about painting it Here

'Sunrise, Ruby Bay. Fife. Acrylic and oil on 36x36" wood panel. Rose Strang 2020. (private commission)

‘Sunrise, Ruby Bay. Fife. Acrylic and oil on 36×36″ wood panel. Rose Strang 2020. (private commission)

 

 

 

 

 

 

 

 

 

To me, the difference in light between the east and west coast of Scotland is very clear – especially at dawn or sunrise. This painting below shows dawn on the west coast – far more diffused, since the sun, rising from the east, doesn’t touch the sea till later – you see the sun’s warmth more in the under-lit clouds.

‘Dawn, Ardtoe’. Mixed media on 14×11″ wood panel. Rose Strang, 2019. £495

 

 

 

 

 

 

 

 

If you like the look of these paintings and are interested in commissioning me, you can contact me at rose.strang@gmail.com

I’ll be happy to discuss price with you (the painting price varies according to size of course) and what mood or atmosphere you’re looking for. Below are a few more of my paintings showing a myriad of moods and atmosphere! …

 

 

'Sunrise, Ruby Bay. Fife. Acrylic and oil on 36x36" wood panel. Rose Strang 2020. (private commission)

Sunrise, Ruby Bay.

Above: Sunrise, Ruby Bay. Fife. Acrylic and oil on 36×36″ wood panel. Rose Strang 2020.

Below, some details from the painting …

 

This latest private painting commission is of Ruby Bay in Fife, on the east coast of Scotland. It’s so-called because if you sift through the small pebbles in the bay you can find tiny little garnets, not rubies as such but very like them!

Ruby Bay is on the Fife coastal path, near Elie Bay. It’s a beautiful stretch of coast-  the most famous beach on that stretch being St Andrews (of Chariots of Fire fame). The tower, built in 1779, is called Lady’s Tower as it was used by Lady Janet Anstruther (Janet Fall) as a bathing tower – a rich person’s beach hut if you like!

I wanted to capture the classic cool tones of an east coast sunrise – clear, cool and only slightly hazy. Looking at this painting in real life (it’s bigger than it seems form the photo at thirty six by thirty six inches) you sense movement from a calm tide about to recede from its high point. The lilac tones of pre-dawn are just about disappearing, replaced by clear turquoise. Lemon-yellow sunlight is just kissing the tips of the rocks, tower and grass.

The painting took about six days. It was started with gesso to lay down composition and background texture, then acrylics to get contrasts, the acid tones of lichen and the built up layers of rough-textured rock. Lastly I used oils for the sea and sky, and the cool light blue in the shadows.

It’s been a pleasure to paint  – complicated and with varying textures, but I think I’ve captured the calm and the pure light of sunrise in the east. I’m quite keen now to have another go on smaller wood panel to create a more abstract version.

The photos below show most stages of the painting …

 

 

'Water of Leith. 10'. Oil on 7x5" wood. Rose Strang, May 2020. Unframed £250

Summer Exhibition, Limetree Gallery

Above, Water of Leith. 10. Oil on 7×5″ wood. Rose Strang, May 2020. Unframed £250.

The ‘ Water of Leith’ series of paintings below will be on sale from the Limetree Gallery from around mid-June. If you are interested in any of the paintings, or would like to reserve or buy one, please contact the gallery on their website here – Limetree Gallery, Bristol

Below the paintings – more about the inspiration behind this series …

This series takes inspiration from Edinburgh’s Water of Leith, the river that runs from the Pentland Hills twenty five miles out of the city, to the shore at Leith Harbour.

The paintings are mainly from the stretch of river that runs from Stockbridge in Edinburgh up to Roseburn – possibly one of the most scenic areas of Edinburgh, which is already a very scenic city!

I took photos and made sketches last month for the oil paintings, which were completed in my studio. The time of May is always beautiful, but one of the upsides of lockdown has been the quiet and the cleaner air – these paintings hopefully reflect some of that peace; the gentleness of rain drops on a peaty river, dark as a glass of Guiness! I particularly love the vivid greens of May against these dark backdrops.

I’ve shown a variety of views – some detailed and others more abstract. I enjoyed paring these colours and compositions down to their more abstract basics in some paintings (7, 8 and 11) but equally enjoyed painting the complex scene in number 9, which shows the glassy stretch of water just before it tips into a waterfall at the most scenic part of the Water of Leith at Dean Village. Number 6 is just below the statue of Hygeia (I didn’t paint her but might do in the next few weeks – interesting to think that in ancient times we’d all have been praying to her during this pandemic!) I remember playing in these shallows as a kid and thankfully it’s not changed at all since then.

This stretch of river is in the most elegant (or posh if you like) part of the river, you can see across the river to private gardens, which, along with green light of the deep, tree-filled valley adds to its feel of mystery.

It’s taken a lockdown to make me focus on places closer to home, and though I’ve missed trips to the beautiful west coast this year, it’s been more rewarding than I imagined to paint my home town in spring.

As mentioned these paintings are all available through the Limetree Gallery, Bristol, who will be very happy to answer any queries you have about the paintinngs, you can contact them here – Limetree Gallery Contact