Tag Archives: scottish landscape artists

Bac Mor from Iona. Mixed media on 16x16" wood. Rose Strang 2026

Bac Mòr from Iona

Above: Bac Mòr from Iona. Mixed media on 16×16″ wood. Rose Strang 2026.

Here’s a video of it being painted …

 

A zoomable version of the painting below, and some details …

Bac Mor from Iona. Mixed media on 16x16" wood. Rose Strang 2026

Bac Mor from Iona. Mixed media on 16×16″ wood. Rose Strang 2026

This painting was created half in situ on the north beack of Iona, and half in the studio.

It was quite challenging conditions with the sands crumbling beneath me and waves splashing against the rocks as the tide came in. Great fun, I really do enjoy en plein air painting, and feel less moved by painting in the studio.

Having said that, this has been improved by scraping back the original, which creates an almost fresco effect, then adding back in some subtler sea tones and details to the rock pool.

Here are three images showing process. You can see I’ve scraped it back to the plywood beneath in the second one. And you can see how unfinished the first one was, thanks to a rapidly incoming tide …

More soon …

 

 

Fairhill and Goblin Ha’

Above: Birch Trees. Fairhill. 18th April. Charcoal on A4 paper. Rose Strang 2026

The same hare that greeted us at Fairhill appeared on cue as we arrived, bounding through the birches.

Given that I was there to let nature speak to me, rather than impose my big artist’s ego onto the scene, I decided to follow it! It veered off just before the willow shelter, I looked down and saw a tightly curled fern amidst the swaying slender birches and though ‘this’ll do’.

This is my first litle foray into a Goethean approach to observation. At the first stage – you just draw exactly what you see.  A bit like going back to art college. I enjoyed it though. There’s no harm in slowing down to simply observe.

It struck me how both the fern and the birches grow up in spurts, with each burst of energy marked by a band, or leaf. The fern looked so tightly coiled, almost hairy-looking with its fronds, slightly unsettling. These bands showing growth are most marked in bamboo, which reminded me of Crouching Tiger, Hidden Dragon. The way the bamboos swayed so mysteriously, just like the sun-dappled birches that swayed above my head as I drew. And again there was that strange sensation I had last time, the noise of the trees almost sounding like speech. Maybe there was a birch forest here hundreds of years ago, when it was called Fairy Hill, and this sussuration (which to the human ear, seeking patterns, sounds almost like voices) led to the name of the place.

Adam painted a watercolour, then, our legs stiffened up by kneeling on the damp moss (we’re getting too old for all this kneeling and will bring fold-out stools next time!) we decided to head off in search of Goblin Ha’ in the valley of Yester. As we drove off, the large hare ran alongside to see us off!

We searched for Goblin Ha’ last Sunday in the pouring rain and mud. And when I say mud, I mean that there were serious levels and amounts of it. This weekend the sun was out thankfully, but the mud was still in full force.

 

I’d been begining to wonder if this ha’ (meaning ‘hall’) was even real. Last week as we returned to the car drenched and puggled, I was speculating on whether it might just be an elaborate hoax by the people who own the Yester estate. Maybe they film us struggling through the mud for entertainment, and the images of the hall I’d see online were ai.

Well …

We found it!

More on Fairhill and its mysterious surrounds in a couple of weeks.

Braemar Literary Festival September

I’m excited to be part of the Braemar Literary Festival this year. Not as an author, more as an artist in thrall to an author; namely Nan Shepherd and her much acclaimed book about the Scottish Cairngorms: The Living Mountain.

My paintings from the Living Mountain Series will be showing in the Highland Pavilion, Braemar on the 27th and 28th September and I’ll be there for ‘meet the artist’ from 12 noon to 1:30pm.

If you follow this blog you’ll maybe remember the exciting commission I was given by the Folio Society, London, in 2021. The Folio were re-publishing their own edition of The Living Mountain, and sought an artist to illustrate the book. I felt honoured and surprised – this being one of my favourite books of all time! (the Folio edition is now completely sold out – it’s possible to buy a copy online from booksellers but it’s now into the £100s. How I wish I’d held on to more of the copies they gave me. I have just one left)

The Braemar Literary Festival was founded by world-famous art collectors Hauser and Wirth, who own the Fife Arms Hotel in Braemar. The’ve turned the hotel into a quite extraordinary experience, the place is festonned with stunning original works of art including a Picasso and an enormous Bruegel in the dining room. The atmosphere is high-end but not uppity, the style in keeping with its Victorian heritage, they even have a framed letter by Queen Victoria tucked away in an alcove somewhere.

Guest speakers to the festival will include Monica Ali, Alexander McCall Smith, David Nichol (known most recently for the televised version of his heart-rending novel; One Day), Giles Coren and many more interesting authors, journalists and presenters (link Here)

Hope to see you there! Here’s the info again …

My paintings from the Living Mountain Series will be showing in the Highland Pavilion, Braemar on the 27th and 28th September and I’ll be there for a ‘meet the artist’ hour from 12 noon to 1:30pm.

Iona Sea, new exhibitions

Above: Iona Abbey from North Beach. Oil on 30×20″ linen canvas. Rose Strang 2025

Today’s painting, above, is one of two landscapes for the upcoming Graystone Gallery exhibition in Edinburgh which launches on Saturday 19th July this year from 1 to 3pm

I’m taking these two landscapes as a starting point for two much larger abstract works for the Graystone, about which I’m very excited as I really awant to play with colour, mood and texture, not just views of Iona, lovely as those are to paint!

Just looking at my palette at the end of today is an inspiration!

More next week …

Seascapes

Above: Sea Triptych. Oil on three 33×22 inch wood panels.

Below, some smaller works in this new seascapes series –

This series is part-inspired by the Aberlady landscape – which has been a focus this year in most of my paintings.

This style of painting feels very natural and comes easily to me, but I’m still working on expression of the Luffness woods and Carmelite Friary (in Aberlady theme). Sometimes there are too many ideas and it’s better to simply paint instinctively for a while until something more unified swims into focus.

The upshot is that I’ll return to that theme after a brief hiatus into my ‘default mode’ of moody seascapes!

More details soon …

Maspie Waterfall

Above – Maspie Waterfall. Acrylic on 17 by 16 inch wood panel.

A semi-abstract painting of layered acrylic depicting Maspie waterfall in Autumn.

Maspie Burn winds its way from the Lomond Hills in Fife down to the beautiful little town of Falkland. It’s a quiet place, best known for Falkland Palace – a favourite dwelling place of Mary Queen of Scots. There have been settlements here going back into the mists of time, or pre-history to precise. If you keep walking up to the source of Maspie Burn, you’ll eventually encounter earthworks named Maiden Castle, which show the remains of an ancient fort.

Falkland recently became better known as ‘Inverness’ in the tv series Outlander – it’s very much cuter than Inverness mind you, inverness having become a small but busy city. Photo below, me posing in Falkland, ala ‘Claire’, looking quite a bit sturdier and shorter than the model-esque Caitriona Balfe!)

I left the painting fairly abstract as it captures the energy of Autumn without going too pretty. The wood was actually part of a series of old cupboards from a flat owned by some friends of ours. Knowing I usually paint on wood, they asked if I’d like use it for painting. Yes indeed! I like re-using stuff.

Some photos of Falkland and a photo from our walk this weekend at Maspie Waterfall, you can walk behind it!

Forest of Luffness, painting progress 3

Above Forest of Luffness 4. Oil on 14×14 inch wood. Rose Strang 2024

Today’s painting (from a series in progress inspired by the presence and history of a Carmelite Friary in the forest of Luffness) features my neice holding her new born baby, standing within the Friary.

I wanted to capture the sense of strength and protection that a young mother exudes, then the style of painting changed slightly and became a bit more contemporary. Probably something to do with Emma’s outfit which was quite contemporary.

I like this as a smaller study in the series. (All four paintings from this particular summer series below). I’ve been exploring the theme of the Carmelite Friary in Luffness since January, but each set of paintings is distinct to each season.

‘The Path’

The painting above The Path. Water mixable oil on 14 by 14 inch wood, depicts a meaningful walk (with Richard Demarco and Terry Ann Newman) towards the 12th century Friary ruins at Luffness recently.

More on that in this post – Dappled things

Some painting details …

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More oil sketches …

Above: Shorelines, Aberlady. I. Oil on 8×5.5″ wood. Rose Strang 2024

More oil sketches in progress today inspired by the shorelines and moods of Aberlady…

For my experimental paintings and ideas I’ve been working at this size for some time and it really works for me in terms of loose brushwork. It would be a bit of a nightmare to work at a larger size with this more experimental messy approach – that would be a lot of oil paint going to waste when it doesn’t work (which is often!) and a lot of physical energy and time expended.

It’s been a while since I posted a video of my working process. I’m very forgetful of such things but people seem to enjoy them, so one of those coming up soon.

I’m also still working on my Carmelite monastery and Crusader’s tomb series (see older posts) which are very different in feel to these smaller landscape paintings. I love the freedom of my smaller landscape paintings, but I think I have something more to say as an artist so I’ll be persevering with that series over the coming weeks. It’s important to get out of my comfort zone and dig a bit deeper …

Winter Exhibition at the Resipole

Above: Coigach 1. Oil on 5×7″ wood. Rose Strang 2023

Six little paintings on wood from my ‘Coigach series’ are showing as part of the Resipole Gallery’s Winter Show. Beautifully presented as always by the gallery curators alongside some wonderful paintings and ceramics – all reflecting the textures and atmosphere of Scotland’s west coast. Here are the six paintings in the show …

The exhibition runs from December until 29th February 2024. You can view the exhibition Here, or better still travel up there to experience Ardnamurchan – one of the few places where you can still walk among Atlantic oaks at the edge of white beaches with turquoise sea lapping the shore.