Tag Archives: seascapes

Boats

'Boats in Lindisfarne Harbour, Early Evening'. Oil on 19x10 inch wood panel. Rose Strang 2020

‘Boats in Lindisfarne Harbour, Early Evening’. Oil on 19×10 inch wood panel. Rose Strang 2020

'Oil Tanker Near North Berwick'. Oil on 19x11 inch wood panel. Rose Strang 2020

‘Oil Tanker Near North Berwick’. Oil on 19×11 inch wood panel. Rose Strang 2020

Above, yesterday’s paintings of boats. I thought I’d send them in for the Royal Society of Marine Artists annual award.

I’d ran out out of non toxic solvent and used turps – horrible stuff, I felt quite sick and am still recovering, hence the short post!

'Sunrise, Ruby Bay. Fife. Acrylic and oil on 36x36" wood panel. Rose Strang 2020. (private commission)

Sunrise, Ruby Bay.

Above: Sunrise, Ruby Bay. Fife. Acrylic and oil on 36×36″ wood panel. Rose Strang 2020.

Below, some details from the painting …

 

This latest private painting commission is of Ruby Bay in Fife, on the east coast of Scotland. It’s so-called because if you sift through the small pebbles in the bay you can find tiny little garnets, not rubies as such but very like them!

Ruby Bay is on the Fife coastal path, near Elie Bay. It’s a beautiful stretch of coast-  the most famous beach on that stretch being St Andrews (of Chariots of Fire fame). The tower, built in 1779, is called Lady’s Tower as it was used by Lady Janet Anstruther (Janet Fall) as a bathing tower – a rich person’s beach hut if you like!

I wanted to capture the classic cool tones of an east coast sunrise – clear, cool and only slightly hazy. Looking at this painting in real life (it’s bigger than it seems form the photo at thirty six by thirty six inches) you sense movement from a calm tide about to recede from its high point. The lilac tones of pre-dawn are just about disappearing, replaced by clear turquoise. Lemon-yellow sunlight is just kissing the tips of the rocks, tower and grass.

The painting took about six days. It was started with gesso to lay down composition and background texture, then acrylics to get contrasts, the acid tones of lichen and the built up layers of rough-textured rock. Lastly I used oils for the sea and sky, and the cool light blue in the shadows.

It’s been a pleasure to paint  – complicated and with varying textures, but I think I’ve captured the calm and the pure light of sunrise in the east. I’m quite keen now to have another go on smaller wood panel to create a more abstract version.

The photos below show most stages of the painting …

 

 

'Traigh Bhan. Early Evening. Iona'. Mixed media on 12x12 inch wood board. Rose Strang 2020

Traigh Ban Series

'Traigh Bhan. Waves. Iona'. Mixed media on 12x12 inch wood board. Rose Strang 2020

‘Traigh Bhan. Waves. Iona’. Mixed media on 12×12 inch wood board. Rose Strang 2020

'Traigh Bhan, Turquoise. Iona'. Mixed media on 12x12 inch wood board. Rose Strang 2020

‘Traigh Bhan. Turquoise Sea. Iona’. Mixed media on 12×12 inch wood board. Rose Strang 2020

Above, the completed series of ‘Traigh Ban, Iona’. Traigh Ban is Scottish Gaelic for ‘white strand’ and is pronounced ‘try ban’. It’s the stretch of beach at the north-east end of the Isle of Iona, off the west coast of Scotland. (Set as featured image at the top is Traigh Ban, Early Evening. Iona.)

I’ve painted Iona many times in the past few years, most recently during a winter artist’s residency in 2018. It’s an island famed for its religious history and its particular beauty. That’s a somewhat anodyne sounding statement, so to be more expressive – when I’m there I often feel that the colours are too luminous to be real – everything looks like a ridiculously beautiful  painting – it feels in a way superfluous to paint it, until you realise photography doesn’t capture it.

When the Limetree Gallery asked me for paintings for their summer exhibition, Iona was my first choice. I can’t be there this year as planned due to lockdown, but you can be sure it’s the first place I’ll visit when it’s possible. I had planned an arts project there this year with my partner (an animator, watercolourist and musician) and Devo, a filmmaker from New York, so these paintings are a bit of therapy for me in the meantime! We’d hoped to respond to the island’s beauty, atmosphere and history in numerous ways, so I hope that will go ahead in the not too distant future.

They’ll be available from the Limetree Gallery soon, but if you’re interested in reserving one, you can contact them from their website on this link – Limetree Gallery.

The gallery (and its partner gallery in Long Melford Suffolk) is owned and run by Sue and Stephen – I’ve thoroughly enjoyed working with them over the years. We’ve had fun times and interesting conversations whenever there’s been a chance to meet in person, so as I’m currently enjoying an early evening gin and tonic I’ll raise a glass to Sue and Stephen –  long may your galleries continue to show and sell great work!

'Traigh Bhan Nam Monach. Iona'. Mixed media on 12x12 inch wood board. Rose Strang 2020

New paintings for the Limetree Gallery

'Sanna Sundown'. Mixed media on 12x12 inch wood board. Rose Strang 2020

In progress. ‘Sanna Sundown’ and at  top – Traigh Bhan Nam Monach, Iona

Today’s paintings in progress for the Limetree Gallery, Bristol. Traigh Bhan Nam Monach, Iona is complete. Sanna Sundown needs a bit more work. ‘Traigh Bhan Nam Monach’ means ‘white strand of the monks’.

How much would I like to be on that beach on Iona right now! I’d planned an arts project with my partner and a filmmaker from New York which would have been happening this month. (Sigh). Painting that crystal-clear turquoise sea was therapy anyway!

I went very loose and ‘painterly’ with these as I think that will work well for the Limetree Gallery. The brushwork is very spontaneous with just a few areas of detailed focus – it makes the eye work more and Limetree art buyers seem to enjoy this painterly approach that lets the viewer see more of the artist’s hand in the brushwork.

Needless to say, I enjoyed painting them and I’m happy with Iona, once I had that little sun-lit ripple at the bottom I was pretty much finished. I like the freshness of these and look forward to completing Sanna and another painting, tomorrow.

'North Berwick, Summer'. Mixed media on 18x18" wood panel. Rose Strang 2020. (NFS, Private Commission).

Finished Commission – North Berwick

Above: North Berwick, Summer. Mixed media on 18×18″ wood. Rose Strang 2020 (NFS, private commission).

I finally completed this private commission today and it will be winging its way to a new home soon!

The painting shows part of the headland past the town of North Berwick on the east coast of Scotland on a summer’s day in August.

This is one of my (and my family’s) favourite places to be. Though it’s just about thirty miles from Edinburgh, it always feels quite ‘away from it all’, the rocks are beautiful and as a kid it was heaven to play here, as an adult too!

The person who commissioned me works in a hospital, so I hope this painting is uplifting during a stressful time for folks in the NHS. Having said that, I hear that the non-Covid wards are not busy since everyone’s too scared to go into hospital for fear of either catching Covid or placing more strain on the NHS.

Below – a few photos showing some of the development of the painting. The challenge was capturing that lovely curve where sea meets land, also the dry August grass. The sea was not so much of a challenge once I’d toned down the rather too bright turquoise. You’d see bright turquoise on the west coast of Scotland but not the east coast!

The final touch was a lot of gesso splashed – it gives a sense of atmosphere and messing up a postcard-like view makes it more real – the way the eye sees in real life with peripheral vision and sun in our eyes, changing weather and so on.

It was both a challenge and a delight to paint, a big thank you to the person who commissioned this for giving me a really nice project during lockdown!

 

'Aberlady Dunes'. Mixed media on 30x30 inch wood panel. Rose Strang April 2020. (Private Commission, NFS).

New Commission – ‘Aberlady’

Above, my new commission, painted for a friend – Aberlady Dunes. Mixed media on 30×30 inch wood panel. Rose Strang April 2020. (Private Commission, NFS).

I wanted the feel of walking towards the sea through tufty marram grass, sunlight traveling towards you. There’s the sense of changing weather – a soft sky that might rain a little, or break up into glorious sunshine.

This image shows scale …

(To show scale)' Aberlady Dunes'. Mixed media on 30x30 inch wood panel. Rose Strang April 2020. (Private Commission, NFS).

(To show scale)’ Aberlady Dunes’. Mixed media on 30×30 inch wood panel. Rose Strang April 2020. (Private Commission, NFS).

Like many self employed artists, I’m thinking ahead to how I might sell work when this year’s exhibitions won’t be going ahead due to the Covid pandemic. I’d prefer to live by selling artworks, not by applying for Universal Credit.

Not only does it seem the government is not prepared for the millions of freelancers out there, I’d want to see those who need it most being the first recipients of benefits.

 

 

 

Who knows how long we’ll be in lockdown? I have time to paint so if you’d like a painting that captures your favourite landscape, feel free to commission me to paint something for you, whether it’s a few inches big, or up to several feet! I usually charge a third of the payment up front, then the rest when a client is happy with the work. Email me on rose.strang@gmail.com if you’d like to chat about a possible commission.

The photos below show some of the process of painting ‘Aberlady’.

Keep well folks! X

'Aberlady' in progress. Rose Strang 2020

1. ‘Aberlady’ in progress. Rose Strang 2020

2. 'Aberlady' in progress. Rose Strang 2020

2. ‘Aberlady’ in progress. Rose Strang 2020

3. 'Aberlady' in progress. Rose Strang 2020

3. ‘Aberlady’ in progress. Rose Strang 2020

4 'Aberlady' in progress. Rose Strang 2020

4 ‘Aberlady’ in progress. Rose Strang 2020

 

 

 

‘Ardban’ – exhibition launch

My new series for a solo exhibition – ‘Ardban’ – launches on Friday 18th October at the Limetree Gallery in Fortwilliam (not to be confused with Limetree Gallery Bristol for whom I’m creating new works for their Christmas exhibition this year!).

A few photos to show framed painting and to show scale …

 

I look forward to traveling up to Fortwilliam for the exhibition launch – all welcome to attend, it’s open to the public and starts at 7pm, 18th October (exhibtion continues to 30th November).

The address is Lime Tree An Ealdhain Gallery, The Old Manse, Achintore Road, Fort William, PH33 6RQ.

Map of the area ..

 

 

 

If you’d like to reserve a painting, please contact the gallery at info@limetreefortwilliam.co.uk

All paintings from the series …

 

Ardban Series completed!

‘Stormy Sky. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

‘Sea Pools. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

‘Morning. Ardban’. Mixed media on 31×22″ paper. Rose Strang 2019

The three paintings above complete the series for an upcoming exhibition at Limetree An Ealhain Gallery, in Fortwilliam, opening on the 18th October.

The full series can be viewed Here. If you’d like to reserve a painting, please contact the Limetree Gallery Fortwilliam at info@limetreefortwilliam.co.uk

I’ve been fighting off a cold as well as painting all week so I’m too puggled (old Scots word for tired) to write more today, but here are two more videos (by Adam Brewster, thanks Adam!) of painting on the beautiful beach of Ardban (one showing that it can be sunny, the other showing that sometimes you can dispense with brushes). Thanks again to Donald Ferguson for arranging this amazing holiday – I look forward to going back there again!

Idyllic

Adam and I painting on the beach. Photo by Euan Ferguson.

 

 

 

 

 

 

 

 

I felt really lucky last week to be painting in a remote and beautiful part of the west coast with three lovely people – Donald (who organised staying at the cottage, thank you!) Adam and Euan.

Our cottage was 40 minutes walk from any roads, on the Applecross Peninsula, which has I think the most stunning views of the Cuillin in Scotland.

Also no TV, and internet connection only findable if you walked up a little hill outside the cottage. The cottage itself hasn’t been much changed since the 30s, and as you can see in photos below, the walls are festooned with art from visitors over the years (one of them was a painting I made there about ten years ago, which someone had kindly put in a clip frame!)

We all painted or took photos, so I’m treating readers of this post to a few of these, below.

I was busy painting for an upcoming exhibition in October for The Lime Tree An Ealdhain Gallery in Fortwilliam. (I’ll post more details on that soon, but in the meantime you can view the paintings in progress on this link – https://rosestrangartworks.com/gallery/ )

It was really special to spend time with folks in such a beautiful place – the lack of distractions from TV and internet made for some highly entertaining evenings, cooking, painting, listening to music, watching sheep in the garden, but mostly interesting (at times insanely ridiculous!) conversation.

Thank you Adam, Donald and Euan, for one of the loveliest holidays I’ve ever experienced!

(From left) Donald, Adam, me, Euan. Photo Adam Brewster.

Wild conditions! Photo Donald Ferguson.

Preparing paper in the sea. Photo Adam Brewster

Adam painting watercolours. Photo Rose Strang

Adam’s lovely watercolours. Rose Strang

Etching on found slate by Donald. Photo Rose Strang

Cottage. Rose Strang

Euan, Adam and Donald (playing guitar) outside the cottage. Rose Strang

Summer dress weather. Photo Adam Brewster

Cuillin across the sea. Rose Strang

Molto romantico sunset! Photo Adam Brewster

Idyllic! Photo by Donald Ferguson

 

 

Small Paintings

‘Isle of Iona’. (paintings are numbered 1 to 3 from left). Mixed media on 3.5×3 inches. Rose Strang 2019. (includes mini easel).

I’ll be painting more of these little artworks (in the photo above) over the coming months, which will be available for sale in art galleries in the landscapes painted.

If you’re interested in buying one of these, contact me at rose.strang@gmail.com and I’ll let you know where they’ll be available, or you can commission something similar if you prefer.

As they’re very small I think they’re a lovely way of acquiring one of my original paintings at a more affordable cost!

Iona Series