Tag Archives: uk artists

On the Shore of the Seat. Iona.

Above: Tràigh an t-Suidhe (Shore of the Seat) Iona. Mixed media on 16×16″ wood. Rose Strang 2026

There’s something so compelling about wave watching. It’s as though each successive wave corresponds to your own heartbeat. To me there’s nothing more meditative. So it’s fitting that Tràigh an t-Suidhe (pronounced tray an too-yeh) means Shore of the Seat; a place where Calum Cille was reputed to have sat quite often, seeking peace from the busier parts of the island. It’s at the northernmost point of Iona.

I’m not sure if he’d have been sitting on the low sandy bank that’s slightly raised and sits under the higher grass bank above (sheltering anyone from winds in the south), or if the seat refers to Carraig Feannig, the rock of the hoodies (a type of crow) in the middle of the bay.

Wherever he looked out, I imagine he felt the same awe we feel watching the incessant, impossibly green waves. Impossibly green thanks to the white sand of the Hebrides, the machair water as I’ve heard it described.

There were two ways to be a martyr in the pursuit of following Jesus and Christianity according to the Desert Fathers, whose influence stretched from around 300AD to Calum Cille’s day (around 530AD): red martyrdom and green martyrdom.

One meant death sacrifice, to be killed; a bloody sacrifice. The other was to live somewhere deserted, green, remote, away from the usual creature comforts, in other words the remote green spaces of the Hebrides. These places were seen as equivalent to the desert in which Jesus was tested. Nowadays we immediately think of sandy expanses, but desert means deserted in ancient Latin terms.

All very grim. I suspect Callum Cille deeply valued those times he spent gazing in wonder at the waves. I remember how I visualised the waves of Iona in my younger years when I felt troubled, or sitting on the dentist’s chair, as I was today, having a wisdom tooth extracted. I imagined myself in the hull of a wooden rowing boat being rocked gently in the calmer east coast sea of Iona.

Kenneth Steven, a writer and poet who has written extensively about Iona and the Hebrides in the last few decades expresses the wonder of waves beautifully:

I went naked into the water, ran deep into a green
Through which I was translucent. I rejoiced
In something I could not name; I celebrated a wonder
Too huge to hold. I trailed home, slow and golden,
Dried by the sunlight.

(Excerpt. Island, by Kenneth Steven)

Blessings of the Iona waves to Marc, who died in 2022. He worked as a volunteer at Iona Hostel, and used to bathe on Tràigh an t-Suidhe everyday, whatever the weather, at dawn. He’d collect seaweed to roast in the oven, and we ate it by the tonne! Rest in peace, Marc.

Here’s my photo of him from the hostel window, coming back from Tràigh an t-Suidhe in the morning.

Marc, Iona, 2018. Rose Strang

Marc, Iona, November 2018. Rose Strang

Lime Blossom

Above: Lime Blossom at Leopold Place. Charcoal on A4 paper. Rose Strang 2026.

Lime Blossom, Linden, Tilleul, Tilia, or to give it its classic Latin name; Tilia Cordata. It’s one of the most elusive, romantic and emotionally resonant scents, and as each year passes I find myself more and more entranced and obsessed by its aroma. Something to do with ageing and the symbology of it all? The inexorable scythe that begins to hover over the head as we approach our later lives?!!

Today was so rainy and cold we decided to stay in Edinburgh rather than drive to Fairhill (otherwise known as Pishwanton) to sketch fern and birch.

I thought I’d sketch, in the comfort of the house, a lime blossom leaf, but it felt so wrong not to work from life, outdoors (I’m bored of the term en plein air). I’ve got used to the charge, or aura of the real subject, now that I’m focussing on straightfoward observation for a while (as part of my ongoing Fairhill series, which you can read about in my previous blogs.)

So I got my sketch pad and charcoal and walked along to the park on Leopold Place at the end of my street, to sketch the Limeblossom trees. And that immediately felt better. I was only there about 20 minutes, but it felt good to pay homage to one of my favourite trees.

When I returned, I began to make dinner and a young buzzard (still slightly fluffy, in appearance if not personality) arrived on the tree outside our kitchen window, terrifying all the local birds. Fascinating to see such a sight in the city – he was something to observe to quote from Peter Gabriel’s Solsbury Hill!

It was somewhat grim watching him eat a pigeon, but mesmerising to watch such a bird up close. The local tits (and I don’t refer to my fellow Leithers!) and pigeons swooped up onto the opposite roofs, not daring to return to their favourite tree. It made up for missing out on our hare at Fairhill today.

Back to lime blossoms though, they don’t properly emerge until June. This year I’m ready for them, and I’ll be posting about it on instagram every week or so, as the moment of ‘peak’ lime blossom approaches.

This is to celebrate the 1st anniversary of writing about perfume and scent on my perfume-related Substack and instagram, since my first ever post was about lime blossom last year. You can read or follow them on these links …

The Perfume Papers (Substack)  and on Instagram Rose Strang Perfume

Fairhill and Goblin Ha’

Above: Birch Trees. Fairhill. 18th April. Charcoal on A4 paper. Rose Strang 2026

The same hare that greeted us at Fairhill appeared on cue as we arrived, bounding through the birches.

Given that I was there to let nature speak to me, rather than impose my big artist’s ego onto the scene, I decided to follow it! It veered off just before the willow shelter, I looked down and saw a tightly curled fern amidst the swaying slender birches and though ‘this’ll do’.

This is my first litle foray into a Goethean approach to observation. At the first stage – you just draw exactly what you see.  A bit like going back to art college. I enjoyed it though. There’s no harm in slowing down to simply observe.

It struck me how both the fern and the birches grow up in spurts, with each burst of energy marked by a band, or leaf. The fern looked so tightly coiled, almost hairy-looking with its fronds, slightly unsettling. These bands showing growth are most marked in bamboo, which reminded me of Crouching Tiger, Hidden Dragon. The way the bamboos swayed so mysteriously, just like the sun-dappled birches that swayed above my head as I drew. And again there was that strange sensation I had last time, the noise of the trees almost sounding like speech. Maybe there was a birch forest here hundreds of years ago, when it was called Fairy Hill, and this sussuration (which to the human ear, seeking patterns, sounds almost like voices) led to the name of the place.

Adam painted a watercolour, then, our legs stiffened up by kneeling on the damp moss (we’re getting too old for all this kneeling and will bring fold-out stools next time!) we decided to head off in search of Goblin Ha’ in the valley of Yester. As we drove off, the large hare ran alongside to see us off!

We searched for Goblin Ha’ last Sunday in the pouring rain and mud. And when I say mud, I mean that there were serious levels and amounts of it. This weekend the sun was out thankfully, but the mud was still in full force.

 

I’d been begining to wonder if this ha’ (meaning ‘hall’) was even real. Last week as we returned to the car drenched and puggled, I was speculating on whether it might just be an elaborate hoax by the people who own the Yester estate. Maybe they film us struggling through the mud for entertainment, and the images of the hall I’d see online were ai.

Well …

We found it!

More on Fairhill and its mysterious surrounds in a couple of weeks.

Exhibition Saturday 19th July

Coming up in just 9 days, The Edinburgh Festival Exhibition at The Graystone Gallery, Edinburgh!

Saturday 19th June, 2 to 4pm, Graystone Gallery

Here’s a litle vid showing the inspiration of Iona and clips of the painting process …