Tag Archives: Scottish landscape painting

The Cairngorms and Braemar

(Above – driving through Glen Shee to Braemar. Photo Rose Strang. All photos below by Rose Strang and Adam Brewster)

The more I visit the Cairngorms the more I understand how they pull at the heart. In Nan Shepherd’s words from her poem – Summit of Corrie Etchachan:

” …No vision of the blue world, far, unattainable,
But this grey plateau, rock-strewn, vast, silent …”

The Braemar Literary Festival was abuzz with ideas and conviviality – it was truly special to be there, but what remains with me is the changing mood and light of the mountains and the sense that just beyond the warmth and safety of Braemar is this arctic beauty, clear water, epic forests and everchanging skies. I really want to go back there and paint!

I was surprised by viewer reactions to my paintings (The Living Mountain series, completed in 2021). It was emotional and I had some really lovely conversations with people who feel passionately about the Cairngorms, for which I’m very grateful.

I attended the festival with my partner Adam, and we were blown away by the generosity we experienced from Art Farm (the people who manage art and cultural events at the Fife Arms Hotel on behalf of Hauser and Wirth). Also by the people who run the Highland Pavilion, who provided us with fresh coffee, scones and friendly chats the two days we were there.

We didn’t expect Art Farm to invite us to their yearly literary dinner at the Fife Arms, along with some well-known authors and poets including David Nicholls (One Day), Alexander McCall Smith (44 Scotland Street) and Scotland’s Makar (Poet Laureate) Peter MacKay.

The Fife Arms instagram page has some great photos of the weekend on this link –

David Nicholls was amused when I told him he’d traumatised me with his gripping, emotional book One Day. We chatted about the effects on society of lockdown, touched on in his new book You Are Here, which I’m already enjoying – it has the characteristic loveable, flawed characters Nicholls is known for.

I was sitting next to Peter Mackay for dinner, and had a fascinating chat about Scottish Gaelic, the structure of ancient clan society and Scottish politics. Turns out we’d both drawn a parallel between the underground mycorrhizal networks that connect trees (explored by scientist Suzanne Simmard) and non hierarchical clan society. That was a bit of a niche ‘high five’ moment! Here’s my rambling post on the subject from 2019 – Planets, Narnia, Clans, Trees)

Alexander McCall Smith was as convivial as you’d imagine, telling me an amusing tale about a painting he’d acquired from the Scottish Gallery which turned out to be by a Dutch master!

The entire weekend was a rich and autumnal experience that Adam and I won’t forget, so a warm thank-you to all at Art Farm, The Duke of Rothesay Highland Games Pavilion and staff at The Fife Arms Hotel (unmatched for lush comfort, warmth and style!)

I’ll end with a poem (it was written first in Gaelic then translated by MacKay) by Peter MacKay, which, although it’s about the sea, not the Cairngorms, somehow speaks to me of their pull …

A Week from Rathlin

Translator: Pàdraig MacAoidh Peter Mackay

On the way home from Rathlin
it was the small boat – a motor- boat with a cabin and open seats out the back.

‘You’ll get soaked out there’, the skipper said,
and he was right – the first waves
broke over the prow and drenched us in a oner, saltwater

overwhelming, exhilarating us
and though we peeled the sea off
with our clothes, the salt from Sruth
na Maoile had marked our skin like moles

and the wave the wave is still flowing through us

Seachdainn an dèidh Reachrainn

Pàdraig MacAoidh
Peter Mackay

Air an t-slighe air ais à Reachrainn b’eambàtabeagabh’ann, eathar-motair le caban
agus suidhichean-deireadh fhosgailte.

‘Bidh sibh bog fluich a-muigh a shin’ thuirt fear a’ bhàta, agus bha e ceart – bhris na tuinn thar an toisich,
gar drùidheadh sa spot agus sàl

gar slugadh ’s gar n-aoibhneachadh
’s ged a rùisg sinn am muir le ur n-aodach dh’fhan sàlainn Sruth na Maoile
nar craiceann mar mhiann,

’s tha an tonn an tonn fhathast a’ sruthadh tromhainn

Braemar Literary Festival September

I’m excited to be part of the Braemar Literary Festival this year. Not as an author, more as an artist in thrall to an author; namely Nan Shepherd and her much acclaimed book about the Scottish Cairngorms: The Living Mountain.

My paintings from the Living Mountain Series will be showing in the Highland Pavilion, Braemar on the 27th and 28th September and I’ll be there for ‘meet the artist’ from 12 noon to 1:30pm.

If you follow this blog you’ll maybe remember the exciting commission I was given by the Folio Society, London, in 2021. The Folio were re-publishing their own edition of The Living Mountain, and sought an artist to illustrate the book. I felt honoured and surprised – this being one of my favourite books of all time! (the Folio edition is now completely sold out – it’s possible to buy a copy online from booksellers but it’s now into the £100s. How I wish I’d held on to more of the copies they gave me. I have just one left)

The Braemar Literary Festival was founded by world-famous art collectors Hauser and Wirth, who own the Fife Arms Hotel in Braemar. The’ve turned the hotel into a quite extraordinary experience, the place is festonned with stunning original works of art including a Picasso and an enormous Bruegel in the dining room. The atmosphere is high-end but not uppity, the style in keeping with its Victorian heritage, they even have a framed letter by Queen Victoria tucked away in an alcove somewhere.

Guest speakers to the festival will include Monica Ali, Alexander McCall Smith, David Nichol (known most recently for the televised version of his heart-rending novel; One Day), Giles Coren and many more interesting authors, journalists and presenters (link Here)

Hope to see you there! Here’s the info again …

My paintings from the Living Mountain Series will be showing in the Highland Pavilion, Braemar on the 27th and 28th September and I’ll be there for a ‘meet the artist’ hour from 12 noon to 1:30pm.

” …waves lapping, light dancing.”

Above: North Beach Iona, May . Oil on 30×20″ linen canvas. Rose Strang 2025

“Rose Strang observes North Beach, Iona (May) with atmospheric close-up clarity. The circle of black rocks, pale sand and turquoise shallows, lead to the misty mountains beyond with a loose, impressionistic style. Textured brushstrokes contrast the weathered ruggedness and calm serenity of the isolated beach on this Spring day.  The palette is cool and luminous dominated by icy blues – waves lapping, light dancing.  Strang’s poetic, painterly voice speaks not just of the physical landscape but of its ever-changing natural elements with quiet contemplation.”

A really lovely review by Art Mag art critic Vivien Devlin today of the Graystone Gallery’s Edinburgh Festival Exhibition. Poetic, descriptive writing by a genuine art lover. Thank you Vivien! –

Edinburgh Festival Exhibition, 2025,  ‘A Convergence of Vision’ by 30 artists @ Graystone Gallery 

Exhibition Saturday 19th July

Coming up in just 9 days, The Edinburgh Festival Exhibition at The Graystone Gallery, Edinburgh!

Saturday 19th June, 2 to 4pm, Graystone Gallery

Here’s a litle vid showing the inspiration of Iona and clips of the painting process …

Storm Island

Above. Storm Island. Oil on 50×50″ linen canvas. Rose Strang 2025.

Part of a series in progress for the Graystone Gallery‘s Edinburgh Festival exhibition launching to the public Saturday 19th July 2025 from 1 to 3pm

The photo below includes me to show scale …

The painting’s called Storm Island because it shows a somewhat abstracted view from the north beach of Iona to Eilean Annraidh, which means (you guessed it!) Island of Storm in Gaelic.

It doesn’t look remotely stormy from the shore, it generally looks somewhat tranquil, even mystical in the way that islands do until you’re on them. A sense of untouched purity with its white sand and luminous tuquoise water.

I can never capture in traditonal or realist paintings that feeling of mystery. Abstracting this painting a little, and painting from a place where I’m thinking of colour, shape and texture rather than what’s actually there, maybe gives more of a sense of that feeling.

The foreground suggests a rockpool. The rock pools on the north beach of Iona are incredible sometimes, you feel you’ve stumbled upon some sort of dragon’s lair, with this lime green water among the jagged jet black rocks.

I have one more of these semi abstract works to finish this week, then the series for the Graystone Gallery is complete. The exhibition launches with a preview on Saturday 19th July from 1 to 3pm. Hope to see you there!

Iona Sea, new exhibitions

Above: Iona Abbey from North Beach. Oil on 30×20″ linen canvas. Rose Strang 2025

Today’s painting, above, is one of two landscapes for the upcoming Graystone Gallery exhibition in Edinburgh which launches on Saturday 19th July this year from 1 to 3pm

I’m taking these two landscapes as a starting point for two much larger abstract works for the Graystone, about which I’m very excited as I really awant to play with colour, mood and texture, not just views of Iona, lovely as those are to paint!

Just looking at my palette at the end of today is an inspiration!

More next week …

Iona Sea and new exhibitions in 2025

Above: North Beach Iona, May. Oil on 30×20 inch linen canvas. Rose Strang 2025

Lots of exciting new projects coming up!

The painting above is one of a series I’m creating for the Graystone Gallery, Edinburgh for their Edinburgh Festival exhibition, which launches on Saturday July 19th from 1 to 3pm

The painting below is for the Limetree Gallery‘s upcoming Summer Exhibition which launches 3rd July. You can preview or reserve paintings now by contacting them on their website.

(If you’re interested in buying or reserving one of the paintings please contact the galleries direct on the links in the above paragraph, thank you).

I have another three at larger sizes for the Graystone coming up. Readers of the blog will know how much Iona means to me, and to thousands of other people who visit the island every year. It’s a special place I’ve been visiting now for about thirty four years and I’d say it’s one of my biggest inspirations as an artist.

The next larger paintings will be a bit more abstract, but I know that people find these paintings of turquoise sparkling water joyful, and so do I!

This series is doubly special since my partner Adam and I prepared the canvases ourselves with sretcher bars and raw linen.

I’ve kept the lovely texture and colour of the linen by using clear gesso. If you look at the close ups of ‘Sea Light, Iona’ and ‘Iona North Beach, May’ below, you can see the unpainted canvas …

More soon …

Spring and Summer Exhibitions coming up!

Above: Iona to Staffa 1. Oil on 12 x 12 inch wood Rose Strang

On exhibition as part of Limetree’s Spring Show until May 31st are two works inspired by my favourite places in Scotland – the Isle of Iona and Coigach on the west coast.

Happily, I’ll be painting many more works inspired by Iona this year – for the Graystone Gallery in Edinburgh and the Limetree Gallery in Bristol. More on that in a week or so …

Forest of Luffness. Painting progress 21

Above: Forest of Luffness 15. Oil on 30×30″ canvas. Rose Strang 2025

Today’s painting, continuing the Luffness series. These are looking coherent now, so that’s encouraging!

Here’s a detail of the figures –

I’ve decided to paint more detailed portraits onto the smaller canvases as I’ve never liked huge face portraits. I have three more at this large size then I’ll create about three smaller portraits and that will be this series complete for now, I think. I have to get on with some landscape paintings for summer exhibitions.

Here are all the large paintings grouped together –

Forest of Luffness. Painting progress 20

Above: Forest of Luffness 14. Oil on 30×30″ canvas. Rose Strang 2025

Today’s painting, which happily coincides with the palette of my favourite painting so far from the larger series. Details –

The other painting –