Author Archives: rosestrang

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About rosestrang

Artist, Painter

In progress..

P1290225 P1290227A couple of paintings in progress.

The square one on the right is a snowscene where I’ve gone a bit Auerbach (in terms of impasto anyway!), the other is a work I started which wasn’t working, so I messed it up a bit, and I can now see it will make an excellent composition of a winter squall from the edge of snowy Salisbury Crags (on the right looking down onto Edinburgh – I won’t add too much detail but definite suggestion of rooftops, castle outline etc).

These paintings are for my upcoming exhibition – Snowscapes, which will be at Gayfield Creative Spaces on the 8th, 9th and 10th December from 12 noon to 8pm daily. (mulled wine on Thursday from 6 to 7!)

All info here – Snowscapes

Snowscapes

Winter Birch Trees

 

 

 

 

 

I’m happy to announce an upcoming three-day winter exhibition – Snowscapes – featuring winter landscapes on wood.

Dates: Tuesday 8th, Wednesday 9th and Thursday 10th December

Times: 12 noon till 8pm all day

Venue: Gayfield Creative Spaces, 11 Gayfield Square, Edinburgh EH1 3NT

Facebook event page Snowscapes

Enquiries: rose.strang@gmail.com

P1290195Snowscapes features highly textured, semi-abstract winter landscapes on a variety of wood panels, blocks or found wood, from large to small. The exhibition space at Gayfield Creative Spaces reflects the wintry/woody theme perfectly, and the mood will be further enhanced by lashings of spiced, warm mulled wine, served by candle-light on Thursday the 10th December in the evening from 6 to 8pm!

Gayfield Creative Spaces..

 

Winter exhibition

P1290195After some fretting and decision-making, I’ve found the ideal space for my upcoming winter-themed exhibition, which I’ve decided to call Snowscapes

More details (map etc) to follow tomorrow, but this will be a two-day exhibition on the 8th and 9th December, open from 12 noon till 8pm both days.

P1290190

The space above is Gallery II at Gayfield Creative Spaces in Edinburgh’s Gayfield Square.I dropped in today to take these photos, and I was enchanted by the light and gnarly wood beams, which will form a perfect backdrop for the winter series I’m working on.

This will include fifteen to twenty wintery subjects in semi-abstract highly textured style – monochrome winter birches, snow-laden trees and roof tops, I’m also going to paint wildlife – herons on icy ponds with their beaks tucked into their feathers and perhaps some snowgeese.

I find the colours and light of winter enchanting, and I have a wealth of mental imagery to draw on, also my love of Northern renaissance landscape art, and the quality of light captured by Dutch and Flemish artists of the 16th century.

I’m really looking forward to this series, and I think it’ll be popular as it will include paintings from as small as 3×3 inches up to 18×12.

To celebrate the wintery mood I’ll be serving my own home-made mulled wine on the 11th and 12th in the gallery between 6 and 7pm!

Freespace

P1290167Yesterday I popped in to the Freespace Gallery which is in the Leith area of Edinburgh, to meet owners Kate and Terence and chat about my art prints for charity project (which benefits wildlife conservation charities by offering 25% of print sales to charities related to the landscape featured in the print).

 

P1290161Freespace was set up last year during the referendum as a place for people to meet, discuss ideas and show their art work. I dropped in once or twice and noticed they show work by local artists and photographers, so I though this would be a great place to display work.

Kate and Terence offered me a seat, freshly brewed coffee, and were most enthusP1290164iastic  about the project and my paintings. It’s great to be included in the Freespace Gallery, and lovely to meet gallery owners who take an interest in the work, so the interaction is not just focussed on business agreements! Also it’s just around the corner from where I live so it’ll be easy to drop by and see how things are going.

I was born in Leith, my dad’s side of the family have been here a few generations, and I remember that in my early teens I couldn’t wait to get out! At the age of 19 I moved to  Greece, then subsequently lived and worked all around the UK – down south, up north and the Midlands. I loved living in all these places and made lifelong friends. Now, with a bit more experience of life and people, I find that Leith is my favourite part of Edinburgh, mostly because of its friendly community, which has always included different nationalities, mostly from India, China, Italy and Poland. If you walk down Leith you see the influence of these cultures in shops, restaurants, cafes and delis (the best known being world-famous Italian delicatessen Valvona and Crolla – I remember when I was a girl it seemed most exotic!)

_48706841_aug2010(1)Leith has always had an interesting arts community too, the Shore in particular is a popular area for artists, writers and musicians to live, partly because of its galleries, pubs, cafes and restaurants, but also it’s to do with the setting (it always reminds me of Amsterdam, and there was in fact a Dutch colony there a few hundred years ago, which you can see reflected in the architecture)

It’s great that Freespace continues to support local artists, writers and projects around Leith and Edinburgh in general. They also have a foodbank donation drop off point. I’d recommend you pop in to have a look around.

For more information on the art prints for charities and wildlife conservation trusts, click Here (you can buy the prints singly, or as a set).

If you’d told me I’d be enthusing about Leith back in my teens I’d have been bemused, but there you go! Here’s Leith’s ‘persevere’ motto (we had this on our school badges).

persevere

Winter Landscapes Exhibition

'Winter Birch Trees'. Mixed media on 17x11" wood

‘Winter Birch Trees’. Mixed media on 17×11″ wood

Today’s painting – a winter landscape on wood panel.

I experimented with this as I went along, adding marble dust for texture and lots of work with a palette knife. I’m quite happy with the colours, which are maybe veering a bit towards Bruegel-like with greenish tones in the sky, and touches of intense warmth here and there.

This painting will be the largest in a series I’m painting for a pre-Christmas show at the beginning of December (details tbc). I’ll be creating a series of 10 or so winter landscapes on wood.

On the subject of wintery colours I’ll leave you with Bruegel’s winter masterpiece – Hunters in the Snow (or The Homecoming). It’s the most popular art subject for Christmas cards for obvious reasons! The colours and composition are beautiful, but I also love the fact it gives a sense of ordinary life in the 16th century (though art historians have suggested it’s an idealised portrait even for its time). The hunters haven’t been successful, but you can see people playing on the ice, two women walking carefully on the edge…

 

Support Marine Sites in Lindisfarne

'Lindisfarne Series No. 3'. Acrylic on 5x5" wood

‘Lindisfarne Series No. 3’. Acrylic on 5×5″ wood

I’m very pleased to introduce the new Lindisfarne prints series!

These are giclee prints from my original paintings of Lindisfarne. I am donating 25% of sales proceeds from these prints to the The Berwickshire and North Northumberland Coast European Marine Site

You can view and buy the print series on this link: ‘Prints for charity’

 

 

The paintings were created in October 2014, and I remember being mesmerised by the moody changing light of autumn – watching the sky change from silver to black then blue, flocks of birds rising in clouds then speeding along the wave tops.

Bay, by Gavin Duthie

Bay, by Gavin Duthie

The Berwickshire and North Northumberland Coast European Marine Site extends along 115km of coastline from Alnmouth in Northumberland up to Fast Castle Head in Scotland, covering the Holy Island of Lindisfarne and the Farne Islands. It protects some of the most significant marine and coastal habitats in Europe, including rocky reefs and swaying kelp forests, deep sea caves, intertidal sand and mud flats and large bays.

Grey Seal, Farne Islands

Grey Seal, Farne Islands

These special places support an abundance of marine life, such as grey seal, sea birds, and a rich assemblage of plants and animals on the reefs and beneath the soft sediments. The area also supports visiting whales and dolphins.

Funds will contribute towards furthering the conservation objectives of this special marine site.

Many thanks to Claire Hedley (Implementation Officer for the Marine Site) for joining the project. I hope the prints help support the floral and fauna of this beautiful area of coastline!

Click on ‘Buy charity prints’ to view the art prints series, which also includes the Isle of Eigg and The Bass Rock.

Winter Landscapes

P1290082 P1290083 P1290085

 

 

 

 

A few winter landscapes in progress today – I’m just waiting for these to dry then I’ll be adding more texture and light tomorrow.

I’m creating a whole series of these new works and will exhibit them in November at the Hill Street Design House, Edinburgh, and at Portobello Market at the end of November. (more details to follow)

Also, in the next two days or so I’ll be launching the charity art prints series for Lindisfarne. Details are tbc, but 25% will most likely go towards the Berwickshire and North Northumberland Coast European Marine Site, which helps conserve the landscape and wildlife of Lindisfarne as part of its remit.

I’m full of admiration for these organisations, which mostly rely on donations from the public to help conserve our landscapes and wildlife, which is so important for the entire ecosystem, especially in the light of today’s news about the endangerment of the Puffin and Turtle Dove population. It’s good to be able to contribute in a small way through my art print sales!

In the meantime you can view the Isle of Eigg Series and Bass Rock art-print series on this link  –Prints for Charity

Support the Eigg Heritage Trust

The paintings above are from a series of 50 created last year as part of my project inspired by the Isle of Eigg.

These five are available to buy as small prints – 25% of the sale goes towards the Eigg Heritage Trust (see info below) –

You can buy them direct through Paypal on this link – Eigg Prints

I love the beautiful colours of the west coast of Scotland, especially the islands with their white sand and turquoise sea, but last year I wanted to explore and paint Eigg because I was fascinated by the islanders’ innovative way of life.

Eigg’s comunity of 90 people bought the island together in the late 90s, and since then they’ve brought in a 100% renewable energy system which provides all the island’s electricity needs.

It’s a great example of what’s possible if enough people work together to make positive changes. Also the island community have benefited from changes in tenanacy and house-buying arrangements, so there’s more security for people who live on the island.

All of these changes have been supported by the Eigg Heritage Trust, which is based on the island and adminstrated by Eigg-dweller Maggie Fyffe (I interviewed Maggie last year and you can read about how the islanders changed their entire way of life Here)

For each one of the fifty Eigg paintings I created last year, I wrote a blog post, basically an arts diary about Eigg. You can read about the post for each of the 5 paintings above on these links below

If you like these landscapes, you can order a high quality window-mounted giclee print, which you can buy direct through Paypal on this Link – Prints  and as mentioned 25% goes towards the Trust  (if you prefer to pay by cheque or bank transfer please contact me at rose.strang@gmail.com

No. 18

No. 23

No. 24

No. 30

No. 50

Inspired by..

'Waves in the Rain, Singing Sands Bay'. Acrylic and ink on 40x30" canvas

‘Waves in the Rain, Singing Sands Bay’. Acrylic and ink on 40×30″ canvas

Nice news today that I’ve been included in Saatchi’s ‘Inspired by Impressionism..’ series.

I’m not actually particularly inspired by Impressionism, but last year one of my paintings (‘Waves in the Rain, Singing Sands Bay’, above) was compared to Gustave Courbet by the Curator of French Art at the National Gallery of Scotland. I was very touched by that, and she followed up those kind remarks by buying the painting too, I was thrilled!

This is Courbet’s ‘La Vague’ (the wave). I honestly wasn’t thinking of Courbet at all when I painted my waves, but I actually do see what she meant in a way – the energy I think. Courbet was a messy painter, as I tend to be too especially with larger works.

And since I’m blowing my own trumpet today (somebody has to!) other good news is that ‘Cockenzie Power Station’ was pre-selected for the RSA (Royal Scottish Academy) Open 2015.

'Cockenzie Power Station, 26th September 2015'. Mixed media on 17x11" wood panel

‘Cockenzie Power Station, 26th September 2015’. Mixed media on 17×11″ wood panel

Thanks to the RSA and Saatchi, I must say it’s given me a wee glow today!

 

Connections..

'View of Tantallon Castle and the Bass Rock' by Alexander Nasmyth

‘View of Tantallon Castle and the Bass Rock’ by Alexander Nasmyth

A dramatic work by Nasmyth, of Tantallon. (he’s stretched the Bass Rock, though maybe it was taller then!)

I’ve just realised I need to slightly tweak the second of the two Tantallon paintings below, which needs more mass on the headland and castle. These two were painted with a fellow artist in mind, Linda Cairnes, whose house, which is over 100 years old and overlooks Botany Bay in Australia, happens to be called ‘Tantallon’!

Linda was born and lives in Australia but also lived and worked for many years in the UK. The person who built the house, Linda tells me, was intrigued by Walter Scott’s stanza…

Tantallon vast;
Broad, massive, high, and stretching far,
On a projecting rock it rose,
And round three sides the ocean flows,
The fourth did battled walls enclose
It was a wide and stately square;
Around were lodgings fit and fair,
Here was square keep, there turret high,
Or pinnacle that sought the sky,
Whence oft the Warder could descry
The gathering ocean-storm.

From the poem Marmion
By Sir Walter Scott 1806

I’m delighted that Linda likes my paintings of Tantallon, and it got us chatting via email about our arts experiences; it turns out we’ve both worked as arts organisers for public arts projects in Stoke, so Linda had also enjoyed my blog post a few days ago about a project I also organised in Stoke!

KeithGYou can read about Linda’s excellent work on her website Here. She’s a highly talented artist (I love her portrait paintings) who’s organised many public arts and community projects in the UK and Australia.

 

 

On Monday the two Tantallon paintings will be winging their way to  ‘Tantallon’ in Australia, which feels very poetically satisfying to me.

Thanks to Linda – for buying the paintings, and for these pleasingly serendipitous connections! I’ve met several really great people here in the uk from Australia who became good friends then moved back, I must one of these days get over there for a visit, and I’d love to see Tantallon House!

That landscape too, what inspiration…

CR_Kimberley10