Tag Archives: winter paintings

December, Twilight. Mixed media on 16 x 16 " wood. Rose Strang 2026

‘December Will be Magic …

Above: December. Twilight. Mixed media on wood. 16 x16 inches. Rose Strang 2026

Let’s talk about photosensitive retinal ganglion cells …

Or, the cryptochromes within our eyes: ancient, blue-light-sensitive proteins found throughout nature (in plants, insects, birds, and humans) which help regulate our circadian rhythm.

It’s proven science that they affect our sleep and waking patterns, but we humans find poetry in everything. Dawn and dusk, the gloaming, the blue hour, these (sorry for the overused term) liminal states. Places between heaven and earth, or thresholds.

Ancient shamen knew that these were powerful times of day to unleash our imagination. I know of no other contemporary singer / musician who explores these dream states better than Kate Bush.

“Somewhere in a dream between sleep and waking up / Somewhere in between breathing out and breathing in / Like twilight is neither night nor morning.”

I listened to two of her tracks in particular while painting these, though it was more about mood than literal interpretation: First Snowflake, written in 2010, about a falling snowflake destined to meet its beginning or end as it approaches the earth, also a metaphor for the transient, delicate voice of a choir boy, namely Kate Bush’s (then) 13 year old son who sings the song with her on the track, with it’s open shimmering piano arpeggios, suggesting a falling sensation, while Kate Bush sings the repeated, reassuring refrain Keep falling, I’ll find you

While her son sings in crystalline voice:
My broken hearts, my fabulous dancing
My fleeting song, my twist and shout
 
I am ice and dust and light
I am sky and here
 

The other song, December Will Be Magic Again, was written in 1979 by Kate Bush when she was just 21. The theme is, again, falling in a night sky at Christmas, but here it’s the song of a young woman hoping that December will be magic, as it was when she was a child:

December will be magic againDon’t miss the brightest starKiss under mistletoeI want to hear you laughDon’t let the mystery go now

Thankfully, the song was never made very famous, and so it remains probably the only underplayed Christmas themed song I know that truly does make me feel the magic of this time of year!

I was also thinking of Arthur Melville’s dream-like paintings, ochre buildings against velvet blue skies, or Whistler’s Nocturnes. The deeper side of these winter reveries conjured up my more spiritual Vesper paintings, but they also conjured December, midnight, twilight, Christmas magic and the more childlike side of imagination maybe, in these December paintings.

Twilight shifts your brain out of high-alert, logical daytime processing and drops it into a more fluid, receptive, alpha-wave state. The blue hour l’heure bleue, twilit haunting perfumes, iris pallida’s papery petals, Vespers, evening prayers, mood indigo, ancient druidic rituals around a fire. A time when we  no longer rely on what we see, but rather what we imagine with our mind’s eye and feel with our heart and soul. Visions; come to sparkle the dark up.

These two paintings don’t yet have a destination, I painted them spontaneously. I’ll update when I know where they’ll be placed.

In the meantime. here are two videos; December Will be Magic Again and Snowflake

Kate Bush released this video for Snowflake to accompany the animation called Little Shrew. The two were created to raise money for WAR CHILD which exists to help children around the world affected by war

 

 

'Hoy, Winter'. Mixed media on 10x10" wood. Rose Strang 2013

Opening up the Studio Archives: Winter Landscapes, Fine Art Print Release

Above: Hoy. Winter. Mixed media on 10×10″ wood. Rose Strang 2013

Opening up the Studio Archives: Winter Landscapes, Fine Art Print Release

Available to order from Wednesday 14 October 2026
Order by Wednesday 21st October for delivery by mid-November, in good time for Christmas.

Over the years, many of my original winter landscape paintings have passed into private collections and gallery spaces across the UK and beyond.

To bring these paintings back into the light, I’m releasing, for the first time, a limited edition run of fine art giclée prints of selected winter landscapes, available to order directly from my studio until Wednesday 21st October.

Please note: I’m opening up my archive to offer studio-exclusive prints and small original works (all under £200) directly to collectors. Full-scale original paintings will remain available exclusively through galleries.

Winter Landscapes (click to enlarge)

Release schedule

  • Now (14th October): Winter Landscapes, fine art prints
  • Next week (21st October): Winter Still Lifes, fine art prints
  • Mid-November: Small original paintings

About the prints

  • Limited edition: Each image is a limited edition of 100 signed prints in each size.
  • Paper and inks: Printed on heavyweight, archival 100% cotton rag paper with lightfast pigment inks, to capture the subtle tones and textures of the original paintings.
  • Signed by hand: I check, sign and number every print myself and pack it carefully in the studio before it’s sent.

Sizes and prices (bear in mind that these are image sizes, starting at 5 x 5 inches. The prints are on paper and so have a border of. So for example the 10 x 10 inch image print is 16 by 16 inches in total, including its 3 inch round border.

Size (inches) Size (cm) Price (incl. tracked UK shipping)
5″ × 5″ 12.7 × 12.7 cm £45
10″ × 10″ 25.4 × 25.4 cm £85
15″ × 15″ 38.1 × 38.1 cm £135

Paintings that aren’t square are printed in proportion, with the longest side matching the sizes above.

Worldwide tracked shipping is available on request.

How to order

To reserve a print from Winter Landscapes:

  1. Email: Write to me at rose.strang@gmail.com with the title of the painting and your preferred size. (see table above for sizes and prices)

Or

  1. Instagram: Send me a message at https://www.instagram.com/rosestrang/ with the title of the painting and your preferred size.

Once you’ve chosen, I’ll send you payment details (Pay Pal or bank transfer as you prefer) and your print is reserved as soon as payment is received, with a guarantee of full refund (excepting postage) if you are not happy with the quality of the print.

If you’d like to see close-ups of a particular print before I send it, just ask and I’ll happily send images.

Orders for the Winter Landscape series close on Wednesday 21st October All prints go to the printer the by 1st November and will reach you by mid-November.

I’ll be sharing more close-ups of the paper quality, background details and story of each piece over the coming week, but feel free to message me directly to secure a print from this run at rose.strang@gmail.com

'Wolf'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

Winter Landscapes: Exhibition

'Giant Snowballs'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

‘Giant Snowballs’. Mixed media on 12×12 inch canvas. Rose Strang 2019. Unframed £290

 

 

 

 

 

 

 

 

 

 

 

 

The two paintings above will be on exhibition at the Royal Scottish Academy, Edinburgh, from 22nd December to 30th January 2020.

This is part of the annual Open Exhibition organised by the Society of Scottish Artists (SSA), who accepted me as a professional member in 2018. All details about tickets and venue Here

‘Giant Snowballs’ was inspired by snow sculptures on Arthur’s Seat, Edinburgh and ‘Wolf’ was inspired by watching the Seven Worlds series narrated by David Attenborough – the wolves were viewed through heat sensitive cameras, adding to their mystical presence – they looked primeval and otherworldly. I made a quick sketch in paint on canvas while watching, then surrounded it in thick layers of white gesso.

The exhibition launches 22nd December, all details on link above.

 

SSA Open 2019

'Wolf'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

‘Wolf’. Mixed media on 12×12 inch canvas. Rose Strang 2019

'Giant Snowballs'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

‘Giant Snowballs’. Mixed media on 12×12 inch canvas. Rose Strang 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Above, my two paintings, on a winter theme, available for sale at the SSA  (Society of Scottish Artists) Open Exhibition, which launches 22nd December and ends 30th January 2020. Venue – the Royal Scottish Academy on the Mound, Princes Street, Edinburgh.

I’ve been a member of the SSA for many years, and was delighted to be accepted as a professional member last year.

You can buy tickets for the exhibition (just £3) on their website Here

It’s a huge exhibition, featuring the work of artists living in Scotland as well as international artists, always innovative and well worth a visit!

Winter Miniatures in progress …

Above – walking through city snow (I hope that’s what it looks like!)

Below – today’s paintings for the Winter Miniatures exhibition and open studio day, which launches Sunday 8th December 2pm.

All details Here

I took photos of these in electric light, so it doesn’t show colours quite accurately. Winter evenings are such a pain for painting and photography! I’ll be uploading them in higher quality tomorrow.

Winter Miniatures – 8th December

‘Winter Miniatures. Last Leaves’. Mixed media on 3×3″ wood. Rose Strang 2019

‘Winter Miniatures. Indigo Sky’. Mixed media on 3×3″ wood. Rose Strang 2019

My new series; Winter Miniatures, launches on December 8th next month.

For this series I’m painting around 40 semi-abstract pieces on wood, inspired by the textures and colours of winter.

All info about the exhibition Here

Winter Series video – music and images

I finished a first edit of the Winter Series video yesterday, so for those of you who haven’t yet heard the music that inspired the paintings, here it is!

 

 

 

Winter Series – post 7

Today’s paintings – ‘Home, Moonlight’ and ‘Skating’, for the Winter Series. Exhibition opens in just five days – all info Here

I’m almost there with ‘Sea, Storm’ below, which needs a bit more work, but all completed paintings are now in the ‘Artworks’ gallery. I altered ‘Red Velvet Dancing’ a little (also below)- taking out the second figure and adding some more impasto highlights to the dress to show reflected firelight.

 

 

 

 

So that’s now just two paintings to finish, then the series is complete! Atzi has also tweaked the short music pieces to his liking, as mentioned each painting comes with a CD of all 12 music pieces.

‘Sombre Constellations’ has already sold, to a former buyer and friend in Australia, it’s a great home for the painting to go to, not just because Linda Cairnes is a talented painter herself, but because I think ‘Sombre Constellations’ perhaps has something of the Aboriginal ‘dreaming’ to it! All completed paintings viewable on ‘Artworks’ in menu above.

Feel free to contact me if you have any questions about the paintings, the exhibition, or would like to buy a painting or print – rose.strang@gmail.com

Winter series – post 6

‘Winter 2’. Mixed media on 10×10″ wood panel. £150

‘Winter 1’. Mixed media on 10×10″ wood panel. £150

‘Winter 8’. Mixed media on 10×10″ wood panel. £150

A definite feeling of progress at last …

Above are the latest pieces for the upcoming Winter Series exhibition (info Here) which is opens in just 9 days!

As mentioned in a previous post, the challenge of this series is that I’m trying something new; responding to twelve two-minute pieces created for this project by composer and cellist Atzi Muramatsu, but also I’m finding it a challenge because each piece of music is entirely distinct, so with each painting I’m exploring a new theme as opposed to variations on one subject.

With nine days to go, and half the works finished, I’m finally getting into the swing of things. It was particularly enjoyable to paint the figure dancing in red velvet by firelight, this one ‘painted itself’ as they say. That’s partly because I took photos of myself in a red velvet dress for reference. That’s much easier because the proces is mimetic. The first thing you learn as an artist is to copy. It’s much more challenging to create something abstract and from imagination.

A couple of photos the painting in progress (I might take out the smaller figure, or make it recede a bit more).

 

 

 

‘Winter 1’, in response to the first piece of music, was quite difficult. The music itself felt like a meandering descent, and at the same time very cold with a sense of space. I  tried several epic-style paintings looking from a height down to a frozen valley but they just didn’t work. This descending waterfall, which leads the eye down to a ship frozen in ice, seems to fit the mood.

The running snow hare was the immediate image that sprung to mind when listening to one of the  pieces where the cello style is speedy, scratchy, scittering and staccato (to use a musical term!) also springing, just to add another word starting with ‘s’.

Below is the ground-work for a portrait of Atzi playing cello, in response to a Baroque-style cello piece. This monochrome sketch onto grey ground is a very traditional approach – I wanted to try a traditional technique so it feels in keeping with the 17th century music style. I’ll gradually build up more complex tones, then overlay with colour glazes, followed by some impasto highlights.

 

 

 

 

I feel I’ve earned a short break now, so I’ll spend the rest of the day relaxing before the Edinburgh Art Fair preview which launches this evening. I have four works in the show, hosted by the Limetree Gallery (at Stand D11). All info Here

Winter Series – day 4

New paintings for the winter series from today above. The two small black paintings were in response to a sombre piece by Atzi. More info about the Winter Series project Here.

 

 

Below, some more work on the previous paintings …