Tag Archives: winter paintings

'Wolf'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

Winter Landscapes: Exhibition

'Giant Snowballs'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

‘Giant Snowballs’. Mixed media on 12×12 inch canvas. Rose Strang 2019. Unframed £290

 

 

 

 

 

 

 

 

 

 

 

 

The two paintings above will be on exhibition at the Royal Scottish Academy, Edinburgh, from 22nd December to 30th January 2020.

This is part of the annual Open Exhibition organised by the Society of Scottish Artists (SSA), who accepted me as a professional member in 2018. All details about tickets and venue Here

‘Giant Snowballs’ was inspired by snow sculptures on Arthur’s Seat, Edinburgh and ‘Wolf’ was inspired by watching the Seven Worlds series narrated by David Attenborough – the wolves were viewed through heat sensitive cameras, adding to their mystical presence – they looked primeval and otherworldly. I made a quick sketch in paint on canvas while watching, then surrounded it in thick layers of white gesso.

The exhibition launches 22nd December, all details on link above.

 

SSA Open 2019

'Wolf'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

‘Wolf’. Mixed media on 12×12 inch canvas. Rose Strang 2019

'Giant Snowballs'. Mixed media on 12x12 inch canvas. Rose Strang 2019 board

‘Giant Snowballs’. Mixed media on 12×12 inch canvas. Rose Strang 2019

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Above, my two paintings, on a winter theme, available for sale at the SSA  (Society of Scottish Artists) Open Exhibition, which launches 22nd December and ends 30th January 2020. Venue – the Royal Scottish Academy on the Mound, Princes Street, Edinburgh.

I’ve been a member of the SSA for many years, and was delighted to be accepted as a professional member last year.

You can buy tickets for the exhibition (just £3) on their website Here

It’s a huge exhibition, featuring the work of artists living in Scotland as well as international artists, always innovative and well worth a visit!

Winter Miniatures in progress …

Above – walking through city snow (I hope that’s what it looks like!)

Below – today’s paintings for the Winter Miniatures exhibition and open studio day, which launches Sunday 8th December 2pm.

All details Here

I took photos of these in electric light, so it doesn’t show colours quite accurately. Winter evenings are such a pain for painting and photography! I’ll be uploading them in higher quality tomorrow.

Winter Miniatures – 8th December

‘Winter Miniatures. Last Leaves’. Mixed media on 3×3″ wood. Rose Strang 2019

‘Winter Miniatures. Indigo Sky’. Mixed media on 3×3″ wood. Rose Strang 2019

My new series; Winter Miniatures, launches on December 8th next month.

For this series I’m painting around 40 semi-abstract pieces on wood, inspired by the textures and colours of winter.

All info about the exhibition Here

Winter Series – post 7

Today’s paintings – ‘Home, Moonlight’ and ‘Skating’, for the Winter Series. Exhibition opens in just five days – all info Here

I’m almost there with ‘Sea, Storm’ below, which needs a bit more work, but all completed paintings are now in the ‘Artworks’ gallery. I altered ‘Red Velvet Dancing’ a little (also below)- taking out the second figure and adding some more impasto highlights to the dress to show reflected firelight.

 

 

 

 

So that’s now just two paintings to finish, then the series is complete! Atzi has also tweaked the short music pieces to his liking, as mentioned each painting comes with a CD of all 12 music pieces.

‘Sombre Constellations’ has already sold, to a former buyer and friend in Australia, it’s a great home for the painting to go to, not just because Linda Cairnes is a talented painter herself, but because I think ‘Sombre Constellations’ perhaps has something of the Aboriginal ‘dreaming’ to it! All completed paintings viewable on ‘Artworks’ in menu above.

Feel free to contact me if you have any questions about the paintings, the exhibition, or would like to buy a painting or print – rose.strang@gmail.com

Winter series – post 6

‘Winter 2’. Mixed media on 10×10″ wood panel. £150

‘Winter 1’. Mixed media on 10×10″ wood panel. £150

‘Winter 8’. Mixed media on 10×10″ wood panel. £150

A definite feeling of progress at last …

Above are the latest pieces for the upcoming Winter Series exhibition (info Here) which is opens in just 9 days!

As mentioned in a previous post, the challenge of this series is that I’m trying something new; responding to twelve two-minute pieces created for this project by composer and cellist Atzi Muramatsu, but also I’m finding it a challenge because each piece of music is entirely distinct, so with each painting I’m exploring a new theme as opposed to variations on one subject.

With nine days to go, and half the works finished, I’m finally getting into the swing of things. It was particularly enjoyable to paint the figure dancing in red velvet by firelight, this one ‘painted itself’ as they say. That’s partly because I took photos of myself in a red velvet dress for reference. That’s much easier because the proces is mimetic. The first thing you learn as an artist is to copy. It’s much more challenging to create something abstract and from imagination.

A couple of photos the painting in progress (I might take out the smaller figure, or make it recede a bit more).

 

 

 

‘Winter 1’, in response to the first piece of music, was quite difficult. The music itself felt like a meandering descent, and at the same time very cold with a sense of space. I  tried several epic-style paintings looking from a height down to a frozen valley but they just didn’t work. This descending waterfall, which leads the eye down to a ship frozen in ice, seems to fit the mood.

The running snow hare was the immediate image that sprung to mind when listening to one of the  pieces where the cello style is speedy, scratchy, scittering and staccato (to use a musical term!) also springing, just to add another word starting with ‘s’.

Below is the ground-work for a portrait of Atzi playing cello, in response to a Baroque-style cello piece. This monochrome sketch onto grey ground is a very traditional approach – I wanted to try a traditional technique so it feels in keeping with the 17th century music style. I’ll gradually build up more complex tones, then overlay with colour glazes, followed by some impasto highlights.

 

 

 

 

I feel I’ve earned a short break now, so I’ll spend the rest of the day relaxing before the Edinburgh Art Fair preview which launches this evening. I have four works in the show, hosted by the Limetree Gallery (at Stand D11). All info Here