Tag Archives: Scottish artists

‘The Green Woods Free’

Below are all works that will be included in this Friday’s exhibition (details here)

The Green Woods Free

Preview Evening: Friday 17th July, 7 – 9pm (including live cello performance by composer/cellist Atzi Muramatsu)

Whitespace@25 Howe Street, Edinburgh, EH3 6TF

Exhibition continues until 23rd July (open every day 10am to 5pm)

 

Borders Country Day 23

'Moffat Hills 3'. Acrylic on 20x16" canvas

‘Moffat Hills 3’. Acrylic on 20×16″ canvas

'Glentress Forest, Mist'. Mixed media on 20x16" canvas

‘Glentress Forest, Mist’. Mixed media on 20×16″ canvas

Today’s paintings – a misty view day in Glentress forest and shadows chasing across sunlit Moffat hills.

Quite difficult to capture the subdued colours in misty weather, and the way it lends a sort of silence. I might do a bit more work on these two but they’re almost there.

I’ve started on the huge hawk painting (40×40 inches) and I’m filming the process since people seem to like watching artists painting! I remember painting on the beach at North Berwick one day, and a teacherly woman stalked up behind me, watched me for a minutes then said dryly ‘ha’ and walked away. Most encouraging!

Borders Country Day 22

'Birch Trees, Gladhope'. Mixed Media on 40x30" canvas

‘Birch Trees, Gladhope’. Mixed Media on 40×30″ canvas

Birch Trees updated. I felt it needed more contrast and texture. I think it’s pretty much finished now. I just have the largest painting on panel to complete, and I’ve started on this smaller painting…

In progress..

In progress..

 

 

 

 

 

 

 

Five days now until the exhibition launch at Whitespace Howe St! Four days really as the paintings must be hung in the gallery, wine ordered and so on.

Here are a few photos of the gallery, also one of composer/cellist Atzi Muramatsu contemplating paintings last year at Howe Street (he’ll be performing cello again at the launch this Friday, which I’m really looking forward to. I’ll make sure I record everything and will post it here in a week or so – all details Here)

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I love painting for a living, but it’s quite a financial roller coaster – a constant boom and bust that’s pretty unpredictable. After a month-long flu and lung infection earlier this year I was diagnosed with quite severe anaemia, so the rest of this year has been all about recovering and catching up. I don’t know what I’d have done without friends and family to help out. Much love to you and a huge, heartfelt, thank you!

Borders Country Day 20

P1250985Getting together a body of work now, so I can see it taking shape and the general feel the exhibition will have.

I did a bit more work on ‘Wood Cabin, Leithen’ and I’m a bit happier with the reflections –

'Wood Cabin, (Leithen) 2'. Acrylic on 20x16" canvas

‘Wood Cabin, (Leithen) 2’. Acrylic on 20×16″ canvas

Today’s experimentations (I can see a nice muddy stream emerging in the bigger work and might bring that out a bit)

In progress. 40x30" canvas

In progress. 40×30″ canvas

In progress

In progress (20×16″ canvas)

 

Serendipitous effects in this one as it’s painted over an earlier painting (‘St Abbs’ – I wasn’t happy with the postcard view feel of it). The texture beneath created the horizontal lines at the top when lightly brushed over.

As you can see I’m painting more and typing less, I’m off to make dinner now!

Borders Country Day 19

'Wood Cabin, (Leithen) 2'. Acrylic on 20x16" canvas

‘Wood Cabin, (Leithen) 2’. Acrylic on 20×16″ canvas

P1250921Today’s painting, a larger version of the wood cabin at Leithen. Also a new start on yesterday’s forest painting (left). I painted over the original as it just didn’t seem to have the right feel I was looking for, it was too predictable.

 

I’m seeing this first Borders series as experimentation into what I want to capture about the Borders, hence the range of approaches! I think the more successful paintings are those where I’ve become more free with the paintbrush, but that requires a lot of familiarity with the subject.

There’s something quite satisfying about white-washing a painting I’m not 100% satisfied with, then starting again. There’s a metaphor in there somewhere, but I’m starting to feel a bit exhausted with all the concentration! The bigger paintings are definitely more of an effort physically.

Just one week till the exhibition launches! Details here – https://rosestrangartworks.wordpress.com/2015/06/03/new-exhibition/

Borders Country Series

P1250985Below are all available paintings from the Borders Series and exhibition, The Green Woods Free, which continues until the 23rd July

 

 

Borders Country Day 18

P1250862 P1250866Today’s painting in progress – trees near Gladhope Reservoir. This is a bigger work at 40×30 inches which I’ll probably finish by tomorrow.

I’m thinking about the people in Greece today, full of admiration for their brave vote. Either a yes or no wouldn’t have meant an easy time, but voting oxi brings few certainties except the knowledge that you’ve voted for what you truly value.

I read a bit of Foucalt at art college and through the years. One of his books, ‘Fearless Speech’ explores the roots of democracy and the Greek word associated with that ancient movement – parrhesia – meaning ‘fearless speech’. Nowadays we call it freedom of speech, but its original meaning was more specifically about ordinary people having the freedom to speak without fear of punishment. It was understood that the cities and rural landscapes were managed at grass roots level by ordinary people, the least rich. Therefore when they spoke it came from knowledge of life and of making their societies work for the majority; they spoke for the many, not the few. The ancient Greeks saw this as the antidote to elitist corruption…

I’m not even going to say that well-worn phrase!

I feel more than interested in what happens to Greece as I lived there in my late teens for a year. I was quite an adventurous soul and had met an interesting Greek man on holiday who asked if I’d like to stay there. Every parent’s worst nightmare probably! But I didn’t, as many predicted, get pregnant! I’m not saying it was always easy adapting to a rural island culture out of tourist season, but the experience stayed with me for life, creatively and politically. I have very fond memories of the Greek people I came to know and love, their endless generosity, great humour and community spirit.

The thing I missed most when I returned, apart from the people and the sun (I’ve never really re-adapted to UK weather – rain is lashing on to my window as I type!) was the food, and walking in the mountains. I bought a horse while there, but couldn’t ride it as it wasn’t trained for amateurs such as myself! But I’d take it for walks up the mountains valleys.

Greece in spring is a revelation; it begins in February with the heavy rains, then the valleys are transformed from barren ochre grass and dry river-beds to lush green valleys filled with swaying crocuses alongside gushing clear waterfalls. I’d walk up the hills with my horse, through the tall eucalyptus trees and further up amongst ancient gnarled olive trees, she’d trot along beside me then wait patiently while I collected armfuls of crocuses.

It says a lot for the people of Paros that they never treated me as though I was mad – I mean, who takes their horse for a walk all the way up a mountain without actually getting on it?!

I’m wishing the lovely people of Greece all the very best in these coming days and years and I know where I’ll be going on holiday this year, if my exhibition goes well 🙂

αλληλεγγύη! 

Demonstrating with Syriza Scotland in Edinburgh last Saturday..

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Borders Country Day 17

'St Abbs'. Acrylic on 20x16" canvas

‘St Abbs’. Acrylic on 20×16″ canvas

St Abbs (detail)

St Abbs (detail)

Today’s painting – St Abbs Bay on the east coast near the Border.

Those rocks really are as colourful as they’ve been painted. This part of the coastline is quite famous for its beauty, but also it’s near to where Professor Hutton made his discoveries about geology at Siccar Point

 

There’s a trail named after him which takes you all along the east coast from the Borders to Dunbar, where you can see the faults and intrusions which proved Hutton’s theory that our planet was much, much older than first believed.

The pink, yellow and purple rocks above are igneous  and the grey lower rocks, called Greywrake, are a remnant from the Silurian era – the former beach basically – you can see the bleached effect of tides from an earlier era, which also shows up the colour of crystal clear water. Apparently there would have been more tropical climes then, not unlike today’s weather – we have a mini heatwave in Edinburgh today, and though I know a lot of people hate this mugginess I’m quite enjoying it!

Borders Country Day 16

'Scots Pine near Coldingham'. Acrylic on 20x162 canvas

‘Scots Pine near Coldingham’. Acrylic on 20×162 canvas

'Moffat Hills 2'. Acrylic on 20x16" canvas

‘Moffat Hills 2’. Acrylic on 20×16″ canvas

Today’s paintings – a second version on canvas of the hills near Moffat, and Scots Pine near Coldingham Bay.

Earlier version on 10×10 inch wood –

'Moffat Hills', Acrylic on 10x10" wood panel

‘Moffat Hills’, Acrylic on 10×10″ wood panel

I love these rolling hills with their velvety green grass. A friend observed that the hills look like a sheet being shaken out and I see what he means, with their folds and creases.

I’ll be painting more Scots pines on a larger piece of canvas in the next few days, their elegant shapes were quite often a feature of Japanese prints (example below) from the last century -partly inspiration for today’s painting, though my painting is much looser.

 

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My exhibition The Green Woods Free is in just three weeks!

 

 

 

Borders Country Day 15

'Hawk. River Tweed 2'. Acrylic on 20x16" canvas

‘Hawk. River Tweed 2’. Acrylic on 20×16″ canvas

Today’s painting – a larger version of ‘Hawk (River Tweed)’ on canvas.

This is the version from last week on 5×5 inch wood..

'Hawk. River Tweed'. Acrylic on 5x5" wood

‘Hawk. River Tweed’. Acrylic on 5×5″ wood

As this subject seems to work at a larger scale I might paint it at 40×40 inches on wood.

I think the wood background maybe suits this subject more than canvas. The highlights on water are  easier on wood, which I prime with white gesso and paint so it’s easy to scrape into the top layer of paint to create nice, sharp light effects. On canvas I usually make those sharp white edges with white paint and palette knife, which can somewhat take away from a more expressive line.

 

This weekend we took a trip to St Abbs Head in Berwickshire, which was a nice destination for Father’s Day combined with a spot of sketching and photography on the east coast of the Borders. And it was a suitably beautful, sunny day for the summer solstice.

Coldingham Sands

Coldingham Sands

St Abbs used be called Coldingham Shore (Coldingham Sands – are just a mile or so along the coast).

It’s popular with divers and surfers but it was only in the 19th century that people settled here, though it’s always been a place to fish.

 

In the 7th century, a monastery was set up near St Abb’s Head, by Aebbe of Coldingham, a former Princess turned Abbess. She was originally from the North of England but after her father was killed in war, she, her mother and brothers fled to Scotland. While there she converted to Christianity. When the conflict was over, she returned to England, then later set up monasteries in England and at Coldingham.

She was politically astute and helped prevent several conflicts (no doubt a valuable skill given the Borders history of violence!). I imagine her childhood must have taught the harshest lesson in the painful outcomes of violent conflict. After her death the monastery was abandoned and became a ruin, but her memory wasn’t forgotten..

Aebbe’s story was recorded and written down by 12th Century monks so that her legacy of peace remains to this day in the name of the village and headland – St Abbs.

Tomorrow I’ll begin paintings of this coastline.

Some photos from yesterday..

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