Tag Archives: hawk painting

Portrait and ‘Hawk’

Sold. ‘Hawk, River Tweed 3’. 40×40 inches £1500

Just a quick post to say that as I’m submitting my painting of Richard Demarco for a portrait award, I have to take all references to it off social media until around August this year.

Also – I recently sold ‘Hawk, River Tweed’ through the Limetree Gallery in Bristol, which is lovely news. I’m very fond of the painting, since the River Tweed is a special place for me, so will say goodbye to it by sharing this video (below) of the making of ‘Hawk’ again, which is accompanied by music by talented composer and pianist Jane Gardner (we were both really pleased with the way music and image enhanced each other). Thanks to The Limetree again, and to Jane!

Edinburgh Art Fair

It was an absolutely buzzing preview at the Edinburgh Art Fair yesterday evening, with  barely room to move – I was impressed so many people showed up on a freezing November night!

I had the pleasure of meeting owners of the Limetree Gallery, Sue and Stephen (photo below) who included some of my works at their stand (In photo below – ‘Hawk, River Tweed’ and four works from the Canalscapes series).

Three of the Canalscape series sold through the Limetree as part of a mixed exhibition earlier this year and it’s been a pleasure working with them  – it’s not just about being paid on time (which is nice!)  but also clear, friendly communication, and I hope this enjoyable working relationship continues.

The Edinburgh Art Fair is on until 19th November, more info Here

Edinburgh Art Fair

This year I’ll be showing with the Limetree Gallery at the yearly Edinburgh Art Fair (EAF), which runs from the 17th to 19th November at the Corn Exchange.

It’s Scotland’s premier art fair and the largest in the UK outside London, so I’m excited to be a part of it. It includes around 60 galleries from around Britain and admission is £5 per day, but if you want to attend the preview evening, it’s £15 on the door, or you can buy tickets for £12 here – Tickets

The Limetree Gallery will be showing four of my Canalscapes series, and ‘Hawk, River Tweed’ which is one of my larger works (image and link to video showing the process of painting ‘Hawk’ below)

‘Hawk, River Tweed 3’. 40×40 inches

Hope to see you there!

 

 

 

 

 

Video –

Borders Country Day 15

'Hawk. River Tweed 2'. Acrylic on 20x16" canvas

‘Hawk. River Tweed 2’. Acrylic on 20×16″ canvas

Today’s painting – a larger version of ‘Hawk (River Tweed)’ on canvas.

This is the version from last week on 5×5 inch wood..

'Hawk. River Tweed'. Acrylic on 5x5" wood

‘Hawk. River Tweed’. Acrylic on 5×5″ wood

As this subject seems to work at a larger scale I might paint it at 40×40 inches on wood.

I think the wood background maybe suits this subject more than canvas. The highlights on water are  easier on wood, which I prime with white gesso and paint so it’s easy to scrape into the top layer of paint to create nice, sharp light effects. On canvas I usually make those sharp white edges with white paint and palette knife, which can somewhat take away from a more expressive line.

 

This weekend we took a trip to St Abbs Head in Berwickshire, which was a nice destination for Father’s Day combined with a spot of sketching and photography on the east coast of the Borders. And it was a suitably beautful, sunny day for the summer solstice.

Coldingham Sands

Coldingham Sands

St Abbs used be called Coldingham Shore (Coldingham Sands – are just a mile or so along the coast).

It’s popular with divers and surfers but it was only in the 19th century that people settled here, though it’s always been a place to fish.

 

In the 7th century, a monastery was set up near St Abb’s Head, by Aebbe of Coldingham, a former Princess turned Abbess. She was originally from the North of England but after her father was killed in war, she, her mother and brothers fled to Scotland. While there she converted to Christianity. When the conflict was over, she returned to England, then later set up monasteries in England and at Coldingham.

She was politically astute and helped prevent several conflicts (no doubt a valuable skill given the Borders history of violence!). I imagine her childhood must have taught the harshest lesson in the painful outcomes of violent conflict. After her death the monastery was abandoned and became a ruin, but her memory wasn’t forgotten..

Aebbe’s story was recorded and written down by 12th Century monks so that her legacy of peace remains to this day in the name of the village and headland – St Abbs.

Tomorrow I’ll begin paintings of this coastline.

Some photos from yesterday..

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