Tag Archives: rose strang artworks

Sanna Bay

‘Sanna Bay (sea shallows)’. Mixed media on 14×11″ wood panel. Rose Strang 2019

‘Sanna Bay (teal water)’. Mixed media on 14×11″ wood panel. Rose Strang 2019

Today’s paintings of the wonderful Sanna Bay in Ardnamurchan. I’m quite happy with the water effect in Sanna Bay (shallow water) which doesn’t really show up in a photo – a bit of underlying texture and colour then a shallow glaze of turquoise with varnish. The painting directly above ‘painted itself’ as they say – always a good thing as it feels like I’m getting into the flow of this series of Ardnamurchan.

The exhibition of these paintings will be at the Resipole Gallery – a three person exhibition which launches on the 17th May. I’m going to take a trip up there for the opening, also for more painting.

‘Eigg Island’ Trilogy

Rose Strang 'West', 'North' and 'East'

Rose Strang ‘West’, ‘North’ and ‘East’. Mixed media on 40×40″ wood panels

Rose Strang and artworks.(Photography Eleni Laparidou)

Rose Strang and artworks.(Photography Eleni Laparidou)

The trilogy of ‘West’, ‘North’ and ‘East’ were painted over two months as the culmination of a year-long project in response to the Isle of Eigg in the Scottish Hebrides, which included collaborations between myself, composer/cellist Atzi Muramatsu and poet JL Williams

 

 

West – Singing Sands

'West - Singing Sands'. Mixed media on 40x40" redwood panel

‘West – Singing Sands’. Mixed media on 40×40″ redwood panel

West – Singing Sands. Mixed media on 40×40″ wood panel
‘West’ is about imagining an island;  what we project onto an island
in our imagination before arriving. The painting could be viewed as an old map, or a faded
painting of a view across the sea. We bring our own and others’ history to a new place.
‘Singing Sands’ refers to the name of the bay on the west coast of the island,
whose sands are said to ‘sing’ when dry (which intrigued me before I first visited Eigg!).

This painting was a very gradual process of building up then scraping back layers of paint, crackle glaze and varnish.

North – Transmigration

'North - Transmigration'. Mixed media on 40x40" redwood panel

‘North – Transmigration’. Mixed media on 40×40″ redwood panel

North – Transmigration. Mixed media on 40×40″ wood panel
‘North’ is about the reality of nature on a Hebridean island, the toughness,
grittiness of weather and atmosphere – also fear of nature and how
it can feel impersonal. We observe it and wonder if we’re really a
part of it, though of course we are.

North (detail)

North (detail)

The small figure on top of the cliff is Atzi Muramatsu, a composer/cellist who I collaborated with on the project.
Sitting on these cliffs on the north end of the island (as part of a geology tour we joined) he began to compose a piece for string quartet called ‘Gaea Metemphsychosis’.

Metempsychosis is about transmigration of the soul and ‘Gaea’ of course means earth.
His piece was about fossils in these cliffs, formed 47 million years ago, slipping into the sea, also being there in a moment of time and the fact that we too eventually become part of the landscape again.

This is a very free-style painting, the basic composition was over-laid with washes and splashes of salt, glaze and paint to build atmosphere, before finally adding the figure.

East – Harbour

'East - Harbour'. Mixed media on 40x40" redwood panel

‘East – Harbour’. Mixed media on 40×40″ redwood panel

East – Harbour. Mixed media on 40×40″ wood panel
‘East’ is a view of the harbour bay from the island, looking out to
sea. There is the sense of a haven, which has a lot to
do with people met there, but also the fact of physically having being on
most parts of the island. You find your place, then leaving to
return to the mainland brings mixed feelings. Islands can seem an oasis from
a troubled world, which is no doubt why religious or spiritual centres are often
founded on islands.

East (detail)

East (detail)

The painting process was in itself very peaceful; simple layering of colours and glazes, allowing drips to form, then adding the small boat.

 

 

 

After the exhibition launch I’ll be sure to post videos/photos of JL Williams and Atzi Muramatsu’s performances, which I’m really looking forward to seeing next Thursday!

Performances at Whitespace exhibition preview

PAINT flyer FLYER 2 REVERSE P1130119

 

 

 

 

 

Postcards for the Whitespace exhibition. (don’t forget! – Preview 6-9pm 18th July!)

With just 16 days to finish four large works I’m slightly fretting! But with painting you can only take each day as it comes.

Performances for Whitespace

I’m very happy that two Edinburgh friends will be performing for the Whitespace exhibition preview on the 18th – Atzi Muramatsu and Jennifer Williams

jen

 

Jennifer is originally from New Jersey, she’s currently Programme Manager for the Scottish Poetry Library but for many years has been a writer, talented poet, and a performer with beautifully atmospheric vocal expression.

A book of Jennifer’s work Locust and Marlin has recently been published (viewable on title link)

 

Website: http://jlwilliamspoetry.co.uk/

 

222761_10150164579576990_6756518_nAtzi Muramatsu, originally from Japan, is a talented cellist/composer who also wrote the filmscore for BAFTA award-winning film ‘The Making of Longbird’.

For the Whitespace preview, Atzi will be improvising music in response to my paintings  – he improvised at last year’s exhibition, and it was such an imaginative way of perceiving the paintings – which also focused viewers amongst the busyness of a social occasion.

In addition to classical performance, Atzi also plays in the melodious yet moody Lipsync for a Lullaby

Website: http://www.atzi.co.uk/

It’s just great that Jennifer and Atzi will be performing at the private view, it makes this into a really special event!