Tag Archives: rose strang paintings

‘Small Works’ – exhibition this Saturday

‘North Beach, Twilight II. Isle of Iona’. Mixed media on 6×6″ wood block.(unframed) Rose Strang 2018.

The Morningside Gallery in Edinburgh launches its yearly ‘Small Works’ exhibition this Saturday from 10am onwards. It’s a very popular exhibition and I’m delighted to be showing some of my smaller works from the recent Iona series. (paintings in the show above and below)

I’ll be dropping by mid afternoon and look forward to seeing all the works on exhibition

This is the Facebook event page – Small Works

And this is the gallery website should you wish to contact the gallery about any paintings – http://www.morningsidegallery.co.uk/

‘North Beach,Twilight. Isle of Iona III’. Mixed media on 6×6″ wood block. Rose Strang 2018. (unframed).

‘West Coast, Isle of Iona’. Mixed media on 10×10″ wood panel (unframed). Rose Strang 2018.

‘North Beach,Twilight. Isle of Iona’. Mixed media on 6×6″ wood block.(unframed). Rose Strang 2018.

Exhibitions and available paintings 2018

‘Cerulean Sea, Isle of Iona’. Mixed media on 10×10″ wood panel. Rose Strang 2018 £385

Here’s a round-up of my available paintings plus info on the galleries where you can find them…

Limetree Gallery – Website

*(gallery closes from 23rd to 29th Dec. Contact gallery on website link with any queries)

 

 

The Limetree (owned by Sue Dean and Stephen Edwards) specialises in contemporary Fine Art and Glass and holds regular exhibitions throughout the year. They have two galleries: one in the heart of Bristol city and the other in Long Melford, Suffolk.

They have a particular love of contemporary Scottish artists, and always have a varied selection of their art on show. Ranging from traditional to modern, figurative to abstract, each exhibition is complemented by a selection of individual glass pieces from Britain and Sweden.

Open from 10am to 5pm, Tuesday to Saturday, or by appointment.

My artist’s pages on the Limetree website – Paintings

Works on show at the Limetree:

Resipole Gallery – Website

Resipole Studios is an award-winning fine art gallery with on-site artist studios, located on the West Coast of Scotland.

 

The Resipole hosts an exciting annual programme of exhibitions and workshops of Scottish contemporary art that is both emerging and established. The gallery was launched in 2004 by Andrew Sinclair after a two-year renovation of an agricultural byre.

Since its launch, Resipole Studios continues to present work by artists of many disciplines, with Scotland as their key focus. With many award-winning artists on its roster, the gallery is regarded as one of Scotland’s leading contemporary art spaces and, consequently, in 2016 was selected to show work by the late, American abstract-expressionist, Jon Schueler to mark the centenary of his birth.

My artist’s page on the Resipole website – Paintings

Works on show at the Resipole ..

Morningside Gallery – Website

The Morningside Gallery (owned by Eileadh Swan) specialises in contemporary art and works with emerging and established artists.

My paintings will be showing as part of their ‘Small Works’ show, which launches 9th January 2019. (Price information will be available then)

Works on show at the Morningside Gallery from January 9th ..

Limetree exhibition on Saturday 15th September

‘Seagull, St Ronan’s Bay. (Isle of Iona)’. Mixed media on 16×12″ wood panel. Rose Strang 2018

Just 11 days to go until the launch of the new three-artist exhibition Texture, at the Limetree Gallery in Bristol!

The private view is on Sat’ 15th September from 11am to 3pm. I hope if you’re in the area you’ll drop in to see the work, which includes beautiful paintings by Vivienne Williams RCA and Henry Jabbour, also my recent paintings of Iona (see below).

Two have sold (Iona I and Iona II) also several by Henry Jabbour and Vivienne Williams, so if you’re interested in buying and don’t want to miss the opportunity, give the gallery a ring and they’ll reserve the work for you (contact details on link below)

The Limetree in Bristol is a lovely gallery next to the waterside, with large windows that bring in plenty of natural light – have a look at this link to Google maps which gives a 3D view of the space –

3D View, Limetree Gallery 

Map and contact details

Prints

Mounted print. 5x5 inch print in 10x10 inch mount

Mounted print. 5×5 inch print in 10×10 inch mount

 

 

 

 

 

 

 

 

Mounted Prints (selection). 5x5 inch image in 10x10 inch mount

Mounted Prints (selection). 5×5 inch image in 10×10 inch mount

 

 

 

 

 

 

 

 

 

'North II' Giclee print 8x4.5 inch giclee print

‘North II’ Giclee print 8×4.5 inch giclee print

 

 

 

 

 

 

 

 

 

'North Berwick, Autum'. 14x9.5 inch giclee print

‘North Berwick, Autum’. 14×9.5 inch giclee print

 

 

 

 

 

 

 

 

 

'North - Transmigration'. 12x12" giclee print

‘North – Transmigration’. 12×12″ giclee print

'Stormy Sky, Lindisfarne'.  20x16" giclee print (slight damage)

‘Stormy Sky, Lindisfarne’. 20×16″ giclee print (slight damage)

 

‘Eigg Island’ Trilogy

Rose Strang 'West', 'North' and 'East'

Rose Strang ‘West’, ‘North’ and ‘East’. Mixed media on 40×40″ wood panels

Rose Strang and artworks.(Photography Eleni Laparidou)

Rose Strang and artworks.(Photography Eleni Laparidou)

The trilogy of ‘West’, ‘North’ and ‘East’ were painted over two months as the culmination of a year-long project in response to the Isle of Eigg in the Scottish Hebrides, which included collaborations between myself, composer/cellist Atzi Muramatsu and poet JL Williams

 

 

West – Singing Sands

'West - Singing Sands'. Mixed media on 40x40" redwood panel

‘West – Singing Sands’. Mixed media on 40×40″ redwood panel

West – Singing Sands. Mixed media on 40×40″ wood panel
‘West’ is about imagining an island;  what we project onto an island
in our imagination before arriving. The painting could be viewed as an old map, or a faded
painting of a view across the sea. We bring our own and others’ history to a new place.
‘Singing Sands’ refers to the name of the bay on the west coast of the island,
whose sands are said to ‘sing’ when dry (which intrigued me before I first visited Eigg!).

This painting was a very gradual process of building up then scraping back layers of paint, crackle glaze and varnish.

North – Transmigration

'North - Transmigration'. Mixed media on 40x40" redwood panel

‘North – Transmigration’. Mixed media on 40×40″ redwood panel

North – Transmigration. Mixed media on 40×40″ wood panel
‘North’ is about the reality of nature on a Hebridean island, the toughness,
grittiness of weather and atmosphere – also fear of nature and how
it can feel impersonal. We observe it and wonder if we’re really a
part of it, though of course we are.

North (detail)

North (detail)

The small figure on top of the cliff is Atzi Muramatsu, a composer/cellist who I collaborated with on the project.
Sitting on these cliffs on the north end of the island (as part of a geology tour we joined) he began to compose a piece for string quartet called ‘Gaea Metemphsychosis’.

Metempsychosis is about transmigration of the soul and ‘Gaea’ of course means earth.
His piece was about fossils in these cliffs, formed 47 million years ago, slipping into the sea, also being there in a moment of time and the fact that we too eventually become part of the landscape again.

This is a very free-style painting, the basic composition was over-laid with washes and splashes of salt, glaze and paint to build atmosphere, before finally adding the figure.

East – Harbour

'East - Harbour'. Mixed media on 40x40" redwood panel

‘East – Harbour’. Mixed media on 40×40″ redwood panel

East – Harbour. Mixed media on 40×40″ wood panel
‘East’ is a view of the harbour bay from the island, looking out to
sea. There is the sense of a haven, which has a lot to
do with people met there, but also the fact of physically having being on
most parts of the island. You find your place, then leaving to
return to the mainland brings mixed feelings. Islands can seem an oasis from
a troubled world, which is no doubt why religious or spiritual centres are often
founded on islands.

East (detail)

East (detail)

The painting process was in itself very peaceful; simple layering of colours and glazes, allowing drips to form, then adding the small boat.

 

 

 

After the exhibition launch I’ll be sure to post videos/photos of JL Williams and Atzi Muramatsu’s performances, which I’m really looking forward to seeing next Thursday!

Edits

P1190671Having thought I’d finished West – Singing Sands, I decided I wasn’t happy with it, so soaked it in water and scraped back more paint with a spatula. I’m much happier with it now – particularly textures and colours

Here’s a couple of short videos showing scraping, and more detail as photos don’t capture it so well..

 

‘West ~ Singing Sands’

P1190550

‘West ~ Singing Sands’. Mixed media on 40×40 inch veneer redwood panel

This is the first in the series of three paintings for the upcoming Eigg Island exhibition/event. Titled West ~ Singing Sands it hopefully captures the romance of islands – traveling across the waves to places unknown, changing weather and gradual revealing of a new landscape.

It’s deliberately almost kitsch, or I’d prefer to say child-like. I was thinking of many things during the painting of this, among them a sort of 1950s take on ‘the exotic’; travel posters, brass ashtrays with vividly glazed pictures of seascapes and so on. Nowadays people fly to various exotic locations several times a year, but the Hebridean islands still hold this adventure story-like appeal for me.

In my last post I talked about my struggle with this painting, and the happiness I felt when, having painted layer upon layer of glazed colour, I decided to whitewash the entire thing then scrape back the paint to see what revealed itself. Here’s what emerged..

P1190487I was immediately reminded of ‘Prince P1190490Caspian’ from The Chronicles of Narnia by CS Lewis, when the children are whisked away from the beginning of a school term to an island (read post Here) – the idea of magic emerging from amongst the humdrum and every day details.

 

I was tempted to leave it at this, but it needed to be more resolved and deliberate, so the tricky thing was deciding how much to paint and what to leave untouched.

Lastly, I was happy that I’d come full circle in this process, since from the beginning I’d been inspired by the weathered maps I’d discovered (below) on a wooden post on Eigg, which ‘spoke’ to me about the mystery and magic of islands.

(My next painting in the series is North which I’ve already started; quite different in feel – more dramatic and dark)

P1090821