Tag Archives: green paintings

Forest of Luffness, painting progress 6

Above: In progress – First of June. Forest of Luffness 3. Oil on 12 x 12 inch wood. Rose Strang 2024.

It feels good to be getting into the swing of a series for the first time in a while. I’ve created three so far in this First of June series, though today’s panting does need a bit more work ..

A bit more definition would help the painting and a few tweaks on the faces. The figure I’m happiest with is that of Terry Ann Newman (in the foreground with her back to us). Terry is the Deputy Director of the Demarco Trust and a very talented artist, when she finds time to paint. She’s holding a mobile in her hand behind her back, and it’s part of this series that we’re recording and witnessing the day in our different ways – there will be more of that.

I think I’ve managed to capture the feel of Richard’s detemination and physical struggle. I remember on the day in question I was a bit worried Richard might not want to walk the path to the Carmelite friary, because at 94 walking has become a challenge and the path required struggling over uneven ground in a forest for about ten minutes. Richard was characteristically determined however! He took great delight in the dappled light, the architecture of the stonework protecting the effigy and many other aspects of the day.

I think it was partly that he’d been inspired by my description of the ruined Carmelite friary near Aberlady but also, on the day, he was telling us about Pope Pius II who in 1435 walked barefoot in the snow all the way from Dunbar to Whitekirk to give thanks for his survival from a shipwreck in the Firth of Forth.

Whitekirk is just a few miles along the road from Aberlady and apart from the church, St Mary’s (which dates back to the 11th century) it also has a beautiful two-story stone building that served as a hostel for pilgrims travelling from Iona to Lindisfarne. Aberlady was an important stop on the way. After Aberlady and our visit to the Carmelite Friary, we also visited St Mary’s.

Readers of this blog might remember I took part on Landscape Artist of the Year a couple of years ago. It was fairly pointless escapade, frankly, except for meeting some nice folks (the other artists) one of whom was called Gregory Miller (artist website Here). He recently sent me a link to a film called No Greater Love, about a Carmelite Convent in Nottinghill, London.

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It’s worth a watch if you’re curious about their lifestyle. The footage and camera-work is Vermeer-like at times – capturing the natural light from windows and candles. It’s very, very quiet for the first half hour, then we get to know some of the nuns, what inspires them and why they’ve taken on this way of life.

It’s viewable on Amazon, not sure where else  …

No Greater Love

More painting tomorrow.

Forest of Luffness, painting progress 4

Above: Detail from a panting in progress – The First of June. Luffness

As you can see below there are several versions of this little painting. It’s oil on 10×10″ canvas and I’m sticking to this small size until I’m satisfied with my approach. Paint is just too expensive to waste on larger sizes until I know where I’m going.

I find the figure of Richard Demarco easier to paint. Painting myself is proving a challenge though! It’s partly because I don’t have space to get into detail and the fact that I don’t want to paint in detail.

I began with a straightforward depiction, but it doesn’t express what I’m interested in – it doesn’t express the light, or the feeling of being there.

So the next day I started again with a looser approach. Intriguiningly, this oddly Da Vinci-esque angelic figure appeared. I liked it – it didn’t matter that it doesn’t look like me – but inevitably I began to tamper with it and it was lost, sadly!

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Today I started again and, though it’s maybe not easy to see in these quick photos below – there’s far more atmosphere, light and expression. I’m happy with the depiction of Richard, but again, not so much with the figure of me. It’s not that I want an exact likeness, it’s more that I want an impression of light more than detail, because that day was a lot to do with incredible light.

Talking of lights. Thanks to a birthday gift from Adam I’ve been both blessed and cursed with the gift of a ‘daylight light’ which means I can carry on painting into the dark hours of winter. Given I’ve only stopped now at 11pm, I’ll have to keep an eye on my hours!

More soon …

Forest of Luffness, painting progress 3

Above Forest of Luffness 4. Oil on 14×14 inch wood. Rose Strang 2024

Today’s painting (from a series in progress inspired by the presence and history of a Carmelite Friary in the forest of Luffness) features my neice holding her new born baby, standing within the Friary.

I wanted to capture the sense of strength and protection that a young mother exudes, then the style of painting changed slightly and became a bit more contemporary. Probably something to do with Emma’s outfit which was quite contemporary.

I like this as a smaller study in the series. (All four paintings from this particular summer series below). I’ve been exploring the theme of the Carmelite Friary in Luffness since January, but each set of paintings is distinct to each season.

Exhibitions and available paintings Jan’ 2019

Current round-up of current exhibitions and (as yet) unsold paintings  …

 

Limetree Gallery, Bristol. (Contact gallery for enquiries Here)

Paintings available from the Limetree Gallery …

Winter Show. Resipole Gallery, 10th Nov’ to 22nd March. Ardnamurchan, Scotland. (Contact gallery for enquiries Here)

Paintings at the Resipole …

 

Small Paintings. Morningside Gallery, Edinburgh.  (contact gallery for enquiries Here)

Paintings at the Morningside Gallery …

Swimming in the Tweed

'Emma and Friends, River Tweed, 2009'. Mixed media on 11x11" wooden panel

‘Emma and Friends, River Tweed, 2009’. Mixed media on 11×11″ wooden panel

The painting above was a private commission, or more accurately a painting for my mum’s Christmas! Finished last year.

It shows my niece Emma and friends swimming in the Tweed River several years ago – it was an idylic summer day in 2009 and they’d just finished all their exams. I suppose it was the start of their adult lives – a sense of freedom and ‘what’s next?’. Emma and her partner Joe are travelling for two years in the far east just now, lucky them! We miss them, but it’s great to see them enjoying adventures together.

2015 was a year of green paintings, the painting above representing a sort of zenith of green! I have enjoyed a few days of selecting blue shades for my next series which will be semi-abstract sea and night sky. I usually prefer a darker or more monochrome palette and enjoyed painting these two earlier works from 2014, some of the elements of these might come into the new series..

'Stormy Sky, Lindisfarne'. Mixed media on 20x16" canvas

‘Stormy Sky, Lindisfarne’. Mixed media on 20×16″ canvas

 'Moonlight on Eigg'. Acrylic on 20x16" canvas

‘Moonlight on Eigg’. Acrylic on 20×16″ canvas