Tag Archives: spiritual paintings

Forest of Luffness. Painting progress 11

Above: First of June. Forest of Luffness 8. Oil on 19.5×19.5 inch wood. Rose Strang 2025

This series is (at last) coming into its own now. It’s taken far longer than other painting series to become coherent as there have been a lot of elements to bring together.

I’m starting to see the theme of a search emerge – these figures in the forest asking questions of life and death. I’ve always loved Gauguin’s painting D’où venons-nous? Que sommes-nous? Où allons-nous?/Where Do We Come From? What Are We? Where Are We Going? 1897 In which he asks these questions so fundamental to the human condition:

At the same time as painting this series (which explores the ruined remains of a 12th century Carmelite Friary) I’ve also been learning Medieval music from the time, which has become part of the documentary (by filmmaker Manuel Pennuto) about this entire project.

So, tomorrow I’ll share some photos showing part of the process, including really beautiful stills from our music recording session from the Song House at St Mary’s Episcopal Cathedral in Edinburgh last week. Hugely inspiring!

Forest of Luffness, painting progress 6

Above: In progress – First of June. Forest of Luffness 3. Oil on 12 x 12 inch wood. Rose Strang 2024.

It feels good to be getting into the swing of a series for the first time in a while. I’ve created three so far in this First of June series, though today’s panting does need a bit more work ..

A bit more definition would help the painting and a few tweaks on the faces. The figure I’m happiest with is that of Terry Ann Newman (in the foreground with her back to us). Terry is the Deputy Director of the Demarco Trust and a very talented artist, when she finds time to paint. She’s holding a mobile in her hand behind her back, and it’s part of this series that we’re recording and witnessing the day in our different ways – there will be more of that.

I think I’ve managed to capture the feel of Richard’s detemination and physical struggle. I remember on the day in question I was a bit worried Richard might not want to walk the path to the Carmelite friary, because at 94 walking has become a challenge and the path required struggling over uneven ground in a forest for about ten minutes. Richard was characteristically determined however! He took great delight in the dappled light, the architecture of the stonework protecting the effigy and many other aspects of the day.

I think it was partly that he’d been inspired by my description of the ruined Carmelite friary near Aberlady but also, on the day, he was telling us about Pope Pius II who in 1435 walked barefoot in the snow all the way from Dunbar to Whitekirk to give thanks for his survival from a shipwreck in the Firth of Forth.

Whitekirk is just a few miles along the road from Aberlady and apart from the church, St Mary’s (which dates back to the 11th century) it also has a beautiful two-story stone building that served as a hostel for pilgrims travelling from Iona to Lindisfarne. Aberlady was an important stop on the way. After Aberlady and our visit to the Carmelite Friary, we also visited St Mary’s.

Readers of this blog might remember I took part on Landscape Artist of the Year a couple of years ago. It was fairly pointless escapade, frankly, except for meeting some nice folks (the other artists) one of whom was called Gregory Miller (artist website Here). He recently sent me a link to a film called No Greater Love, about a Carmelite Convent in Nottinghill, London.

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It’s worth a watch if you’re curious about their lifestyle. The footage and camera-work is Vermeer-like at times – capturing the natural light from windows and candles. It’s very, very quiet for the first half hour, then we get to know some of the nuns, what inspires them and why they’ve taken on this way of life.

It’s viewable on Amazon, not sure where else  …

No Greater Love

More painting tomorrow.

New series – St Oran’s Chapel, Iona

Above – painting in progress St Oran’s Chapel, Iona. July 2023. Rose Strang

A change of palette after a very busy few months. No doubt I’m drawn to these cool beiges and subtleties of light because life has been quite hectic.

There hasn’t been much time to paint, what with getting married in May and all! Then Adam and I spent a month editing our wedding video and creating music for it so we could share a video of our special day with family and friends (we decided we’d have a very low-key wedding, so it was just the two of us).

I kept thinking of the light during our wedding in St Oran’s Chapel – it couldn’t have been any more beautiful. Hence these first attempts at capturing the subtlety of light  and the way it plays on textured plaster. It’s quite a minimalist, and spiritual theme. St Oran’s Chapel is believed to be the oldest building on the Isle of Iona that’s still standing. It sits modestly in the grounds of Iona Abbey and it’s quite small. The acoustic is amazing.

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This series will develop onto larger pieces of wood and canvas, and might involve figurative painting too – a bit of a rarity in my work.

Being the visually oriented people we are, we wanted to find an excellent photographer for our wedding day so we were lucky to find Martin Venherm Martin Venherm Photography whose photos we’d admired when he’d been hired to shoot our friends’ wedding. He created images we absolutely love, and will enjoy looking at in the years to come! Here are a few of my favourites  …