Tag Archives: spiritual paintings

Final Luffness painting, for now ..

Above: Forest of Luffness 18. Oil on Canvas Diptych 30×30″ and 30×12″. Rose Strang 2025

This is the final painting in the current Luffness series. I may continue painting this theme later in the year but it would take a different form.

Rather than explain or describe the meaning behind this series, I’m going to let the documentary explain that.

It’s going to be beautiful, with specially commissioned music, a highly talented film-maker, powerful ideas, and moving observations, expressed by Richard Demarco. The first draft might be ready by mid July. After some final tweaks it should be ready for public viewing by August.

In the meantime, here are all the paintings in the series …

 

Forest of Luffness. Painting progress 24

Above: Forest of Luffness 17. Oil on 30×30 inch canvas. Rose Strang 2025

This is changed quite a bit from the last post, I wasn’t getting the sense of light in the forest – it was afternoon and the tones were warm.

Here’s the last version and posted and today’s side-by-side …

A detail and a close up of my palette – there’s always a nice build up of the coour scheme by the end of a series, then it’s all scrubbed back (this is a glass palette so it’s easier to scrub back) before the next series. …

One more painting and the series will be complete! I’d love to get on with that that tomorrow but we’re off to the beautiful Isle of Iona for our anniversary!

While there I’ll be sketching, painting and photographing for my next series, which will be some large, textured semi-abstract seascape paintings on unbleached linen for the Graystone Gallery, Edinburgh

I’m very excited about the Graystone Exhibition – it launches 18th July and will be part of the Edinburgh Festival. If you click on the link above you can see they show some exciting work and it’s great to be a part of that.

I’ll also be contributing some work as part of the Limetree Gallery‘s Summer Exhibition this year and if you read this blog you’ll know how happy I am to be included as part of their excellent year-round exhibition programme!

Much more about all of that soon, but, one thing at a time. I’ll complete the Luffness series first!

The Luffness series is very much a ‘slow-burn’ as it were, since I want to show the series privately at first, alongside the accompanying documentary. It has been the most absorbing and challenging series of my life so far. The documentary describes the collaborative aspect of a long-term art project like this – all the much loved people involved, the ideas, themes, research and experience.

The Luffness series and documentary probably won’t show publically until early next year. So in a couple of weeks I’ll be posting more here about the Graystone Gallery and Limetree Gallery series very soon!

Forest of Luffness. Painting progress 20

Above: Forest of Luffness 14. Oil on 30×30″ canvas. Rose Strang 2025

Today’s painting, which happily coincides with the palette of my favourite painting so far from the larger series. Details –

The other painting –

Forest of Luffness . Painting progress 15

Above: Forest of Luffness 11. Oil on 30×30″ canvas. Rose Strang 2025

More work today on the Forest of Luffness series. Today’s painting features Richard Demarco beginning to explore the tomb, while in the background Emma walks into the picture with baby Atlas. It’s an odd composition but I liked the filmic sense of mystery. I enjoyed painting loosely and freely; more of this sort of painting to come I think.

A few close-ups and details …

Forest of Luffness. Painting progress 11

Above: First of June. Forest of Luffness 8. Oil on 19.5×19.5 inch wood. Rose Strang 2025

This series is (at last) coming into its own now. It’s taken far longer than other painting series to become coherent as there have been a lot of elements to bring together.

I’m starting to see the theme of a search emerge – these figures in the forest asking questions of life and death. I’ve always loved Gauguin’s painting D’où venons-nous? Que sommes-nous? Où allons-nous?/Where Do We Come From? What Are We? Where Are We Going? 1897 In which he asks these questions so fundamental to the human condition:

At the same time as painting this series (which explores the ruined remains of a 12th century Carmelite Friary) I’ve also been learning Medieval music from the time, which has become part of the documentary (by filmmaker Manuel Pennuto) about this entire project.

So, tomorrow I’ll share some photos showing part of the process, including really beautiful stills from our music recording session from the Song House at St Mary’s Episcopal Cathedral in Edinburgh last week. Hugely inspiring!

Forest of Luffness, painting progress 10

Above: First of June. Forest of Luffness 7. Oil on 12×12″ canvas. Rose Strang 2025

Today’s 12 by 12 inch oil on canvas sketch for the Forest of Luffness series. Also below, the same image (clickable) and a detail …

One more at this size then I’ll be on to 30×30 inch canvas, which will make life easier in some ways. It’s impossible to get more detail on faces at this small scale without getting finicky, which I don’t want.

With today’s painting I wanted to explore the sense of a group of people lost, or searching in a forest. On a larger scale it will be possible to have them smaller and more in the distance.

More on Monday …

Forest of Luffness, painting progress 9

Above: First of June. Forest of Luffness 5. Oil on 12×12″ canvas. Rose Strang 2024

This series in progress is strting to take shape. Looking at the paintings as a little group so far I get the feeling of immersion in that place and time.

Here are the six preliminary oil sketches (on 12×12″) canvas so far (click on images to view in detail) …

I have another two small canvases to work on, then I’ll decide which to develop at a much larger size.

More about the series next week ….

Forest of Luffness, painting progress 8

Above. First of June. Forest of Lufness. 4. Oil on 12×12″ canvas. Rose Strang 2025

It’s good to be painting again after a Christmas and new year plagued with Covid then a nasty cough – lots of viruses around this winter! The series is growing gradually –

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These 12×12″ canvases are a good way to explore my theme before moving on to larger canvases. More on the theme later this week.

Both of today’s paintings in progress …

Forest of Luffness, painting progress 6

Above: In progress – First of June. Forest of Luffness 3. Oil on 12 x 12 inch wood. Rose Strang 2024.

It feels good to be getting into the swing of a series for the first time in a while. I’ve created three so far in this First of June series, though today’s panting does need a bit more work ..

A bit more definition would help the painting and a few tweaks on the faces. The figure I’m happiest with is that of Terry Ann Newman (in the foreground with her back to us). Terry is the Deputy Director of the Demarco Trust and a very talented artist, when she finds time to paint. She’s holding a mobile in her hand behind her back, and it’s part of this series that we’re recording and witnessing the day in our different ways – there will be more of that.

I think I’ve managed to capture the feel of Richard’s detemination and physical struggle. I remember on the day in question I was a bit worried Richard might not want to walk the path to the Carmelite friary, because at 94 walking has become a challenge and the path required struggling over uneven ground in a forest for about ten minutes. Richard was characteristically determined however! He took great delight in the dappled light, the architecture of the stonework protecting the effigy and many other aspects of the day.

I think it was partly that he’d been inspired by my description of the ruined Carmelite friary near Aberlady but also, on the day, he was telling us about Pope Pius II who in 1435 walked barefoot in the snow all the way from Dunbar to Whitekirk to give thanks for his survival from a shipwreck in the Firth of Forth.

Whitekirk is just a few miles along the road from Aberlady and apart from the church, St Mary’s (which dates back to the 11th century) it also has a beautiful two-story stone building that served as a hostel for pilgrims travelling from Iona to Lindisfarne. Aberlady was an important stop on the way. After Aberlady and our visit to the Carmelite Friary, we also visited St Mary’s.

Readers of this blog might remember I took part on Landscape Artist of the Year a couple of years ago. It was fairly pointless escapade, frankly, except for meeting some nice folks (the other artists) one of whom was called Gregory Miller (artist website Here). He recently sent me a link to a film called No Greater Love, about a Carmelite Convent in Nottinghill, London.

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It’s worth a watch if you’re curious about their lifestyle. The footage and camera-work is Vermeer-like at times – capturing the natural light from windows and candles. It’s very, very quiet for the first half hour, then we get to know some of the nuns, what inspires them and why they’ve taken on this way of life.

It’s viewable on Amazon, not sure where else  …

No Greater Love

More painting tomorrow.

Painting process 6 – nearly finished!

Here’s the sixth video showing the process of a painting (which I’m calling ‘The Path’ for now) from my new series inspired by the remains of a Carmelite friary in the mysterious forest of Luffness.

I’m talking about a couple of dilemmas here that came up – mostly how to make decisions that keep the panting loose without overworking it.

These videos are also posted on my instagram which is findable under ‘Rose Strang art’