Tag Archives: Scottish landscape painting

25 Paintings – halfway there!

These are the first 25 paintings of the ’50 Paintings of Eigg in 50 Days’ series

They are all on 5×5″ wood, £45 each and are available on a first come first served basis. Please feel free to email me at rose.strang@gmail.com if you have any questions. (£45 includes post and package). * Please note which ones have sold in the caption of each painting

You can also read more about each painting and my Eigg project by clicking on ‘Home’ above, and scrolling down to previous posts..

 

50 Paintings of Eigg Series No. 25

Eigg Series No. 25b. Ink and varnish on 5x5" wood

Eigg Series No. 25b. Ink and varnish on 5×5″ wood

Eigg Series No. 25a. Ink and varnish on 5x5" wood

Eigg Series No. 25a. Ink and varnish on 5×5″ wood

P1100991 P1100992

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Today I’m offering two paintings for £55 – two ink on wood sketches of a boat in Eigg’s Pier Bay. (Also, as mentioned I’m away for a week so the next post will be Saturday 12th May. I’m always contactable by email at rose.strang@gmail.com)

One of the reasons I like working with pallete knife, or ink, is that the effects are slightly unpredictable, this gives the painting a less ‘tight’ dynamic. It’s like un-learning how you see, and there are various ways artists do this…

My first experiment with this was pre-art college, while taking life drawing classes. We were asked to attach our charcoal to the end of a foot-long paint brush and draw with it, which sounds completely counter-intuitive because you’d imagine more control would be the way forward. But it helped me make stronger decisions, also to stand back a little from the paper to see what I was doing.

If you’re someone who draws or you’ve been to art college, you probably already know this, but another well known example is to draw a picture from an upside down image. (I’m going to give you an example to try out at the end of this post, so have paper and pencil or pen ready if you’d like to give it a shot!)

To show what I mean about loosening up your drawing, here’s one of my early drawings pre-art college ..

P1100931Very detailed, but no expression. I’ve tried to draw everything in an attempt to get it right. Rather than look for the essentials I’ve included every crease and fold. I was probably standing about an inch away from the paper! As a consequence it looks un-spontaneous and kind of…adolescent! But it doesn’t make me cringe, I can see I was committed at least.

 

Later in my first year in art foundation class. We’d spend 7 hours at a time drawing from life under the tutelage of Bill Gillan (he gave great advice and went on to become the President of the SSA  – Scottish Society of Artists). I’ve just looked online,  to discover that he’s now very unwell, and I’ve also missed a recent exhibition of his work, so I hope there’s another. Link to exhibition Here where you can see a couple of his paintings)

Here are some of my drawings from Art Foundation class…

P1100928 P1100929 P1100930 P1100932 P1100933

You can see the struggle to ‘see’, but I’m starting to make better decisions and trying to pare it down. Also letting myself make mistakes.

 

 

 

 

 

 

(The eye on the left is my own, looking a bit ‘starey’ for obvious reasons! On the right is my niece Emma’s eye when she was three)

 

 

P1320511This last one shows I’m getting the hang of it, and starting to say more with less, so the drawing has more energy and tension.

It’s a bit of a pity that I’ve lost all the later drawings, which did get better. Somewhere among my various flat-moves I misplaced them.

But I didn’t pursue life drawing as I was more interested in landscape, particularly water – first through 3 D work (example below). Then through painting. I prefer the freedom of painting landscape to painting portraits and find more expression there.

Flow

 

 

 

 

 

 

But I do still enjoy line-work and illustration, especially in ink – so occasionally dip back into it..

P1380781 P1400858 P1100980 P1380791

 

My sister in a canoe. And a horse

 

 

 

 

 

On the left, one of my favourite illustrators, Pauline Baynes who illustrated the Narnia Chronicles.

 

 

 

Hmm, ‘Canter Bree, canter’! Not quite the same energy, it was very good practice though..

 

 

And now, here’s that upside down drawing (don’t look at it the right way round!) try it out – just draw the shapes, do it quickly and don’t worry about mistakes, then when you’ve finished turn it up the right way, it’s very interesting!Picasso, Portrait of Igor Stravinsky

Lastly three lesser known sketches from the very best (the above sketch is Igor Stravinsky by Picasso):

Picasso, Horse

Picasso, Horse

matisse from Le Jockeys Camouflers

From Le Jockeys Camouflers. Matisse

Danseuse Acrobate, Matisse

Danseuse Acrobate, Matisse

 

 

 

 

 

 

 

 

 

50 Paintings of Eigg Series No. 24

Eigg Series No. 24. Acrylic on 5x5" wood

Eigg Series No. 24. Acrylic on 5×5″ wood

P1100926Today’s painting is the side view of cosy Cuagach Bothy, in which I stayed on Eigg.

 

 

Cuagach Bothy is the most affordable place to stay on the island, but also one of the most characterful. As mentioned before, it’s owned by Maggie Fyffe, who told the story of Eigg’s community buy out of the island on Day 17.

You never know though, how things are going to be until you get there. It was still very overcast the first evening we arrived, so on arrival at the bothy we immediately began setting the fire, or stove. I went outside to attempt to chop some logs, (hoping there weren’t any islanders watching, thinking ‘She’ll be from the city then’ !).

Once the fire got going (The bothy’s walls are incredibly thick, as you can see from the photo of the window recess below, so all the heat is retained) we walked down to Laig Bay, where mountains emerging among the clouds high up in the sky gave me a small shock! By the time we came back the bothy was already warm, and smoky, since we’d left a damp log on top of the stove!P1150434

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My Cuagach stove sketch!

The bothy is quite simple – one room (with a separate loo and shower) a platform bed at either end of the room and a kitchen area in the middle with oven and sink.

 

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I liked all the little things people had left behind after their stay; arrangements of rocks, shells, bits and pieces from the beach..

 

 

By the end of the trip I felt I’d found everything I came for – the islanders were so helpful P1150534with my project. And as with other small islands I’ve visited, everyone knows everyone else, doors are never closed and there’s a lovely informality

Back in Edinburgh now, I’m missing the scenery and fresh air (also the time to actually focus – the city is so full of interruptions!) but all being well I’ll be in Eigg again for a longer trip in September this year.

Tomorrow will be Day 25 of 50 days of Eigg – the halfway point! After tomorrow’s painting and post I’m off to London and Birmingham for a few days, and won’t be posting until Saturday 12th when full painting and blogging service will resume!

And..

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50 Paintings of Eigg Series No. 19

Eigg Series No. 19. Acrylic and ink on 5x5" wood

Eigg Series No. 19. Acrylic and ink on 5×5″ wood

P1100792Today’s painting, another view of the mountains of Rum from Laig Bay.

It’s a busy time at the moment but in a few days I’ll be posting more about Eigg. It’s had a troubled history; Viking invasions and Norse occupation, then the increasing greed of landowners which forced many people to emigrate, followed by Highland Clearances.

Poor Eigg, but It’s a story repeated across Scotland of course, and it’s only in recent decades that the Highlands and West Coast of Scotland have seen an improvement in land management. As mentioned in my post on Day 18, Eigg has developed even further, with the community buy out and the renewable energy system supplying the island 24 hours a day.

One of the best documentary series I’ve watched about Scotland’s landscape and history was by Dr Iain Stewart (described by the Scottish Herald as ‘the James Bond of geology’…). Normally he’s in teaching-schools-mode and can be somewhat wearisomely enthusiastic, but he’s very amusing in this series and it’s quite magical..

(Part 1 of 5 documentaries – all 5 can be found on You Tube)..

 

50 Paintings of Eigg Series No. 18

Eigg Series No. 18. Acrylic and ink on 5x5" wood

Eigg Series No. 18. Acrylic and ink on 5×5″ wood

P1100768Laig Bay and the mountains of Rum in ink, acrylic and varnish.

Mountains always look so other worldly when viewed from across the sea – like a mystical land. But I have visited Rum, back in the mists of time – as a teenager. Even as a somewhat grumpy 13 year old I appreciated the beauty of the island, but had my first experience of the mid-July Highland midge. Dealing with them requires spray repellants with an intense synthetic lemon/oven-cleaner aroma, or a midge head net/bed-net. Or failing that, calm acceptance that this mass hoard of miniature vampires has its rightful place in the ecosystem.

The key is to avoid inland water areas, especially bogs or marshland, seek breezy coastal areas or higher ground and avoid exposure at dusk when they’re most active!

 

 

50 Paintings of Eigg Series No. 17

Eigg Series. No 17. Acrylic on 5x5" wood

Eigg Series. No 17. Acrylic on 5×5″ wood (Not for sale)

Today’s painting – one of Eigg’s many primroses…P1100748

These cheerful spring wild-flowers are in abundance on the island and seem an appropriate choice for today’s subject; the 1996 community buy out of Eigg, which earned world-wide renown in the late 90s as an example of positive and successful land reform

Every year the Eigg community celebrates the buy-out with an anniversary Ceilidh, it means a lot to islanders, and it’s an inspiring story. So I decided to get in touch with Maggie Fyffe, Administrator of the Eigg Heritage Trust, to find out more …

Maggie Fyffe

Photograph © Keith Brame

Rose: Hi Maggie, When I arrived on Eigg this year, it was only when I chatted with Lucy Conway that I realised we were staying in your bothy and you were just across the road! But after a few days on the island you realise what a close-knit, friendly community it is.

I recently read your article which described the difficult conditions Eigg dwellers found themselves in before the community buy out in 1996, and looking at the island now, it’s difficult to believe (considering it was 1996 not the 18th century!) just how difficult life had become for islanders.

So firstly, some would say that living on a remote island could be a challenging lifestyle. How did you first come to the island, and what made you want to move to Eigg?

Maggie: We were living on the east coast but had always wanted to live on the west coast. We were involved with a craft workshop near Portsoy – Keith Schellenberg visited & expressed his interest in setting up something similar on Eigg – he offered us a job & the rest is history! (that was 1976)

Rose: Can you tell me what you do now on Eigg?

Maggie: I’m employed by Isle of Eigg Heritage Trust as administration secretary. This involves doing accounts & paperwork for IEHT and its 3 subsidiary companies, Eigg Trading, Eigg Construction & Eigg Electric. I’m also voluntary treasurer for Eigg Residents Association & Eigg Community Hall.

R: Can you tell me a little more about that time back then, how was it for islanders and what were the issues they faced?

M: Most of the indigenous islanders lived on crofts so had security but anyone working for the estate lived in a tied cottage & felt insecure

R: What was it that made islanders distrust or become frustrated with landowners over the years, can you give a few examples of their approach to caring for the island?

M: It’s hard to explain – but mostly because of the unwillingness to grant leases on houses & businesses. One catalyst was (Landowner) Keith Schellenberg trying to evict the Carr family (who had five children) and the Scottish Wildlife Trust warden, John Chester – the community was in agreement that we couldn’t let that happen.

This was followed by Maruma (the second landowner) purchasing the island; after the initial reaction of “cautiously optimistic” it soon became apparent that he didn’t have the money to make the improvements he’d suggested

R: What would you say was the turning point from hoping landowners might live up to promises, to deciding to go it alone as a community?

M: Although it had been talked about – the turning point came when the original Eigg Trust (a group of 4 people connected to Eigg with an interest in land reform) brought their ideas for a buy out for the community’s consideration. A vote of all residents was held with the result of a big majority in favour of supporting this.

R: What was the response to that decision, from landowners, other trusts and the media in general?

M: We had some negative press but in the main, we received a lot of support from the media

R: I’ve read that the the island was valued at 2 million. How did you build support for your bid to buy the island as a community, and how was money raised?

M: We received somewhere in the region of 10,000 donations from members of the general public (only £17K was received from public bodies) including one donation of £1m!

R: Can you tell me a bit about the bidding process, the outcome and how you and the islanders felt after the result?

M: In November 96, our initial bid of £1.2m (based on an independent valuation & all the money we had raised) was rejected as it didn’t reach the £2m asking price. We carried on fundraising & by the following March, we decided to submit a further bid of £1.5m – this was what Maruma had paid for the island & we were unwilling to exceed this amount on principle.

It was at this point that we discovered that Maruma had defaulted on a loan & his creditors had taken over the sale. After a nerve-racking week, they eventually accepted our offer on 4th April 97 and islanders were jubilant!

R: Would you say there’s a definite difference in Eigg since the buy out?

M: It’s the difference between night & day. To name but a few…all trust properties now have long term tenants (with long term leases) and 3 farms also have appropriate leases. 7 houses have been renovated. We have built An Laimhrig which houses a shop, tearoom, craft shop all of which are leased to residents to run as their own business. We have initiated an ongoing forestry project with all the work being done by local folk.

We have installed an award winning renewable energy system which with 24 hour power has improved life no end. And the population has increased from 63 in 1997 to 96 in 2014 with a lot of our young folk moving back to live.

R: Lastly, would you say the experience changed you as a person? If so in what ways?

M: I used to be a craft worker & would never have guessed that I would end up being an admin secretary ~ a job that can be quite taxing at times but incredibly rewarding ~ every day is different. You’ll maybe need to ask someone else about how I’ve changed but I’m incredibly proud of what the community here has achieved…

R: Thank you Maggie for sharing the inspiring story of Eigg’s community buy out. And (though I’m over a decade late in saying this!); congratulations to the islanders on all they’ve achieved for the island and its inhabitants.

In the next few weeks I’ll post more information about the island moving to renewable, environmentally friendly energy..

And lastly – for further reading about Eigg and the Hebrides, a book by Alastair McIntosh ‘Soil and Soul – People Versus Corporate Power‘ is available Here

16 paintings of Eigg (34 to go!)

Hello everyone and thank you for viewing the Eigg series which I’m painting from the 10th April to the 29th May

Also, sincere thanks to the people who have bought some of the paintings (this will help fund the next stage of the Eigg project throughout the year) I hope you enjoy the paintings!

Below is a round-up of all available paintings so far. These are all 5×5 inches, £45 each (including postage), and have a small hook attached to the back. (If you would like a fine art print of these at double the size (10×10 inch giclee print) these are £38 including postage).

Feel free to email me with any queries at rose.strang@gmail.com

Many thanks for your interest, and to Eigg Box and The Small Isles for the facebook shares and likes!

Available paintings:

(to find out more about the paintings, simply click on ‘Home’ and scroll down the previous blog posts)

Ink and acrylic on 5x5" wood

Eigg Series. No. 16. Acrylic and ink on 5×5″ wood

Eigg Series. No 14. Acrylic on 5x5" wood

Eigg Series. No 14. Acrylic on 5×5″ wood

Eigg Series. No. 13. Ink, gesso and varnish on 5x5" wood

Eigg Series. No. 13. Ink, gesso and varnish on 5×5″ wood

Eigg Series. No. 8. Ink, sand and acrylic on 5x5" wood

Eigg Series. No. 8. Ink, sand and acrylic on 5×5″ wood

Eigg Series. No 8. Acrylic, ink, salt and sand on 5x5" wood

Eigg Series. No 8. Acrylic, ink, salt and sand on 5×5″ wood

Eigg Series. No 6. Acrylic on 5x5" wood

Eigg Series. No 6. Acrylic on 5×5″ wood

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Eigg Series No 4. Acrylic on 5x4 inch wood

Eigg Series No 4. Acrylic on 5×4 inch wood

 

 

 

 

 

 

 

 

 

 

The following paintings have sold:

Eigg Series. No 15. Acrylic and ink on 5x5" wood

Eigg Series. No 15. Acrylic and ink on 5×5″ wood (Reserved)

Eigg Series. No. 12. Acrylic on 5x5 " wood

Eigg Series. No. 12. Acrylic on 5×5 ” wood (Sold)

Eigg Series. No. 10. Acrylic, ink and salt on 5x5" wood

Eigg Series. No. 10. Acrylic, ink and salt on 5×5″ wood (Sold)

Eigg Series No 9. Acrylic and ink on 5x5" wood

Eigg Series No 9. Acrylic and ink on 5×5″ wood (Sold)

Eigg Series. No 5. Acrylic on 5x5 inch wood

Eigg Series. No 5. Acrylic on 5×5 inch wood (Sold)

Eigg Series. No 3. Acrylic, ink and salt on 5x5 inch wood

Eigg Series. No 3. Acrylic, ink and salt on 5×5 inch wood (Sold)

Eigg Series No. 2. Acrylic, ink and varnish on 5x5 inch wood

Eigg Series No. 2. Acrylic, ink and varnish on 5×5 inch wood (Sold)

Eigg Series. No 1. Acrylic and ink on 5x5 inch wood

Eigg Series. No 1. Acrylic and ink on 5×5 inch wood (Sold)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

50 Paintings of Eigg Series. No. 15

Eigg Series. No 15. Acrylic and ink on 5x5" wood

Eigg Series. No 15. Acrylic and ink on 5×5″ wood

P1100676

Today’s painting – an impression of Laig Bay, with wave and mountain. This line and shape is making an indelible impression on my brain and possibly I’ll develop it onto large canvas for upcoming exhibitions. These will be in June at Gallery Ten and in July at Whitespace. Lots of painting to do!

 

The interior of Cuagach Bothy, very cosy

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And a standing stone looking east..

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50 Paintings of Eigg Series. Day 14

Eigg Series. No 14. Acrylic on 5x5" wood

Eigg Series. No 14. Acrylic on 5×5″ wood

P1100660

A view of Eigg’s distinctive landmark; The Sgurr of Eigg, with mist beginning to rise in the afternoon.

 

 

Now, get your anoraks on folks and dust off your mustard cords, it’s time for a geology lesson!

The pier at Galmisdale has an arts and craft shop which usefully stocks booklets about the island, including – ‘The Geology of Eigg’ by Jon Hudson and Anne Allwright, in which I learned all about the many interesting shapes and natural sculptures of Eigg.

From an arts perspective, the Sgurr looks to me like a huge sculpture from a giant’s kiln, and the process isn’t dissimilar. If you want to make a bronze sculpture, one method (or the one I learned at art college anyway) is to mold a shape from flexible wax, attach a wax tube to it, cover it in rough cement, then when that hardens, pour molten bronze into the wax tube. The wax shape inside melts and is replaced by bronze. When it cools you simply break way the rough cement and voila, you have a bronze work of art!

The epic making of the Sgurr began about 60 million years ago, when repeated lava flows (on what’s1 now the Isle of Rum) erupted across the landscape, creating plateaus of basalt which now form most of Eigg.

 

2Those hardened and weathered over a millions years to form river valleys, then volcanic action resumed, this time a bit more violent, with gas explosions blasting the trees down the river valleys. This was followed by lava flows which mixed with pumice and sedimentary rocks from river flows to form an extremely resilient volcanic rock called ‘pitchstone’ that filled the river valley on the pre-historic Eigg landscape.

Over a few more million years the original basalt rocks wore away, leaving the stronger 3pitchstone behind. Then, like a giant sculptor adding finishing touches, glaciers passed over the north of Scotland, wearing away softer rock, so what you see today in the Sgurr of Eigg, is the more resilient pitchstone lava which once filled a valley.

45The valley’s sides crumbled away to leave the 1300 foot Sgurr behind. It’s quite breath-taking isn’t it?

As was the walk up the Sgurr, though the views were wonderful!

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Photos of the Sgurr..

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50 Paintings of Eigg Series. No. 9

Eigg Series No 9. Acrylic and ink on 5x5" wood

Eigg Series No 9. Acrylic and ink on 5×5″ wood

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Today’s painting is a moody depiction of Laig Bay looking towards the south.

In the past, the remote islands of the West coast attracted many Christian missionaries from Ireland, the most well-known being St Columba who settled on Iona in the 7th Century. On Eigg you can still see the remains of a chapel in Kildonan Bay, founded by St Donnán from Ireland.

I’ve always been fascinated by this era of ancient Christianity and first began to explore this time in history when I was 20 and visited Iona off the West Coast of Mull. While there I could see  and experience for myself what was meant by the expression ‘a thin veil between heaven and earth’. In those times it was common for practicing monks or nuns to embrace solitude or silence (a practice that continues to this day) and, although I’m not a part of any practicing religion, I know I’m not alone in finding these remote islands conducive to contemplation.

St Donnán’s life came to a violent end when he was killed alongside 52 monks on Easter Sunday, which was most likely to have been Norsemen since this was a common occurrence in those times.

Nowadays, Eigg has two churches, in the East and West of the island, as well as the peaceful yoga retreat at Glebe Barn in the middle of the island overlooking Kildonan Bay (you can read about Glebe Barn Yoga retreat Here)

I’m thinking of the news about Abdullah Deghayes today, and also of some friends of mine who’ve been involved indirectly in the Syrian conflict. My heart goes out to people who are unable to live in peace because of circumstances beyond their control, and I wish everyone a peaceful and loving Easter weekend

Looking East to the mainland from Kildonan Bay..

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The view from The Sgurr of Eigg down to Kildonan Bay and the pier at Galmisdale..

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