Category Archives: Uncategorized

A magical evening at the Whitespace Gallery..

P1130836To spend several months painting a subject can be quite a solitary challenge,  though meaningful. Then when you share your efforts with the public, it’s a vulnerable moment to see your paintings (which seemed such large swathes of blank canvas) for the first time in the gallery, where they appear to be swallowed up in public space!

 

P1130803The journey from personal to public was borne along on a tide of good feeling, thanks to the help of family and friends! But also by two very moving performances by Jennifer L Williams and Atzi Muramatsu, who responded to the paintings in poetry and music.

 

 

 

P1130808P1130810

Jennifer recited three poems, one of which was written in response to ‘Mountains of Rum from Laig Bay’, and Atzi improvised on cello to several paintings in the exhibition.

I was so very moved by their artistic responses, I found them quite magical, and I’ve included two videos here, along with the text of Jennifer’s poem.

The videos below (taken with my little digital camera!) show part of Atzi’s performance (mostly in response to ‘Moonlight on Eigg’). Followed by the poetry recital by Jennifer (also the poem text, and paintings – ‘Moonlight on Eigg’ and ‘Mountains of Rum from Laig Bay’ below the video links) …

Link: Cello performance, Atzi Muramatsu

Link: Poetry recital, Jennifer L Williams

Poem by Jennifer Williams:

Who lived in a country place as we do

The dead call out to the dead. David Harsent

Looking in from outside where the fire is burning
Looking in from outside so our hair seems to be on fire
Looking into the empty house whose only
People are the forgotten memories of ourselves

Looking in at the tides of dust and the peeling of mirrors
The peeling whose iridescence is reminiscent of shells
The pealing of bells signalling a memory about to appear
Long-buried because of its too-great pleasure

Silent as the witches whose innocence welds the tongue
Outside where we belong with the fire and the sea’s glass
Its waves of green astonishment lavishing the sand
The creatures of the deep and the wild salt

Looking in at our own reflection with sleep-heavy eyes
As if a spell has been cast from which we cannot wake
Our hands forever wet with the birth milk of the milkweed
Our breath, our image in the painting, fading

'Mountains of Rum from Laig Bay'. Acrylic on 40x30" canvas

‘Mountains of Rum from Laig Bay’. Acrylic on 40×30″ canvas

 

 

 

 

 

'Moonlight on Eigg'. Acrylic on 20x16" canvas

‘Moonlight on Eigg’. Acrylic on 20×16″ canvas

 

 

 

 

 

 

 

 

 

I felt so uplifted and inspired by the preview night, and I really look forward to future collaborations with Jennifer and Atzi. Also, many thanks to mum, dad, Alicia and Lucrezia for their help!

P1130828

(resting weary toes!) Rose, Alicia and Lucretzia

Eigg Island Exhibition – Artworks

These are all the artworks to be included in the Whitespace exhibition starting this Friday

(The Preview is this Friday at 6 – 9pm at Whitespace, 25 Howe Street, Edinburgh, EH3 6TF. The exhibition then runs daily from Saturday 19th July to Wednesday 23rd July, 10:30 to 5pm)

If you have any questions about the paintings (or prints of these) please email me at rose.strang@gmail.com

'Waves in the Rain, Singing Sands Bay'. Acrylic and ink on 40x30" canvas

‘Waves in the Rain, Singing Sands Bay’. Acrylic and ink on 40×30″ canvas

'Mountains of Rum from Laig Bay'. Acrylic on 40x30" canvas

‘Mountains of Rum from Laig Bay’. Acrylic on 40×30″ canvas

'Cliffs of Cleadale'. Acrylic on 20x16" canvas

‘Cliffs of Cleadale’. Acrylic on 20×16″ canvas

'Cliffs of Cleadale 2'. Acrylic on 20x16" canvas

‘Cliffs of Cleadale 2’. Acrylic on 20×16″ canvas

'Sphagnum Moss'. Acrylic on 20x16" canvas

‘Sphagnum Moss’. Acrylic on 20×16″ canvas

'Wave, Singing Sand Bay'. Acrylic on 20x16" canvas

‘Wave, Singing Sand Bay’. Acrylic on 20×16″ canvas

'Moonlight on Eigg'. Acrylic on 20x16" canvas

‘Moonlight on Eigg’. Acrylic on 20×16″ canvas

'Boat in Pier Harbour 1'. Acrylic on 20x16" canvas

‘Boat in Pier Harbour 1’. Acrylic on 20×16″ canvas

'Boat in Pier Harbour 2'. Acrylic on 20x16" canvas

‘Boat in Pier Harbour 2’. Acrylic on 20×16″ canvas

'Seagull, Eigg Island'. Acrylic on 20x16" canvas

‘Seagull, Eigg Island’. Acrylic on 20×16″ canvas

'Lighthouse'. Acrylic on 10x10" wood

‘Lighthouse’. Acrylic on 10×10″ wood

'Waves from Singing Sands Bay'. Acrylic and sand on 5x5" wood

‘Waves from Singing Sands Bay’. Acrylic and sand on 5×5″ wood

'Eigg Series No. 49'. Acrylic on 5x5" wood

‘Eigg Series No. 49’. Acrylic on 5×5″ wood

'Boat'. Acrylic on 5x5" wood

‘Boat’. Acrylic on 5×5″ wood

'Eigg Series No. 8'. Ink and acrylic on 5x5" wood

‘Eigg Series No. 8’. Ink and acrylic on 5×5″ wood

Green glass slow-motion waves

These are most of the latest works for the Whitespace exhibition this Friday, just two more to go! I’ve made quite a few changes to ‘Rum from Laig Bay’ as it just didn’t capture the strange bottle-green slow-motion waves I was so fascinated by. This version seems closer to it..

(More info about the exhibition/times/dates Here )

'Mountains of Rum from Laig Bay'. Acrylic on 40x30" canvas

‘Mountains of Rum from Laig Bay’. Acrylic on 40×30″ canvas

'Waves in the Rain, Singing Sands Bay'. Acrylic on 40x30" canvas

‘Waves in the Rain, Singing Sands Bay’. Acrylic on 40×30″ canvas

'Cliffs of Cleadale'. Acrylic on 20x16" canvas

‘Cliffs of Cleadale’. Acrylic on 20×16″ canvas

'Cliffs of Cleadale 2'. Acrylic on 20x16" canvas

‘Cliffs of Cleadale 2’. Acrylic on 20×16″ canvas

'Wave, Singing Sand Bay'. Acrylic on 20x16" canvas

‘Wave, Singing Sand Bay’. Acrylic on 20×16″ canvas

'Moonlight on Eigg'. Acrylic on 20x16" canvas

‘Moonlight on Eigg’. Acrylic on 20×16″ canvas

'Boat in Pier Harbour 1'. Acrylic on 20x16" canvas

‘Boat in Pier Harbour 1’. Acrylic on 20×16″ canvas

'Seagull, Eigg Island'. Acrylic on 20x16" canvas

‘Seagull, Eigg Island’. Acrylic on 20×16″ canvas

Performances at Whitespace exhibition preview

PAINT flyer FLYER 2 REVERSE P1130119

 

 

 

 

 

Postcards for the Whitespace exhibition. (don’t forget! – Preview 6-9pm 18th July!)

With just 16 days to finish four large works I’m slightly fretting! But with painting you can only take each day as it comes.

Performances for Whitespace

I’m very happy that two Edinburgh friends will be performing for the Whitespace exhibition preview on the 18th – Atzi Muramatsu and Jennifer Williams

jen

 

Jennifer is originally from New Jersey, she’s currently Programme Manager for the Scottish Poetry Library but for many years has been a writer, talented poet, and a performer with beautifully atmospheric vocal expression.

A book of Jennifer’s work Locust and Marlin has recently been published (viewable on title link)

 

Website: http://jlwilliamspoetry.co.uk/

 

222761_10150164579576990_6756518_nAtzi Muramatsu, originally from Japan, is a talented cellist/composer who also wrote the filmscore for BAFTA award-winning film ‘The Making of Longbird’.

For the Whitespace preview, Atzi will be improvising music in response to my paintings  – he improvised at last year’s exhibition, and it was such an imaginative way of perceiving the paintings – which also focused viewers amongst the busyness of a social occasion.

In addition to classical performance, Atzi also plays in the melodious yet moody Lipsync for a Lullaby

Website: http://www.atzi.co.uk/

It’s just great that Jennifer and Atzi will be performing at the private view, it makes this into a really special event!

WEST; the west coast and beyond

P1120743P1120738 P1120741

 

 

 

 

 

 

 

I really enjoyed the Gallery Ten exhibition ‘WEST the west coast and beyond’ today. Beautifully curated by gallery owner Paul Musgrave – I thought the pieces went very well together.

 

P1120731 P1120730

 

 

 

 

I’ve added a images and links to the participating artists below. (two didn’t have links/websites though)

Sam Bain

8607485

 

 

 

 

 

 

 

David Faithful

image[120]

 

 

 

 

 

 

Anna King

721

 

 

 

 

 

 

 

Jean Laing

Val Menon

 

Norman McBeath

McBeathNorman-UntB1A71_1

 

 

 

 

 

 

 

Graham Muir

Waveform

 

 

 

 

 

 

 

Gilian Murray

GillianMurray-GrimsayOuterHebrides

 

 

 

 

 

 

 

Paul Musgrove

Screen-Shot-2013-05-16-at-15.56.28

 

 

 

 

 

 

Shirley Smith

square rings

 

 

 

 

 

Gill Tyson

images

 

 

 

 

 

Thanks to Gallery Ten for putting together a really lovely show!

 

 

 

Work in progress for Whitespace..

P1120650 P1120649Moving on to canvas now – these are 20×16″. It feels strange not to be working on wood

 

 

 

 

 

I’m not quite sure where I’m going with these drips but I’m liking the effects which aren’t possible on a 5×5″ scale

 

 

 

The above paintings in progress are the first in a series to be included in the July exhibition at the Whitespace Gallery.

In the meantime, WEST; The West Coast and Beyond is showing this Saturday between 2 – 4pm, hope to see you there! PV-combo-wb

It’s going to be an interesting day, and afterwards the Leith Late festival will be featuring various exhibitions and live events..

 

 

WEST: The West Coast and Beyond

Sold. Eigg Series No. 18. Acrylic and ink on 5x5" wood

Sold. Eigg Series No. 18. Acrylic and ink on 5×5″ wood

 

Just a quick post to let you know that the private view of WEST: The West Coast and Beyond is on Saturday 21st June, 2 – 4:30pm.

Gallery Ten, 10 Stafford Street, Edinburgh.

Telephone 07957855426

(The exhibition continues until 26th July. Opening hours Tues – Sat 10:30 to 5:30)

The following link shows participating artists..

WEST: The West Coast and Beyond

Map and address – Here

Join on Facebook event page –  Here

Hope to see you there!

50 Paintings of Eigg. No. 50!

Eigg Series No. 50. Acrylic, ink, salt and varnish on 5x5" wood

Eigg Series No. 50. Acrylic, ink, salt and varnish on 5×5″ wood

P1110668No 50; A view of Eigg from the ferry, with sunlight sparkling on the sea.

 

 

Well, this has been such an enjoyable project – mostly the daily discipline of painting, and the feedback that follows, thank you!

Also it’s been enjoyable for the chance to explore subjects I care about – landscape, ecology, social justice, history and the arts. The Isle of Eigg has been a perfect focus for that – a wonderful example of a way of living that’s collaborative, innovative, cultural and above all respectful of our planet.

I’ll be continuing the Eigg project and exhibiting new works as part of two shows this summer:

Exhibitions

WEST. The West Coast and Beyond at Gallery Ten (Sat 21st June Private View. Show ends 26th July )

Map/address on this link – Gallery Ten

Rose Strang; Eigg Island Solo Exhibition, Whitespace Gallery   (Friday 18th July Private View. Show ends Thursday 23rd July)

Map/Address on this link Whitespace (Whitespace is at 25 Howe Street, Edinburgh from April to August 2014)

I’ll send an emailed flyer invite to everyone whose email I have, also it will be on Facebook and Twitter

It’s been wonderful getting to know new people through the 50 Paintings Blog, many thanks for following it.

Stay in touch..

I’ll be blogging once a week with updates on paintings and exhibitions, so to receive updates by email click on ‘FOLLOW’ on the right-hand column (underneath the Facebook section)

Or click ‘like’ on the Facebook section on the right and you’ll receive facebook updates

Sincere thanks to readers, also the following Eigg people, buyers and social media sharers. It’s much appreciated!

Isle of Eigg

Lucy Conway – Eigg Box

Maggie Fyffe – Eigg Island Heritage Trust

Camille Dressler – Eigg Island History

Norah Barnes and Bob Wallace – Eigg Island Eco Centre

Trevor Leat – Artist

And many thanks to buyers, I hope you enjoy the paintings! –

Alicia Devine

Alison Kidd

Angela Williams

Carol Strang

Donald Ferguson

Eilidh Soe-Paing

Francis Snee

Gillian Strang

Helen Squires

Ian Nimmo Smith

Jacqueline Tunney

Julia Campbell

Kirsten Beard

Linda Cairnes

Lucy Conway

Lynn Carter

Malcolm Strang

Norah Barnes

Oonagh Reynolds

Rosanna Law

Tony Jones

You can view the entire series on this link – Paintings 2014

Around 20 paintings are still available at £45 each, or if you buy two – £80. If you’re interested in any of these, feel free to contact me at rose.strang@gmail.com

I wish you all a lovely summer!

Best wishes

Rose x

50 Paintings of Eigg No.49

Eigg Series No. 49. Acrylic and ink on 5x5" wood

Eigg Series No. 49. Acrylic and ink on 5×5″ wood

P1110660Today’s painting; The mountains of Rum from Laig Bay with turquoise sea in the foreground.

 

 

Tomorrow is the last day of ’50 Paintings of Eigg’ – I’ll miss this daily blog and painting! But I’ll still blog once or twice a week with painting updates etc. Just click ‘Follow’ on the right hand column under the Facebook section if you’d like to receive email updates.

I’ve mentioned a few influences throughout this blog, and can’t get to the end of the 50 paintings series without mentioning my love of perfume – I often use perfume and music  to put me in the right mood for painting (the hourly news on Radio 4 can somewhat deaden inspiration!)

I tend to think that perfume, and the sense of smell in general, have been given something of a back seat in terms of the human senses. Smell is often described as a primitive sense, linked to instinct, as if our other senses weren’t also integral to negotiating our environment!

And it’s almost as though love of perfume is something to be kept in a closet; a frivolous concern. Yet, think of those who after receiving cancer treatment may lose their sense of smell – with no knowledge of whether or not it will return.

This is what happened to a friend of mine (Calum, who runs the printing company Giclee UK, who make art prints from original paintings. I’ve relied on their services quite a few years now). He described how overwhelmingly sad he felt at the loss of smell following cancer treatment some years ago, and the sense of joy when many months later on opening a bottle of Shiraz wine, it all came flooding back.

EXTRACTOFLIMESEAUDETOILETTEIt gave him a new appreciation of scent, and on discovering that his favourite lime-scented soap from Penhaligons had been discontinued, he decided to concoct something similar himself, and thus an amateur perfume-maker was born!

Oakleaf, Ariundle Nature Reserve

Oakleaf, Ariundle Nature Reserve

I’ve only experimented a little with perfume absolutes and essences, but I’ve been collecting and testing perfumes for a few years now and have a good idea of what I’d like to create. So in collaboration with Calum, the plan is to create a new perfume based on the the scent of the Oak woods of Ariundle on the West Coast of Scotland.

Ariundle is one of the last remaining fragments of natural woodland that once covered all of Europe’s Atlantic coast, from Portugal to Norway, so it’s now a protected National Nature Reserve 2148-53.jpg[ProductMain]

 

 

 

 

 

 

 

 

I’ll be sure to post information here if and when we launch the perfume, which will of course be titled Ariundle. It’ll be a soft woody/green floral with hints of moss – I can’t wait to begin experiments!

50 Paintings of Eigg No. 48

Eigg Series No. 48. Acrylic on 5x5" wood

Eigg Series No. 48. Acrylic on 5×5″ wood

P1110649Today’s painting; Sea-spray and turquoise wave in Singing Sands Bay.

 

 

I haven’t included any Scottish artists so far in this blog, or female artists come to that, very remiss! And as it happens, my two favourite Scottish landscape painters are female; Joan Eardley and Kate Downie.

Eardley was born in Essex to a Scottish mother and English father then later, in 1940, moved to Glasgow and enrolled at Glasgow School of Art. (Incidentally you may have heard the sad news about the fire that recently broke out at Glasgow’s School of Art. I was relieved to hear that there was just 10% damage, but there was also quite a lot of damage to art work including student’s degree work for this year. Terrible news, but I have no doubt that restoration of this beautiful Rennie MacIntosh-designed building will be meticulous.

Brother and Sister. Joan Eardley

Brother and Sister. Joan Eardley

 

Eardley was renowned for her portraits of children in Glasgow tenements in the 40s and 50s, though as a landscape painter I’m most interested in her landscapes. It’s said she was influenced by the Scottish Colourists, but I tend to think her work is more intensely expressive and semi-abstract  – far less post-impressionist in feel.

She eventually set up a studio in Catterline near Aberdeen and focused on landscape painting while there.

 

 

I’ve long admired her expressive, immediate and atmospheric style; she has that visceral quality to her work – a way of making the viewer ‘feel there’. Although highly acclaimed in the art world, she perhaps never gained the full recognition she deserved due to her untimely death at the age of 42.

Works by Eardley –

Catterline in Winter. Joan Eardley

Catterline in Winter. Joan Eardley

Sea and Sky. Joan Eardley

Sea and Sky. Joan Eardley

The Sun and the Sea

The Sun and the Sea

Todness Lighthouse, Catterline

Todness Lighthouse, Catterline

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kate Downie was born of British parents in America, but moved to Aberdeen at the age of 7. She’s a high profile artist within Scotland and was recently President of the Society of Scottish Artists. Though influenced in many ways by Eardley’s work, Downie’s style is far more graphic, less textural and often includes line work in ink.

I love this combination of line and free paint, also her sense of travel – of moving through a changing landscape and the atmosphere of changing light

Indigo Road. Kate Downie

Indigo Road. Kate Downie

The Long Walk Home. Kate Downie

The Long Walk Home. Kate Downie

River Croft. Kate Downie

River Croft. Kate Downie