Author Archives: rosestrang

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About rosestrang

Artist, Painter

50 Paintings of Eigg Series No.s 36 and 37

Eigg Series No. 36. Acrylic on 5x5" wood

Eigg Series No. 36. Acrylic on 5×5″ wood

Eigg Series No. 37. Acrylic on 5x5" wood

Eigg Series No. 37. Acrylic on 5×5″ wood

P1110465 P1110464Today’s paintings; a view of Eigg’s Sgurr from the shore and a sunny view of the cliffs of Cleadale

 

 

I can’t quite believe I’m nearly at Number 40. – I’m going to miss this daily painting after the 29th, which is actually Thursday next week!

As mentioned there are two exhibitions coming up, these are;

June 22st to July 26th, Gallery Ten, Stafford Street, Edinburgh (The West Coast and Beyond – group exhibition)

July 17th to July 23rd, Whitespace Gallery, 25 Howe Street, Edinburgh. ( Eigg Island – solo exhibition, Rose Strang)

You are all of course most welcome to attend the previews. Though I enjoy the process of blogging, there’s no substitute for paintings in situ, and there’s always that nerve-wracking moment when you see your work installed in a public space so I feel I’m psyching myself up for the next stage now..

For the first exhibition at Gallery Ten in Stafford Street it’s a mixed show. I’ll be creating two 10×10” paintings on wood and around four at 5×5”. It’s a lovely gallery with an excellent collection of rare contemporary prints, ceramics and paintings.

For the Whitespace (another lovely space – a Georgian former house in the New Town) I’m working on two 40x 30 inch canvases and around four canvases at 20×15”. It’s going to be a challenge after a month of working at 5×5, but I’ve bought the canvases and they’re sitting in my studio saying ‘paint me’ so there’s no going back!

One thing is for sure though, these small paintings of Eigg have been a delight to paint, and the techniques and views I’ve explored here will definitely be developed onto canvas.

I’ll be posting full details and links to exhibitions of exhibitions with maps and directions in the next week or so

50 Paintings of Eigg Series No. 35

Eigg Series No. 35. Acrylic, medium and salt on 5x5" wood

Eigg Series No. 35. Acrylic, medium and salt on 5×5″ wood

P1110368

Today’s painting, a simple sea-scape and experiment with textures – lots of medium, glue, salt and acrylic.

(The blog is still giving me problems, but only wordpress is affected, so I hope to have everything sorted by the end of tomorrow).

I said I’d opine on yesterday’s play ‘Banksy the Room in the Elephant’. I can’t give a full review though because I walked out after 15 minutes. It’s a bit like people who get worried that they’ll die on a plane because statistically it’s more likely if they fly a lot, I’ve seen too many bad plays and one of these days I may keel over suddenly with boredom, what a way to go!

Suffice to say I highly recommend you avoid this play; An insufferably badly written, badly acted self indulgent monologue. What’s worse is that I left out of the wrong door. It was the door I came in by, but everything had changed, like a weird Mr Ben world. I found myself in the strange subterranean bowels of a theatre underworld where every door was marked ‘no entry’ or ‘play in progress’.

The only door I could go through led me to the back stage of the play I’d left where I could hear the tedious monologue continue. I then saw an enormous black stage with a green exit sign at the other end. and thought ‘what’s the chances if I cross this vast stage the curtains will come up and I’ll be in the middle of some strange satanic ritual.

I got out the fire exit and maneuvered my way through many more labyrinths before discovering the sign ‘toilets and bar’. I negotiated a complex rope sculpture then found myself at the entrance to the play again, then finally saw distant light, walked towards it and found myself in blessed daylight at the other side. I had to visit my friend Donald, who I introduced on Day 27 (Here) for a cup of tea and restoration to normality!

 

50 paintings of Eigg Series No. 34

Eigg Series No. 34. Acrylic and ink on 5x5" wood

Eigg Series No. 34. Acrylic and ink on 5×5″ wood

P1110355Today’s painting; the  mountains of Rum Island in sun and shade from Laig Bay. In acrylic, medium, ink and varnish.

As you can see I’m posting again! But from a friend’s PC as it seems my server  provider has an issue with wordpress, and various other tedious technical matters that I wouldn’t wish to bore you with any further!

So today/s post is a little short again. Also I’m off soon to see a play at Edinburgh’s Traverse Theatre ; Banksy; The Room in the Elephant (link Here). It’s probably touring the UK so I shall report back tomorrow to opine on its quality..

50 Paintings of Eigg Series No. 33

Eigg Series No. 33. Acrylic on 5x5" wood

Eigg Series No. 33. Acrylic on 5×5″ wood

P1110317Sparkling effects on water – from the ferry boat.

 

 

I’m using a mixture of glue and salt for texture, which makes highlights stand out, also the salt has a subtle glitter which you can’t see from the photo.

I haven’t had time for two paintings today. Starting to get organised for upcoming exhibitions and am off to look for some canvases today..

I watched the documentary series ‘The Story of Women and Art’ last night. Excellent and very informative. Here’s the first episode on BBC Iplayer if you didn’t catch it..

The Story of Women in Art

 

50 Paintings of Eigg Series. No.s 31 and 32

Eigg Series No. 30. Ink and acrylic on 5x5" wood

Eigg Series No. 31. Ink and acrylic on 5×5″ wood

Eigg Series No. 31. Acrylic on 5x5" wood

Eigg Series No. 32. Acrylic on 5×5″ wood

P1110308 P1110309Aerial views today – looking south west to the Isle of Muck from Eigg’s Sgurr and a view of Laig Bay from above.

 

I’m very keen to paint a large canvas of the view of (the amusingly named) Muck from the Sgurr, so this is a first experiment. What I love is the view of changing weather moving across the seascape

I’ve mentioned that I’ll soon be featuring a post about Eigg’s history, also the Eco Centre, so these are coming up, it’s just the usual business of varying delays!

I’d like to express today how much I’m enjoying this blog. There’s a feeling of ‘why didn’t I do this before?’. It’s a daily discipline, which is good for any art form, but it’s also the connection with people. Through email exchanges with buyers and chatting to people from Eigg, it’s become a very friendly process and it struck me today that, of course, painting is usually a solitary task. I enjoy the solitude while painting, but afterwards it’s great to share it with other people.

So sincere thanks to readers, islanders, buyers, re-tweeters and sharers!

50 Paintings of Eigg Series No. 29 and No. 30

Eigg Series No. 29. Acrylic on 5x5" wood

Eigg Series No. 29. Acrylic on 5×5″ wood

Eigg Series No. 30. Acrylic on 5x5" wood

Eigg Series No. 30. Acrylic on 5×5″ wood

P1110290 P1110291Two paintings today of houses beneath the Cleadale cliffs on Eigg’s West Coast. I’m beginning to really love these cliffs and their colours!

 

My plan is to create 50 paintings by the 29th, so I’ll be painting two per day until I’m up to date with them, having missed a few while on holiday. Also if you’d like to buy two paintings I’ll take £5 off (making that £85 for two paintings).

The cliffs of Cleadale are made of volcanic rock or plateaus formed by outpourings of lava, but they’re not as resilient as the volcanic pitchstone of the Sgurr (see post 14 about the Sgurr of Eigg) so the cliffs are crumbling at a faster rate, and apparently on a quiet day you can hear them crumbling. I asked Lucy Conway’s partner Eddie about this and if it made living under the cliffs a little ominous, he answered wisely ‘well, everything’s crumbling gradually isn’t it?’.

Hmm, all of us included I suppose! – but the cliffs of Cleadale do crumble with style, and I think I’ll be painting these on a much larger scale for upcoming exhibitions.

Incidentally, I won’t be posting every day after the 29th May, so if you’d like to receive up-dates about paintings and upcoming exhibitions (readers here are most welcome to attend private views of these) feel free to follow this blog: The ‘Follow’ button is at the top of this page on the left.

After the 29th, it’s going to feel strange not posting every day, but I will post regular updates re’ the continuing Eigg project, new paintings and shows..

Here’s a photo of Edinburgh’s stormy sky today – just before thunder and lightning struck!

P1110282

 

50 Paintings of Eigg Series No. 28

P1110277 P1110279Today’s painting – a  choppy wave in Singing Sands Bay.

 

 

One of my hopes is that, given more time and practice I’ll begin to paint waves with more ease. I find landscape much easier – it’s more forgiving of inaccuracies whereas a slightly wrong brush-stroke on waves or sea messes up its sea-ness

So today I was looking around the internet at the different ways painters handle water. I’ve always liked the landscape paintings of Alex Katz (later American abstract expressionist) though they’ve been criticised for being too easy or beautiful. I think for many people his work can seem a little bland, but to my eye he has a wonderful capacity to suggest with the simplest compositions.

Anyway,  see what you think..

'Grey Marine', 2000. Alex Katz

‘Grey Marine’, 2000. Alex Katz

'Penobscot' 1999. Alex Katz

‘Penobscot’ 1999. Alex Katz

West Palm Beach. 1997. Alex Katz

West Palm Beach. 1997. Alex Katz

50 Paintings of Eigg Series No. 27

Eigg Series No. 27. Acrylic on 5x5" wood

Eigg Series No. 27. Acrylic on 5×5″ wood

P1110227Today’s painting – a house nestling beneath the cliffs of Cleadale on Eigg’s West Coast. Painted in acrylic with palette knife

 

 

Now, a little while ago, I mentioned my friend who accompanied me to Eigg and adopted a rock from the Singing Sands, so today I’m pleased to introduce you to both Donald Ferguson and his rock

donald 1

Rose: Donald, thank you for sharing your excellent photographs with us today and for creating a video (below) for which you’ve created a brief soundtrack, firstly can you tell us a little about that?

Donald: The recorded sounds are from http://noosphere.princeton.edu/onepage.html which is a Princeton physics experiment to do with global consciousness.

R: What drew you to the rock in Singing Sands Bay?

D: It’s amazing! Its two halves, its holes, its weight, shape and all-round rockness. That the holes link up to enable it to be hung is a later discovery which adds to its amazingness.

P1150421

Photo by Donald Ferguson

R: Do you feel a personal connection to the rock?

D: Although I’ve named and gendered the boulder (Petre – he was almost going to be called Trevor after the bassist in the Spiders from Mars) I don’t think of it as human, so there isn’t really a personal connection. It’s more an aesthetic, kinetic thing.

Petre at home

Petre by Donald Ferguson

R: It strikes me that around 20 million years ago, Petre would have been formed from the sandstone plateau that forms the most ancient rock formations of the Isle of Eigg, so in effect (and without being too dramatic) you’ve wrested him from the bosom of his forbears where he had so far resided undisturbed for millennia, how do you feel about that?

D: I do feel a bit bad about re-siting it and so depriving people the chance of experiencing it in its original setting. I might take it back one day, and meanwhile it is being experienced in new ways by a different audience. I like to see myself as a custodian more than a thief/owner.

R: What does Petre add to your life back in Edinburgh? Do you sit and watch him in the evenings and if so how does that compare to TV?

D: Opening the curtains in the morning gives it an energy input, and when I return, showered, to sit with coffee for ten minutes before leaving the house it’s still gently oscillating, which is strangely calming/reassuring.

R: Thanks for sharing your creations with us today Donald, I think the video is oddly compelling, and the photographs are truly wonderful. If any readers are interested in prints of these do let me know..

P1150418 P1150391 P1150330

 

50 Paintings of Eigg Series No. 26

Eigg Series No. 26. Ink and acrylic on 5x5" wood

Eigg Series No. 26. Ink and acrylic on 5×5″ wood

P1110222Land emerging from low-lying clouds on Laig Bay – a gentle return to the 50 paintings series after my brief holiday! There’s always the slight worry that after a break it’ll be hard to focus but I find that I’m welcoming the peace and calm of familiar routine

 

I was in London to see a Scott Matthews gig, then in Birmingham where I caught up with friends (I lived in Birmingham for a couple of years while working as an arts curator for the NHS). It’s a somewhat maligned city but with over 8000 acres of parks it’s actually one of the UK’s greenest cities

I used to love the walk to and from work through the parks of Moseley, Edgebaston and Selly Oak (it was the work aspect in the middle that I struggled with – the NHS management division didn’t turn out to be the ideal climate for a creative mind!)

So when I return I always visit Canonhill Park to reconnect with its geese, squirrels and trees, and just for today I thought I’d post a few photos taken over the years..

(In the next week I’ll be posting about Eigg’s Eco Centre and also talking to Camille Dressler, one of Eigg’s historians. I’m also hoping she has some archival photos of Eigg’s past inhabitants to share with us)

P1150409 P1150414 P1200894 P1210238 P1220607 P1220654 P1220624

 

 

 

25 Paintings – halfway there!

These are the first 25 paintings of the ’50 Paintings of Eigg in 50 Days’ series

They are all on 5×5″ wood, £45 each and are available on a first come first served basis. Please feel free to email me at rose.strang@gmail.com if you have any questions. (£45 includes post and package). * Please note which ones have sold in the caption of each painting

You can also read more about each painting and my Eigg project by clicking on ‘Home’ above, and scrolling down to previous posts..