Tag Archives: water of leith

'Water of Leith. 9'. Oil on 7x5" wood. Rose Strang, May 2020.

Water of Leith Series (in progress) 2

Above Water of Leith. 9′. Oil on 7×5″ wood. Rose Strang, May 2020. Today’s painting from the Water of Leith series, which will be on exhibition at Limetree Gallery, Bristol. If you’re interested in any of this series, please contact the Limetree Gallery on their website – Limetree, Bristol. (As the paintings are in oil they’ll take till mid June to dry).

This is a strange view, odd in real life yet compelling. I haven’t captured it exactly to my liking but it has a bit of the mystery I was trying capture. It’s a view across the river to gardens, the river is just about to tip over into a waterfall on the right and has the glassy smoothness rivers have at that point.

Below I’ve shown a bit of process – the clarity of the first sketch is nice, but the colours were wrong. I’ll most likely have a new attempt at it tomorrow, but I’m happy with this one as a finished painting. There was too much going on in the top half so as you can see I just wiped it out! It’s a bit more restful I think.

 

'Water of Leith. 6'. Oil on 7x5" wood. Rose Strang, May 2020

Painting in oils

I’ve been hugely enjoying this new series in oils, featuring studies of the Water of Leith, Edinburgh’s river which flows from the Pentland Hills down to the shore at Leith. This series is still in progress and there will be around ten paintings, some diptyques.

The water of Leith always has a rich, peaty colour, which looks so beautiful in contrast with the colours of May. I wanted to capture the dewy light and light rain-showers. During lockdown I’ve had to focus on local landscape in Edinburgh. but the light has had a crystal clarity (less pollution maybe) that’s been inspiring.

I usually paint in acrylics as it’s quicker (drying time) but with more time on my hands these past few months I’ve been able to experiment with oils and I love it! I think the received wisdom is that oils are more difficult, but I find them easier in many ways, especially on this small scale.

The paint has a flow and intensity of pigment that gives immediately more luminous, deep or subtle effects and I realise that a lot of my time painting acrylics is in making the paint surface look better – with more depth or texture etc. In future, if I want texture or impasto I’ll probably start with acrylics, wait for it to dry then paint surface colours in oil. (All very tedious information for the non-painter maybe!)

It’s good practice for my upcoming seascape commission in which I want both texture and subtle watery effects. I’ll post more on that soon. In the meantime I’ll be posting updates on this series.

The ‘Water of Leith’ series will be available from the Limetree Gallery when the series is finished, which should be by mid-June – I’ll clarify the date when I know. So if you like the look of these paintings and would like to reserve one,

you can contact the Limetree Gallery through their website Here