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New Year in Balquhidder

Above, Balquhidder at twilight, photo by Adam

I’ll be posting more soon on two up-coming exhibitions for February and April this year, but in the meantime …

This year my partner Adam and I wanted a quiet new year so we booked ourselves into the Retreat Hut on Loch Voil near Balquhidder. We arrived just before dark, having driven along the four-mile rough track, and were greeted by the son of the owner who walked us to our hut, through what appeared to be an ancient stone circle. ‘Oooh, amazing’ I enthused, ‘how old is it?’. ‘Well the stones themselves are very old’ he laughed. ‘Ah, eccentric Victorians then?’. ‘Well, us in fact’ he replied!

They looked convincing though. ‘It’s on a leyline’ he assured us. Leylines are considered arbitrary by the sceptics – lines drawn between ancient sacred sites that just happen to line up (some people have lined up Tescos across the UK as evidence it’s all very random and part of our very human tendency to seek patterns!) Others say that stone circles are sited on areas of special energy evidenced by the fact that dousing rods start to spin as you walk through the centre. I haven’t tried this myself and have no idea what causes this, but electro magnetic energy is suggested, or ‘magnetic field anomolies’.

Our hut was freezing when we arrived, it being a December evening in a Highland valley, so I got a nice blaze going in the wood-burning stove and soon the place felt like a sauna, which in fact was its original purpose –  it was built by a German artist friend of the family.

Many people enjoy creating a steaming sauna in the hut, followed by a dip in the icy lake, I’m not one of them, so instead we heated up a stew of bacon, passata, potatoes, char-grilled peppers and smoky paprika I’d made up earlier (inspired by one of the nicest soups I’ve ever enjoyed in freezing weather on a trip to Berlin some years ago). There are few things more satisfying than a wood fire and warming dinner while you enjoy views of the snow outside!

The next day we wandered along the loch up a track to enjoy the views of the opposite side (we were on the south of the loch, always the more mysterious side since the north side gets the sunlight and tends to be more inhabited).

The village of Balquhhider is on the north shore of Loch Voil, famous as Rob Roy’s alleged burial place. There’s also the wonderful Monachyle Mor Hotel – an old farmhouse dating back to the 1700’s, now owned by chef Tom Lewis, who is a whirlwind of creativity as evidenced by the fantastic art collection, wonderfully eclectic decor and  tiny house building projects dotted around outside the hotel. We’ve gone there for lunch a few times and he’ll sometimes come over have a friendly chat while you eat.

Later that evening when it was dark, we watched from the other side of the loch as a steady stream of cars made their way along the valley to the Monachyle Mor Hotel for the new year firework display. It was one of the most beautiful I’ve ever experienced with the loch and snowy mountains lighting up in green, gold and pink and the krrrRRR-BOOOOMS!! echoing along the valley.

It all sounds idyllic, and for a few days it is, but very soon you start to miss the ease of city-living. A hut becomes rapidly cold unless you constantly feed the hungry stove (there was a big log-pile outside but we had to chop up logs for smaller pieces to get the stove started in the morning). The loo was a walk away over snow and mud, and of course it’s small so you must be super-organised if you don’t want to descend into muddy chaos. That’s the beauty of a simple stay in a small country cabin though, you feel more connected to nature, you benefit from the fresh air and it all restores the soul, but you go back home appreciating the luxuries you’re used to. Though sadly of course those come at a higher price these days, but I won’t get into the political mess of the UK just now!

Some of my ancestors lived around Balquhidder and nearby Loch Venachar – Andrew Strang married Catherine Fergusson from Balquhidder in 1750 and they lived in a farmhouse on Loch Venachar. Catherine Strang married Duncan Fergusson from Balquhidder in the early 1800s and they lived on his family farm near Balquhidder. I can’t imagine how hard their lives were. Lots of children, laundry without electricity, snowed-in every winter, no local shops or a drive into Callander for supplies, no freezers – they were considerably tougher than this generation. They too must have loved the beauty of this place though. Many of them would eventually settle further south for work, mining near Kirkaldy, then engineering in Edinburgh.

I discovered that the other side of the family, the Kerrs, were also country people who moved to Glasgow in the 1800s for work, and the Sutherlands, who’d lived in Orkney since who knows when since records are scarce pre 1600s. It seems a shame they had to leave rural life, but it’s an indication of how tough rural life was, especially in parts of Scotland affected by conditions post-Culloden and the Highland Clearances. One family moved back to the country – after my great great grandfather Robert Kerr died, his wife and children moved to Pertshire where they survived by making fishing tackle – beautiful artificial flies. It can’t have brought much money in though.

I feel grateful for my ancestors and the hard lives they lived, none were landed or well-off, as far as I know. I said a little prayer for them before we left Loch Voil on New Year’s Day.

Then, just as a reminder of what it means to be snowed in, we discovered our car was barely capable of driving up the four mile track on our way out. The owner of the hut came out to help and we were given an advanced driving lesson in snowy conditions. He went ahead of us all the way to create tyre tracks, which was another occassion for gratitude!

Several times we had to reverse back down a hill, taking care not to slide off down the steep valley sides into the trees, to create enough volition to get up the hill. It was pretty hairy and took more than an hour, but as with all the little hardships, it felt wonderful afterwards –  to be back on tarmac. A French family who’d followed behind us (they’d stayed in another little hut further up the loch) stopped their car when we reached the road and there were relieved new year handshakes all round! Then we celebrated with haddock and chips in a little hotel in Callander.

Wishing everyone a Happy New Year! May all your hardships be small, surmountable, or non-existent in 2023!

“The Living Mountain. Dreaming a Response”

Coming up early next year are two exhibitions featuring the Living Mountain paintings, commissioned by The Folio Society to illustrate their 2021 publication of The Living Mountain, by Nan Shepherd.

As well as paintings, a couple of videos are in the works and I’m very excited about these! I’ve commissioned Atzi Muramatsu (a friend and collaborator since 2013) to create a new piece of music to accompany the videos, which will be released in late January/early February 2023.

Painting has taken a bit more of a back seat while everything gets organised, but happily dates and venues are now confirmed and the series will be on show next year, firstly at The Scottish Poetry Library then at The Heriot Gallery, all details below…

17th February to 31st March. The Scottish Poetry Library. The Living Mountain. Dreaming a Response.

Exhibition of the original paintings included in the 2021 Folio Society publication of The Living Mountain by Nan Shepherd.

17th February 7pm. The Scottish Poetry Library. Panel discussion with Erlend Clouston (literary executor, the Nan Shepherd estate), Rose Strang Kerri Andrews (other guests tbc)

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The Scottish Poetry Library, Crichton Close (off the Royal Mile) Edinburgh.

17th to 23rd April. The Heriot Gallery, Dundas Street, Edinburgh. The Living Mountain. Dreaming a Response.*

Exhibition of the original paintings included in the 2021 Folio Society publication of The Living Mountain by Nan Shepherd.(in collaboration with The Limetree Gallery, Bristol).

*The series of paintings will be exclusively available from the Heriot Gallery during the one-week exhibition.

2021-09-13

The Heriot Gallery, 20A Dundas Street, Edinburgh

Romance in the Scottish Highlands! (new commission)

Above: Scottish Highlands – “…with rain on your eyelashes”. Oil on 48×48 inch canvas. Rose Strang 2022.

The Scottish Highlands could be described as northern rainforest with an average of 182 inches of rain falling each year! Dreich! You might say, but it’s all about perspective …

The commissioner of the painting above, is Jamie Johnston, who lives in Colorado where she runs a wonderful organic bee farm that’s been in the family since 1908 – The Beekeeper’s Honey Boutique.

Jamie decided to get married in Scotland back in 2016 – ‘It rained the whole time’ she said, ‘but I loved it!’  She got in touch with me because she’d ordered a copy of the Folio Society’s publication of The Living Mountain by Nan Shepherd. (I’d been commissioned to provide paintngs for the book). Jamie described her enjoyment of the paintings while reading the book, which led to her contacting  the Limetree Gallery who represent most of my work.

She particularly loved the rainy dark ones which I love painting – they reminded her of the rainy weather during her romantic holiday and wedding in the Scottish Highlands.

Jamie decided that what she’d really like was a large version for the walls of her new home. The remit was just to paint whatever I liked, as long as it captured something of the Scottish Highlands drenched in rain. As any artist knows, it’s such a pleasure to be given a free rein to experiment, so I immediately began to visualise how it might look and how I’d create the right feel and atmosphere.

Jamie had sent a few photos of her time in the Highlands, which were really lovely as photos, but she explained these were just to give a sense of the sort of thing that had caught her eye – she didn’t intend for me to copy them. I did use one of them as a starting point, for composition and because I liked the waterfall and cloudy skies. Once the basic composition was sketched in though, I just built up layers of paint, drips and splodges until it had what I thought was the right feel. I wanted to get the sense of the Highlands – that pelting rain can quickly turn to sunshine then back again in the course of a few minutes!

Also giving a true sense of how water forms the landscape in Scotland, cutting swathes through rock and landscape over time – and further back in time – the retreating glacial action that gave those hump-backed whale-like shapes to the mountains.

You never know if you’ve managed to capture what a person has in mind, so I was swithering a bit on whether to add more, or change the painting. In the end I decided to send the image to Jamie by email to see what she thought. Painting it was a pleasure, but how someone reacts is what makes the commission a success.

I opened the email with some trepidation, so you can imagine what a huge smile Jamie’s reply put on my face for the rest of the day! …

“ROSE!!!!

I am dying!!! WOW!!! It is soooo incredibly beautiful…even more so than I imagined possible!!! Like I literally cannot stop staring at it!!! Those clouds…the colors on the mountain…those colors of that mountain valley down below…SERIOUSLY…how do you do that?! That is incredible!!! The talent that you have contributed to this world literally blows me away!!! I’ve never used this many exclamation marks in my life but I am on such a high right now!!!

It is beautiful. I love it immensely. Thank you for sharing your talent with me. It makes me very happy knowing I get to hang this (the first picture we will hang in our new home) & I can have a coffee or glass of whiskey & just stare at it & get lost in my memories through your beautiful painting. THANK YOU!!! Love, love, love. You captured EVERYTHING I had hoped for & then some”.

This blew me away as a response – music to my ears indeed!! Jamie also gave me the go-ahead to title the painting and so I began to think of romantic poems by Scottish poets (I too find the rainy Highlands romantic!) my favourite was this little gem, by Edwin Morgan:

Kiss me with rain on your eyelashes,
come on, let us sway together,
under the trees, and to hell with thunder.

Edwin Morgan. 2004. (Poem commissioned by the Scottish Poetry Library, Edinburgh  for Valentine’s Day 2004).

Hence the title! Scottish Highlands – “…with rain on your eyelashes”. And here’s another photo to show scale ..

A HUGE thank you to Jamie for this really lovely commission – Jamie and partner can always expect a warm welcome here in Edinburgh should they return at some point. In the meantime, I too shall enjoy a wee whisky in front of it before it wings its way through the clouds to Colorado!

Edinburgh Come All Ye

Above: Edinburgh Come all Ye, a book of poems by Alan Spence.

This book of poems by Alan Spence celebrates Scotland, Scottishness and the events of 2017- 2021, during which Alan Spence was appointed Edinburgh’s Makar. Each of the poems is accompanied by artworks by some of Scotland’s best known artists, and I’m honoured indeed to have my painting Wells of Arthur’s Seat, St Anthony’s Chapel from St Margaret’s Loch included in the book and as front cover!

Artists included are – Victoria Crowe, Alison Watt, David Williams, Calum Colvin, Doug Cocker, Andrew Archer and Joyce Gunn Cairns.

‘Makar’ is the title given to a learned and established poet who’s been invited officially to represent their country or city. Alan Spence was a great choice for the role from 2017 to 2021. His poems celebrate Scotland, but he is also influenced by Japanese literature and often writes in Haiku form. He’s also a lovely human being and great fun! He and his wife Janani opened their book shop and meditation centre in 2017 and I’d often drop in for a chat and to buy a book. In 2018 I invited Alan and Atzi Muramatsu to collaborate on a project that explores the history, flora and fauna of Arthur’s Seat in Edinburgh. It’s a hill rich in history and pre-history and my interest was in the wells that are dotted around the hill.

Alan’s beautfuul poem Wellwater which features in this book, is in the form of a wish, prayer or invocation. I was delighted by it as it captured the very essence of the project – the fact that since pre-history ordinary people believed that St Antony’s Well had healing properties. As Alan expresses in his poem ‘it’s free, it’s for everyone’. We might question the healing properties the well may have had, but in fact the water did have a high iron content (and who knows what effect their faith in its power may have had?)

The book is available to buy on the links below, and an event to launch the book takes place on the 7th September at 7pm at the Scottish Poetry Library. Alan will give a talk as part of the book launch and is sure to be as engaging as always with characteristic sensitvity and wit! It really is a delight to be a part of this book and I very much look forward to reading it.

Book launch – Edinburgh Come Al Ye, Alan Spence

Buy book at Scotland Street Press – https://www.scotlandstreetpress.com/product/edinburgh-come-all-ye

Buy book at Poetry Books – https://www.poetrybooks.co.uk/products/edinburgh-come-all-ye-by-adam-spence-pre-order

Coast

Above, Sanna Bay 2. Ardnamurchan. Oil on 47×47 inch canvas. Rose Strang 2022. One of four works still available at The Resipole Gallery (please contact the gallery for queries).

Thank you to the buyers who bought the following paintings, I hope they bring pleasure for many years to come! This has absolutely been one of my favourite series to paint, created while I was up north in Ardnamurchan with my partner Adam in May this year, it was such a beautiful time…

The following paintings are still available from the Resipole, please contact the gallery with any queries. Thank you – Resipole Gallery

And for those who might not have seen it yet, our arrangement of a beautiful song first created by songwriter Donald McColl (from Acharacle, Ardnamurchan) in the 1970s. The video features wonderful footage of Ardamurchan from our trip there this year, and some paintings in progress.

Summer Exhibition

The new Summer Exhibition group show at the Limetree Gallery, Bristol launches on Friday 15th July and continues until August 31st. (Preview Thursday 14th July 6:30 to 8:30pm.

The Limetree link above shows all paintings on exhibition including beautiful work by Peter Wileman FROI RSMA FRSA, David Smith RSW and Lucy McKie ROI

The two works I’m featuring in the exhibition  …

Summer Exhibition Limetree

Above: Sanna Bay, May. Ardnamurchan. Oil on 19.5 by 19.5 inch canvas. Rose Strang 2022. Below Primroses. Ardnamurchan. Oil on 19.5×19.5″ canvas. Rose Strang 2022

min 'Primroses, Ardnamurchan'. Oil on 19.5x19.5 inch canvas. Rose Strang 2022

These two paintings are for the upcoming Summer Exhibition at the Limetree Gallery, Bristol, which launches on the 15th July and continues until August 31st.

They take inspiration from my recent trip to Ardnamurchan where I created a series of works for Coast – a two-artist exhibition at the Resipole Gallery in Ardnamurchan (link Here)

It’s interesting that these two new paintings look more distilled and dreamlike than the rest of the series, which must be to do with them being created later, not immediately following my trip there. The one subject I hadn’t painted was the beautiful primroses that decorate the banks of the Silver Walk near Castle Tioram. I love the way they emerge from dark crevices in May, looking so delicate and fresh – beautiful wild flowers that grow abundantly on the west coast.

Donald McColl sang about the landscape of Ardnamurchan (and primroses!) in his beautiful song ‘Nach Falbh thu air and Turas Leam?’, and here’s our arrangement of the song again, featuring footage of Ardnamurchan and some of the painting process …

(Exhibition of the two paintings above from 15th July to 31st August at the Limetree Gallery Bristol.)

Connections

Above, chatting to people at the opening of ‘Coast’, at The Resipole Gallery a few days ago. The exhibition features paintings by myself, painter Jim Wright and ceramics artist Helen Michie, until 22nd July.

This has a been a very special year for many reasons – I’ve loved painting this series of Ardnamurchan for the Resipole and felt fully immersed in the season of May and June there, exploring the Silver Walk near Castle Tioram and the stunning coast at Sanna Bay.

As mentioned in a previous post, I created a video featuring our new arrangement of a song about Ardnamurchan, originally written by songwriter Donald McColl, so I was delighted when the project featured in an artcle in the National, here it is! –

https://www.thenational.scot/news/20203905.landscape-artist-rose-strang-unearths-rare-scottish-gaelic-gem/

The exhibition launch on Sunday 12th was a pleasure to attend. It’s a four-hour drive to Ardnamurchan but worth every minute for what turned out to be a very enjoyable meeting with the other artists, Jim Wright and Helen Michie, as well as gallery owner Andrew Sinclair and gallery manager Kerrie Robinson.

They did a fantastic job of presenting the exhibition, I think the colours, themes and mood of the works compliment each other beautifully …

It was lovely to hear the music of the McColl family (from a CD collection of pieces) played alongside our recent song arrangement, but especially enjoyable to hear live music from fellow exhibitor Jim Wright, who not only paints beautifully but also sings folk songs and plays guitar, all adding to the convivial atmosphere!

 

 

The best thing about this year though, is this! …

Adam and I got engaged! It’s a very special ring; the stone is taken from a rock I found on the Isle of Iona about thirty years ago. It’s from a rare seam of white marble streaked with green serpentine that’s found on the south coast of the island – the same stone was used for the alter of Iona Abbey.

Adam asked if he could take a small piece from my rock to use for the ring, which he’d designed and had cast in white gold. He polished up the rough cast ring, sawed the tiny piece off the rock, then buffed it down to fit, before sealing the stone in the encricling metal and giving the stone a final burnish.

To say I’m happy is an understatement. I think all those summery whites and greens in my Ardnamurchan paintings are saying something about the way I feel about it all … from the heart and soul.

Video project – a Scottish Gaelic song …

Here it is at last! As mentioned in my previous blogs, I’ve been working with two  talented musicians (my partner Adam Brewster and friend Donald Ferguson) and a translator (Ceit Langhorne) on a Scottish Gaelic song about beautiful Ardnamurchan.

It’s called ‘Nach Falbh thu air an Turas Leam’, which means ‘Won’t you go on a Journey with Me?’. Translation below the video. Hope you enjoy it!

 

The song was written by Donald McColl of Ardnamurchan (1901 – 1978) in 1975. It was re-recorded and arranged by Adam Brewster, Donald Ferguson and myself with kind permission of the McColl family and also thanks to the School of Scottish Studies, Edinburgh, where I first discovered the song. (Link Here – ‘Nach Falbh thu air an Turas Leam’ )

Without the help of Scottish translator and singer Ceit Langhorne there’s absolutely no way I could have sang the song – it was quite the learning curve, but so rewarding, and fun to work with Ceit!

It was wonderful to hear the sensitive and beautiful arrangement by Adam (harp) and Donald (guitar) taking shape. Adam also produced the song recording, which (despite my voice wavering here and there) sounds so lyrical.

Scottish Gaelic lyrics below, with English translation below each verse …

‘Nach Falbh thu air an Turas Leam.’

By Donald McColl- Ath Tharachail (1901-1977).

Translation and Transcription by Ceit Langhorne.

 

Sèist: Nach falbh thu air an turas leam

Gu Rubha Àird nam Murchan?

Far am bi na h-eòin cho basganta

A’ seinn sa bharraich uaine.

Nach falbh thu air an turas leam?

 

Chorus: Won’t you come with me on a journey

To the Point of Ardnamurchan

Where the birds so melodiously

Sing on the tops of the verdant birches

Won’t you come with me on a journey?

 

Bu mhiann leam a bhith nam fhòrichean

Air madainn òg-mhìos driùichdach 

Na h- eòin air gleus sa chamhanaich

A’ seinn le blàs san ùr-choill’

Nach falbh thu air an turas leam?

 

I would greatly desire to be alone

On a dewy June morning early

The birds with their reeds tuned on the branches in the gloaming

Singing a song with a fresh voice in the blooming forest

 

Nach bòidheach bheus de bhruaichean

Is beus an duilleach fuasgailt’

S’an t-seòbhrach bhan bhuidh’ spèisealta

A’sgeadachadh gach bruachaig

Nach falbh thu air an turas leam?

 

Lovely is the demeanour of the banks

When the leaf is unfurling

And the exceptional dapper-white primrose

Decorating every bank.

 

Na mhòrraichean tha rùnaichean

Le neòinean cùbhraidh fionn-dearg

Is leat-ghaoth tinn (?) na h-oiteagan

Le’m bholtrachas gad ionnsaigh

Nach falbh thu air an turas leam?

 

The marvels of the land that are beloved (?)

The fragrant sweet pale-pink daisies

The (?) wind and the breezes

Fragrantly coming towards you

 

Far am bi na fèidh s’ na fireachan

Cho ionmhalta a’ gluasad

Tha a’ dìon na coilltean taitneach

Nuair a thig an gailleann cruaidh orr’ 

Nach falbh thu air an turas leam?

 

Where the deer on the rough moorland

So admirable, praiseworthy moving

Making for the pleasant burns for shelter

When the tempest comes upon them

Nach Falbh thu air an Turas Leam

 

Gu Rubha Àird nam Murchan?

Far am bi na h-eòin cho basganta

A’ seinn sa bharraich uaine.

Nach falbh thu air an turas leam?

 

Ardnamurchan complete series

Above – Pine Trees, Silver Walk. Ardnamurchan. Acrylic and oil on 47×47″ canvas. Rose Strang 2022

This last painting completes the series for the upcoming exhibition at the Resipole Gallery, launching 12th June this year.

These give an idea of scale …

All paintings in the series below.

By Monday I’ll hopefully be posting progress on the video I’m editing, it’ll be a busy weekend!