Tag Archives: portrait paintings

Forest of Luffness. Painting progress 14

Above: First of June. Forest of Luffness 10. Oil on 12×12″″ canvas. Rose Strang 2025.

Today I updated yesterday’s painting of Richard Demarco, and as usual I’m not at all sure I shoudn’t have left it! Still, it does actually loo more like Richard, and it did need a bit more grounding – so I added legs, hint of the chair etc, but quite sketchy.

In the upcoming documentary, we”ll be interviewing Richard about some of his past work – exploring dialogue between war-torn countries and the healing presence of art.

Back when I worked with Richard as an assistant archivist and curator, Richard was working with Mercy Corp on an exhibition called Beyond Conflict, whch explored the negative impact 9/11 had had on a western view of Muslims.

We’ll be discussing that exhibition in the upcoming doc’ and we’ll be exploring the role of faith in art – does it change what we seek to express, or what we look for in others’ artworks?

Some more views of today’s finished painting.

Forest of Luffness, painting progress 6

Above: In progress – First of June. Forest of Luffness 3. Oil on 12 x 12 inch wood. Rose Strang 2024.

It feels good to be getting into the swing of a series for the first time in a while. I’ve created three so far in this First of June series, though today’s panting does need a bit more work ..

A bit more definition would help the painting and a few tweaks on the faces. The figure I’m happiest with is that of Terry Ann Newman (in the foreground with her back to us). Terry is the Deputy Director of the Demarco Trust and a very talented artist, when she finds time to paint. She’s holding a mobile in her hand behind her back, and it’s part of this series that we’re recording and witnessing the day in our different ways – there will be more of that.

I think I’ve managed to capture the feel of Richard’s detemination and physical struggle. I remember on the day in question I was a bit worried Richard might not want to walk the path to the Carmelite friary, because at 94 walking has become a challenge and the path required struggling over uneven ground in a forest for about ten minutes. Richard was characteristically determined however! He took great delight in the dappled light, the architecture of the stonework protecting the effigy and many other aspects of the day.

I think it was partly that he’d been inspired by my description of the ruined Carmelite friary near Aberlady but also, on the day, he was telling us about Pope Pius II who in 1435 walked barefoot in the snow all the way from Dunbar to Whitekirk to give thanks for his survival from a shipwreck in the Firth of Forth.

Whitekirk is just a few miles along the road from Aberlady and apart from the church, St Mary’s (which dates back to the 11th century) it also has a beautiful two-story stone building that served as a hostel for pilgrims travelling from Iona to Lindisfarne. Aberlady was an important stop on the way. After Aberlady and our visit to the Carmelite Friary, we also visited St Mary’s.

Readers of this blog might remember I took part on Landscape Artist of the Year a couple of years ago. It was fairly pointless escapade, frankly, except for meeting some nice folks (the other artists) one of whom was called Gregory Miller (artist website Here). He recently sent me a link to a film called No Greater Love, about a Carmelite Convent in Nottinghill, London.

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It’s worth a watch if you’re curious about their lifestyle. The footage and camera-work is Vermeer-like at times – capturing the natural light from windows and candles. It’s very, very quiet for the first half hour, then we get to know some of the nuns, what inspires them and why they’ve taken on this way of life.

It’s viewable on Amazon, not sure where else  …

No Greater Love

More painting tomorrow.