Today’s been quite productive and I can see the kernel of a series taking shape – the colours, shapes and brushwork. The series (which will include at least 20 small works on wood, and a series of 3 etchings) will follow the journey from Ullapool to Lewis then Harris.
These are an ok start. I think they’d work well as a block; a bit like a wall of tiles, where the sense of changing light and landscape can be seen as a pattern, which will take a bit longer to emerge…
The painting of a small boat seen at a distance in fading light (from the ferry to Stornaway) took several variations (images below) the first of which was best. I’ll work more on this tomorrow – the key is a very fast, instinctive paintwork and I was annoyed at myself for fussing and changing what I knew worked better in the first place!
I’m also playing around with the idea of luminous lines – an idea which began as imagining lines echoing the landscape in luminous night-glo tape and words for Louise’s poems.
Easy to think of, tricky to do! (the image on left shows the basic idea, though the reality would be smaller scale, tape affixed to fences etc).
Since we’re applying for the An Lanntair project which has a small budget, I’ll put this idea on ice for the moment, but it can be reflected in paintings and etchings, for example the lime-green line next to the Callanish stone in ‘Callanish 1’ above.
Hi Rose, at last I visited your site. In some of your paintings I can feel the Western Highlands, although we didn’t make it to Lewis and Harris. But the atmosphere reminds me of Skye, where we met you and Louise in the Croft Bunkhouse. Go on with your experiments! We will be back….on your site and at Lewis and Harris!
Greetings, Marion (&Ronald) from the Netherlands
Hi Marion, lovely to hear from you and I hope you both had a great holiday. Wasn’t that bunkhouse eccentric!
Louise and I hope to be back on Lewis and Harris soon too, we might see you there!
Wishing you and Ronald all the best, Rose x