Monthly Archives: September 2025

Braemar Literary Festival September

I’m excited to be part of the Braemar Literary Festival this year. Not as an author, more as an artist in thrall to an author; namely Nan Shepherd and her much acclaimed book about the Scottish Cairngorms: The Living Mountain.

My paintings from the Living Mountain Series will be showing in the Highland Pavilion, Braemar on the 27th and 28th September and I’ll be there for ‘meet the artist’ from 12 noon to 1:30pm.

If you follow this blog you’ll maybe remember the exciting commission I was given by the Folio Society, London, in 2021. The Folio were re-publishing their own edition of The Living Mountain, and sought an artist to illustrate the book. I felt honoured and surprised – this being one of my favourite books of all time! (the Folio edition is now completely sold out – it’s possible to buy a copy online from booksellers but it’s now into the £100s. How I wish I’d held on to more of the copies they gave me. I have just one left)

The Braemar Literary Festival was founded by world-famous art collectors Hauser and Wirth, who own the Fife Arms Hotel in Braemar. The’ve turned the hotel into a quite extraordinary experience, the place is festonned with stunning original works of art including a Picasso and an enormous Bruegel in the dining room. The atmosphere is high-end but not uppity, the style in keeping with its Victorian heritage, they even have a framed letter by Queen Victoria tucked away in an alcove somewhere.

Guest speakers to the festival will include Monica Ali, Alexander McCall Smith, David Nichol (known most recently for the televised version of his heart-rending novel; One Day), Giles Coren and many more interesting authors, journalists and presenters (link Here)

Hope to see you there! Here’s the info again …

My paintings from the Living Mountain Series will be showing in the Highland Pavilion, Braemar on the 27th and 28th September and I’ll be there for a ‘meet the artist’ hour from 12 noon to 1:30pm.

August. Day 2

Above: August II . Oil on 12×9″ wood panel. Rose Strang 2025

The cold having abated a little I’m continuing with this new series – all about light on stone. More about it Here.

This is a view of a 19th century church in Bath. I liked the mystery and sense of unknown – the sense of invitation. It’s no mistake that ‘entrance’ also has a mystical meaning.

Today’s painting is dedicated to our friend and neighbour Maureen Stewart, who passed away this morning.

I’ve never seen anyone more reconciled to her end – more good-humoured, even though her end came too soon (she was only in her 60s). She had the most wry and mischievous sense of humour, a litle bit dark at times!

She believed in life after death. She’d experienced astral projection many times. She said she was ready to meet her end.

May she rest in peace, joining all the other wonderful souls.

August series

I did say I’d post an update on today’s progress on the August series, but have a nice cold coming on, so there’s a palette, above.

Such a different set of tones and colours from work earlier in the year on The Forest of Luffness series.

More painting when I’m a bit better …

August

Above: August I. Oil on 12×9″ wood panel. Rose Strang September 2025

The start of a new series aways begins with a certain amount of fretting! I think I’ve now found a way to explore what inspired me though – namely, August light and shadow on stone.

Not just any stone – this was inspired by a brief visit to Bath during the height of August to visit a friend of my partner Adam (hello Martin!) – a fellow architect. They met while studying architecture back in the 90’s and have remained great friends ever since.

So of course we were treated to a tour of Bath to admire its architecture and Jane Austen vibe in late August sunshine. You couldn’t get more touristy really, but sunlight on stone has always amazed me. I’ve never been trained in the art of architectural drawing, so I’m keeping it simple.

My last series (viewable on this link Forest of Luffness) was so challenging, with such complex ideas that I wanted to keep it simple for the rest of the year.

This series titled August is the first of two series I’ll be painting until the end of the year. The second will be titled November and will focus on the subtleties of light within interior settings.

Both series will be framed in hand-made and wood-stained en plein air frames (think large, dark wood Vermeer-esque frames) which will add much to the architectural theme.

It feels good to get started. More tomorrow …