Connections

Above, chatting to people at the opening of ‘Coast’, at The Resipole Gallery a few days ago. The exhibition features paintings by myself, painter Jim Wright and ceramics artist Helen Michie, until 22nd July.

This has a been a very special year for many reasons – I’ve loved painting this series of Ardnamurchan for the Resipole and felt fully immersed in the season of May and June there, exploring the Silver Walk near Castle Tioram and the stunning coast at Sanna Bay.

As mentioned in a previous post, I created a video featuring our new arrangement of a song about Ardnamurchan, originally written by songwriter Donald McColl, so I was delighted when the project featured in an artcle in the National, here it is! –

https://www.thenational.scot/news/20203905.landscape-artist-rose-strang-unearths-rare-scottish-gaelic-gem/

The exhibition launch on Sunday 12th was a pleasure to attend. It’s a four-hour drive to Ardnamurchan but worth every minute for what turned out to be a very enjoyable meeting with the other artists, Jim Wright and Helen Michie, as well as gallery owner Andrew Sinclair and gallery manager Kerrie Robinson.

They did a fantastic job of presenting the exhibition, I think the colours, themes and mood of the works compliment each other beautifully …

It was lovely to hear the music of the McColl family (from a CD collection of pieces) played alongside our recent song arrangement, but especially enjoyable to hear live music from fellow exhibitor Jim Wright, who not only paints beautifully but also sings folk songs and plays guitar, all adding to the convivial atmosphere!

 

 

The best thing about this year though, is this! …

Adam and I got engaged! It’s a very special ring; the stone is taken from a rock I found on the Isle of Iona about thirty years ago. It’s from a rare seam of white marble streaked with green serpentine that’s found on the south coast of the island – the same stone was used for the alter of Iona Abbey.

Adam asked if he could take a small piece from my rock to use for the ring, which he’d designed and had cast in white gold. He polished up the rough cast ring, sawed the tiny piece off the rock, then buffed it down to fit, before sealing the stone in the encricling metal and giving the stone a final burnish.

To say I’m happy is an understatement. I think all those summery whites and greens in my Ardnamurchan paintings are saying something about the way I feel about it all … from the heart and soul.

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