Today’s painting of the Severn – a bit more abstract. Also more work on Severn 2 and 3, which seems to suit a more abstract approach. The views in real life are very simple in a way – huge skies, long bands of land in subtle colours, but it’s the feeling of distance and atmosphere that’s hard to capture in a painting so I’m experimenting with atmospheric effects with scattered pigment and salt, rather than the usual graduated fading into distance which can look predictable or tedious, since we’re so used to seeing that in paintings. In ‘Severn 4’ I’ve scraped back to the wood which has a nice sand tone.
Canalscapes and Severn (in progress) 6
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